But slide film is of no use unless you process it, thereby introducing other 
variables. A RAW file on a calibrated monitor is probably the best gauge of 
exposure one could find.


> [EMAIL PROTECTED] wrote:
> 
> > I agree that a print isn't a good gauge of exposure accuracy, but a digital 
> file is a quite accurate measure. A RAW file is, in fact, untouched exposure 
> data.
> > Paul
> 
> But is absolutely no use unless you print it or put it on a monitor, 
> thereby introducing another level of variables.  Slide film is the 
> _only_ single process image producer in common use.
> 
> > 
> > 
> > 
> >>>From: "Jens Bladt" <[EMAIL PROTECTED]>
> >>>Date: 2005/05/20 Fri PM 02:04:29 GMT
> >>>To: <[email protected]>
> >>>Subject: RE: Understanding exposure?  Recommendations?
> >>>
> >>>What do you mean, William? Isn't this what I've been saying all along?
> >>>Or are you saying that if you wepose badly, you'll very likely become a
> >>>great printer :-)
> >>>But being a skilled printer, doesn't mean you shouln't expose properly, 
> >>>does
> >>>it? Prints still can't produce deatails lost due to inproper exposure.
> >>>Burned out highlights is a good example IMO.
> >>>
> >>>What Bob said. That proper/inproper exposure is exclusivly the printers
> >>>Toncern/problem. Not the photographers.
> >>>This is where I disagree. And I will continue to do so. Even when shooting
> >>>RAW I get bad exposures from time to time if I rely on the cvamera metering
> >>>suggestions.
> >>
> >>No.  My interpretation of what Bob said is that "if you use prints to 
> >>evaluate 
> >>your exposure quality/process, you have to take into account the vagaries 
> >>of 
> the 
> >>printing process.  To eliminate that, you have to use a first generation 
> >>image 
> >>producer - currently the only one is slide film"  I find it hard to believe 
> that 
> >>you don't grasp the difference for this purpose between using positive film 
> and 
> >>making prints from either a negative or digital file.
> >>
> >>mike
> >>
> >>
> >>>Jens Bladt
> >>>mailto:[EMAIL PROTECTED]
> >>>http://hjem.get2net.dk/bladt
> >>>
> >>>
> >>>-----Oprindelig meddelelse-----
> >>>Fra: William Robb [mailto:[EMAIL PROTECTED]
> >>>Sendt: 20. maj 2005 15:29
> >>>Til: [email protected]
> >>>Emne: Re: Understanding exposure? Recommendations?
> >>>
> >>>
> >>>
> >>>----- Original Message -----
> >>>From: "Jens Bladt"
> >>>Subject: RE: Understanding exposure? Recommendations?
> >>>
> >>>
> >>>
> >>>>I don't agree. It has nothing to do with printing. We are talking about
> >>>>exposure here - not about how to resque faulty exposures.
> >>>
> >>>Jens, get a grip.
> >>>If you don't learn how to make good exposures, then you are going to be
> >>>spending a lot of time fixing buggered up pictures.
> >>>This will involve some screwed up exposures.
> >>>
> >>>I became a much better darkroom worker by doing printing for photographers
> >>>who didn't produce good negatives.
> >>>
> >>>William Robb
> >>>
> >>>
> >>>
> >>>
> >>
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> >> 
> >>
> > 
> > 
> > 
> > 
> 

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