Great information!  I really appreciate the time you have taken.  I
have owned the Tamron in the past and it is a fine lens - however, I
prefer the rendering of the A 35-105 over it.

There are a few issues that may be solved by the 24-90.  One is the
range it covers.  I have the DA 16-45 also, but find that in weddings,
many times it does not have quite the reach and have to keep
switching.  There are more times that I would shoot longer than 45mm
than shooting shorter than 24mm so the 24-90 would cause fewer lens
changes.

I have also done some testing of SR and find that it really does work
best when set to the correct focal length.  So the A 35-105 is really
not a convenient candidate for using SR when I am dealing with the
speed of a wedding.

The 24-90 will transmit the current focal length.  But as you have
pointed out, being IF, the trasmitted focal length may not be that
accurate.  In that case, I wonder how well the SR really works?
Interesting question.

I still plan to heavily use the A 35-105 as it is such a great lens
for people, but would be nice to have another available.  I also
sometimes have my daughter shoot with me and it would be useful for
her too when I am using the DA 16-45 and A 35-105.

Any other suggestions of lenses out there.  For this, I would want it
to be AF and at least 24mm wide and good optical quality.

Thanks,

Bruce



Saturday, February 10, 2007, 2:00:34 PM, you wrote:

GI> J. C. O'Connell <[EMAIL PROTECTED]> wrote:
>> Are you guys talking about usage on 35mm (FF) or APS
>> digital?
>> jco

GI> I am talking about APS digital...

GI> Bruce, after checking more carefully the shots and making a few
GI> more I have something more accurate to say about the sharpness
GI> of the two: the 35-105 seems to be better wide open and stopped
GI> down 1-1,5 stops (I made many of the first comparison shots at
GI> f/4,5) especially in the corners. Stopping down the 24-90 more
GI> than the 35-105 by at least 1/2 stop brings to *almost* similar
GI> results. (the 24-90 is slower, so the amount of stops to have a
GI> comparable sharpness is similar, but you are nevertheless using
GI> a slower aperture...)
GI> The 24-90 is a IF lens, so the focal lenght varies when focusing
GI> (at 90mm it should be a true 90mm only at infinity, so you lose
GI> a lot of reach when you focus closer - to match the fov of the
GI> 24-90mm at 90 focused at 50cm I had to set the 35-105 at around
GI> 75mm). Another thing, the 24-90 at 35 is truly a 35mm and
GI> definitely wider than the 35-105 at 35... The 35-105 starts at
GI> something like 38mm, if not more (40mm?)
GI> IMO the 35-105 may behave on APS digital as a great portrait
GI> zoom, when you have the time to focus and choose the appropriate
GI> focal lenght. The 24-90 may be not the ultimate performer, but
GI> is probably more useful (for me as a PJ, for sure) when you're
GI> in a hurry.

GI> Ciao,

GI> Gianfranco


GI> _


 
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