J,Would the 'inaccuracy' detract even, the least bit, from the
satisfaction of the sale?
Depends on your comfort level.

Jack
--- [EMAIL PROTECTED] wrote:

> In a message dated 4/30/2006 8:53:02 PM Pacific Daylight Time, 
> [EMAIL PROTECTED] writes:
> Now, I actually haven't printed more than 4 or 5 of any of my
> photographs. So making them limited editions of 50, or even 25, would
> be easy (and meaningless.) It seems like this would add "value" to my
> pictures though, for some reason not really related to their content.
> 
> I'm actually thinking about doing this--meaningless as it is, it's
> also free for me...
> 
> What are the thoughts of the list about this?
> 
> Cheers,
> 
> j
> =======
> I always figured, if I even get to the level of mixing artwork and 
> photography and producing something, I'd go with limited edition
> prints.
> 
> It is definitely the way to go. The way to make money. Buyers want to
> know 
> that they are buying something rather "rare." That, in other words,
> there 
> haven't been hundreds and hundreds of copies run off. (They are also
> willing to pay 
> more that way.) It applies especially well to artwork (silk screens
> and 
> things, although not that many do silk screens anymore), but I am not
> sure how well 
> it applies to photography. And, yes, digital seems to make it rather
> silly. 
> But not completely silly. Having a master doesn't mean that one
> literally makes 
> a continuous series of a bunch of prints. And prints are the product
> as far as 
> most people are concerned, not the master.
> 
> Personally, if I ever do this, I meant to research it. I think there
> are 
> loopholes so that one can do a reprint say in the future, say 20
> years later, if 
> it is necessary. Forms and legalities. Ways to reassure people this
> is a 
> limited edition (of 25-50-whatever). Guaranteed by the artist. But
> that the artist 
> still retains all rights to the master. And that there is a loophole
> for 
> further reprints if necessary (shows, museums, etc.) There must be
> someplace on the 
> Net that details how to do this legally.
> 
> It's a good idea, in other words. It's the way the art world (and
> maybe the 
> photography world) work. For good reasons, when you think about it.
> 
> Marnie aka Doe 
> 
> 


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