Kenneth Waller wrote:

> So it begs the hypothetical question - would you have taken the image or 
> just enjoyed the scene for what it was worth?
> Something that I've come to grips with after many years of capturing images 
> that I eventually discard for similar reasons. There are very few images 
> I'll attempt with out first evaluating the quality of the light.
> 
> 
> Kenneth Waller

Here we go. Something to chew on.

Several years ago, I went on a shoot with Don Nelson, who worked for 
Pentax, and some newspaper guy from North Carolina. We had decided to 
meet in a little town in Tennessee near the NC border, to hike in and 
photograph Mouse Creek Falls.

We arose early, way before dawn, grabbed up all our gear and drove to 
the trailhead. It was somewhere in the mid-teens, Fahrenheit-wise, and 
the trail was up a pretty steep angle. The falls were three miles into 
the woods.

It was rocky and cold there in the NC mountains, but we made it all the 
way in, only to realize that the light was absolutely wrong; we should 
have waited until afternoon. We set up and shot anyway, -we'd come in, 
and bygawd we were gonna take pictures- but I've never really liked the 
results I got, even using a P67.

Now, like everyone else here, I shoot quite a bit. The overwhelming 
majority of the photos I get come under the category of record-keeping; 
I'm in a place, so I get shots of that place. The quality of the light 
is not as important as the proof I was there, I think.

But if you want to see me excited, or as excited as I ever get, give me 
some good light, and I'm all over it. I start looking for a subject that 
fits the light, and the whole magic of photography thing strikes me anew.

You have to be wary of becoming too dependent on golden light. When I 
mention "good" light, it may not be that perfect warmth of the 
early/late hour. What I mean is light that is interesting, whether it's 
dusky or rainy or foggy or something different entirely. It's one of 
those things that I know when I see it. There are subjects which will do 
justice to that particular quality of light, if only we can find them.

Obviously, the best times are when I'm somewhere special, whether it's 
my backyard or Paris, or wherever, =and= the light's good.

That's when it's fun.

Did I answer the question?

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