I agree. We've become paranoid about every little defect. With film,  
we couldn't fix 'em, so we didn't worry. I refuse to agonize over  
minutiae. The only time I have problems with fringing is in the case  
you mentioned below: Backlit tree branches in winter. Ditto for  
backlit birds against the sky. The shot of the woodpecker that I  
posted last night required some fringe removal. It took all of about  
three minutes.
Paul
On Apr 14, 2007, at 12:21 AM, Mark Erickson wrote:

> Brendan's post and the response bring up an interesting issue that  
> seems to
> increasingly dominate the digital photography world--pixel peeping and
> hunting for defects.  It is easy to zoom up to 200% and tear apart  
> an image,
> but how much of the defects we observe will actually show up in  
> real world
> applications?
>
> For example, the DPReview Pentax SLR forum has had several VPN  
> (vertical
> pattern noise) threads lately.  Basically, if you crank the ISO way  
> up,
> shoot in very low light, then amplify the shadow areas in Photoshop  
> you'll
> see patterns in the noise.  My *ist-Ds does it, but I never noticed  
> it until
> I went looking for it.  My ultimate conclusion is, "So what?"  It's  
> like the
> old joke where the patient says, "Doctor, it hurts when I do XXXX,"  
> and the
> doctor responds, "So don't do XXXX".
>
> I know that blooming and CA can be pretty obvious in certain  
> situations
> (e.g., backlit tree branches in winter).  In less contrasty cases,  
> you may
> be able to find it if you go looking for it.  If it's not obtrusive,
> however, why worry so much about it?
>
> Just a thought....
>
>
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