Got it.  Thanks.

Tom C.




>From: Godfrey DiGiorgi <[EMAIL PROTECTED]>
>Reply-To: Pentax-Discuss Mail List <[email protected]>
>To: Pentax-Discuss Mail List <[email protected]>
>Subject: Re: Silly HDR Question
>Date: Sat, 4 Nov 2006 14:38:53 -0800
>
>No, that's not the right way to think about it. Read what I wrote
>below carefully.
>
>The sensor has an absolute dynamic range. Exposure settings establish
>the environment in which that dynamic range operates electically,
>essentially setting the gain "window" over which the sensor can
>capture intensity values. You can adjust what HAS been captured
>within certain boundaries mathematically after the fact, which is
>what you're doing when you modify the gamma correction curve in a RAW
>converter, but you cannot change what has been captured. That can
>only be adjusted by exposure at the time of capture.
>
>An HDR technique of taking multiple exposures at different settings
>than merging them together allows the sensor's absolute dynamic range
>to be extended, synthesizing a larger dynamic range through repeated
>and different 'windows' on the subject intensities.
>
>Godfrey
>
>On Nov 4, 2006, at 1:56 PM, Tom C wrote:
>
> > What you say makes sense excpet when I think of it like this:
> >
> > I was thinking of the data captured by the sensor as basically a
> > bitmap.  If
> > all adjusting gain (up/down) on the sensor effectively does, is to
> > make an
> > individual pixel, lighter or darker than it would have been
> > otherwise, then
> > it *seems* that the same thing could be done post-capture, sans-
> > sensor.
> >
> > So is my thinking basically correct in principle, but not
> > necessarially so
> > in practice?
> >
> >> In simple terms:
> >>
> >> - Making one exposure and than adjusting it once out of the camera
> >> always locks you into whatever happens to be the maximum analog
> >> dynamic range of the sensor. If elements of a scene fall outside that
> >> dynamic range, you get black/noise or total saturation, no matter how
> >> much adjustability a RAW converter might have or how much data
> >> recovery it can do.
> >>
> >> - Making a set of exposures at different exposure settings and then
> >> integrating them together allows you to window the scene with a
> >> dynamic range wider than what the sensor can acquire in one exposure.
>
>
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