"Technically perfect, realistically rendered" work, when supported by a
worthy scene, is my, likely unreachable, fantasized goal.
Screaming, repulsive, over saturation is simply driven by a crass reach
for the fringe market.
Not original, but cleansing to write.

Jack


--- [EMAIL PROTECTED] wrote:

> No, you won't go bankrup catering to the tasteless masses. Yet those
> who are certain that specific techniques are categorically
> "tasteless" are frequently captive to their own narrow thinking.
> Almost any style of representation can be done in an artful way,
> including a high saturation cartoon look. Straight, down the middle
> of the road photography doesn't represent the entire spectrum of what
> can be good. That being said, Turner's work isn't spectacular, but
> it's no worse than a lot of the technically perfect, realistically
> rendered pro work that I've seen.
>  -------------- Original message ----------------------
> From: Bob Shell <[EMAIL PROTECTED]>
> > 
> > On Jun 28, 2006, at 8:18 PM, Paul Stenquist wrote:
> > 
> > > I've seen some portfolios from working pros with similar highly
> > > saturated work. Some of them are making a lot of money. It's  
> > > different,
> > > it's not realistic, but it's not necessarily bad. It's just a  
> > > different
> > > way of looking at the world, and -- by the way -- when done well,
> it
> > > can sell.
> > 
> > Yep.  "No one ever went bankrupt by underestimating the good taste
> of  
> > the American public."
> > 
> > Bob
> > 
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> 
> 
> -- 
> PDML Pentax-Discuss Mail List
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> 


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