Rob walked me through my first few RAW conversions and
the result was much better than anything I had previously
attained working from TIFF files.
I understand the time concern, I have the same problem.
My quest here is to see what quality I'm able to achieve
from digital as compared to film.
Unlike many here I still shoot film far more often than
not when I want to be confident of getting good results.
It's an 'old dog, new tricks' sort of thing.
For simple shots at a party or event I shoot JPEGs,
they are quite good enough sometimes.
For things that really count the fact is I know film
better, so I use it.
If I can settle into a digital workflow that is
consistent AND efficient I will probably stop shooting
film. Except, of course, for fun.
As it is now digital takes me WAY too long for the results
I get.

Don


> -----Original Message-----
> From: Tom C [mailto:[EMAIL PROTECTED]
> Sent: Saturday, March 12, 2005 6:31 PM
> To: [email protected]
> Subject: RE: Best all around RAW converter/manager(s)??
>
>
> All this makes me wonder several things...
>
> 1.  How often is it that *I* will be able to come up with a better image
> than the in-camera software would generate?
> 2.  How will I ever know that the camera might have done better,
> if I shoot
> in RAW and therefore never will have seen the TIFF file the camera would
> have produced (unless I take the time to do two indentical
> exposures back to
> back in both RAW and TIFF)?
> 3.  Do I have the time to learn how to adjust all the parameters,
> especially
> ones that I have a marginal understanding of, CA for example?
> 4.  Would I be better off improving my photography skills vs. my image
> manipulation skills?
>
> I understand why RAW has benefits... but in some respects as pointed out,
> it's akin to working with a negative.  As a mainly transparency
> shooter, it
> seems that the TIFF file is more analogous with a transparency.  I can
> adjust TIFFS or I can scan a transparency and adjust it.
> Granted, not with
> the same latitude as a negative or a RAW image.
>
> Not making a case against RAW, just trying to understand the
> trade offs...
> time being a major factor.
>
> Tom C.
>
>
>
> >
> >True, you may notice the difference in print at huge sizes or in
> shots made
> >under marginal conditions but really any shots that might
> benefit from the
> >use
> >of CS or C1 RAW over PhotoLab need to be dealt with on a per image basis
> >anyhow. For instance if wish to correct for CA it varies per
> lens and with
> >focal distance and aperture and zoom setting. Again for critical noise
> >adjustment it varies with ISO and exposure period.
> >
> >
> >Rob Studdert
>
>

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