----- Original Message -----
From: <[EMAIL PROTECTED]>
To: <[EMAIL PROTECTED]>
Sent: Friday, June 25, 2004 11:46 AM
Subject: pentax-discuss-d Digest V04 #670


> ------------------------------
>
> Content-Type: text/plain
>
> pentax-discuss-d Digest Volume 04 : Issue 670
>
> Today's Topics:
>   Re: The Last Two Days                 [ "William Robb"
<[EMAIL PROTECTED] ]
>   Re: FA* 80-200/2.8 discontinued?      [ "Nenad Djurdjevic"
<[EMAIL PROTECTED] ]
>   RE: Terminals (was SpaceShipOne)      [ "Malcolm Smith"
<[EMAIL PROTECTED] ]
>   Re: FA* 80-200/2.8 discontinued?      [ Gonz <[EMAIL PROTECTED]> ]
>   Re: FA* 80-200/2.8 discontinued?      [ "Nenad Djurdjevic"
<[EMAIL PROTECTED] ]
>   Re: Pentax F-series lenses??          [ [EMAIL PROTECTED] ]
>   Re: FA* 80-200/2.8 discontinued?      [ Gonz <[EMAIL PROTECTED]> ]
>   Re: FA* 80-200/2.8 discontinued?      [ [EMAIL PROTECTED] ]
>   Re: FA* 80-200/2.8 discontinued?      [ "Alan Chan"
<[EMAIL PROTECTED]> ]
>   Re: FA* 80-200/2.8 discontinued?      [ "Alan Chan"
<[EMAIL PROTECTED]> ]
>   M 75-150 and social theory            [ [EMAIL PROTECTED] ]
>   Re: Pentax F-series lenses??          [ "Alan Chan"
<[EMAIL PROTECTED]> ]
>   Re: Pentax F-series lenses??          [ "Alan Chan"
<[EMAIL PROTECTED]> ]
>   Re: FA* 80-200/2.8 discontinued?      [ Frantisek Vlcek
<[EMAIL PROTECTED]> ]
>   Re: Pentax F-series lenses??          [ Frantisek Vlcek
<[EMAIL PROTECTED]> ]
>   Re: Pentax F-series lenses??          [ Arnold Stark
<[EMAIL PROTECTED]> ]
>   RE: M 75-150 and social theory        [ "Jens Bladt"
<[EMAIL PROTECTED] ]
>   RE: Pentax F-series lenses??          [ "Jens Bladt"
<[EMAIL PROTECTED] ]
>   Re: *istD firmware wishlist (open le  [ "keller.schaefer"
<keller.schaefer@ ]
>   Re: OT - test                         [ Antonio Aparicio
<[EMAIL PROTECTED] ]
>
> ------------------------------
>
> Date: Thu, 24 Jun 2004 22:22:46 -0600
> From: "William Robb" <[EMAIL PROTECTED]>
> To: <[EMAIL PROTECTED]>
> Subject: Re: The Last Two Days
> Message-ID: <[EMAIL PROTECTED]>
> Content-Type: text/plain;
> charset="Windows-1252"
> Content-Transfer-Encoding: 7bit
>
> ----- Original Message -----
> From: "frank theriault"
> Subject: Re: The Last Two Days
>
>
> > Peter,
> >
> > I was having a fine day until Cesar and Jostein decided to gang up
> on me,
> > and be real mean and all that stuff...
> >
> > :-(
> >
>
> Watch it, next thing you know, Frank will inflict a drive by shouting
> on you.
>
> William Robb
>
> ------------------------------
>
> Date: Fri, 25 Jun 2004 12:27:59 +0800
> From: "Nenad Djurdjevic" <[EMAIL PROTECTED]>
> To: <[EMAIL PROTECTED]>
> Subject: Re: FA* 80-200/2.8 discontinued?
> Message-ID: <[EMAIL PROTECTED]>
> Content-Type: text/plain;
> charset="iso-8859-1"
> Content-Transfer-Encoding: 7bit
>
> alex wetmore wrote:
> >
> > I would like to see a 40-140 or so DA telephoto which is smaller than
> > the DA 16-45/4.  Something with a 58mm filter size and perhaps the
> > length (but wider) of the M 135/3.5 prime would be ideal in my mind,
> > and I think that is feasable.
>
> What about the F35-135/3.5-4.5?  Admittedly it doesn't meet your first
> requirement as it is a bit bigger than the DA 16-45/4.  However it is well
> built with a solid feel, has a 58mm filter, is reasonably fast and is
> perhaps an ideal companion for the DA 16-45/4.  On the *istD it is an
> effective 52-202 so that both lenses together cover a range approximately
> equivalent in 35mm terms to 24-200.
>
> ------------------------------
>
> Date: Fri, 25 Jun 2004 05:55:43 +0100
> From: "Malcolm Smith" <[EMAIL PROTECTED]>
> To: <[EMAIL PROTECTED]>
> Subject: RE: Terminals (was SpaceShipOne)
> Message-Id: <[EMAIL PROTECTED]>
> Content-Type: text/plain;
> charset="us-ascii"
> Content-Transfer-Encoding: 7bit
>
> Anders Hultman wrote:
>
> > Bus terminals, ferry terminals and even train terminals have
> > already been mentioned. May I remind you that the telecom
> > industry calls the cell phones we carry around "terminals" as
> > well. The socket where you connect the speaker cables to your
> > ampifier are called terminals, and some of us computer users
> > sit in front of terminals, too.
>
> The key word is crash. If your computer crashes, it's a damn nuisance. If
> your plane/ferry etc crashes, it could ruin your *whole* day or be, er,
> terminal.
>
> Malcolm
>
> ------------------------------
>
> Date: Thu, 24 Jun 2004 23:55:54 -0500
> From: Gonz <[EMAIL PROTECTED]>
> To: [EMAIL PROTECTED]
> Subject: Re: FA* 80-200/2.8 discontinued?
> Message-ID: <[EMAIL PROTECTED]>
> Content-Type: text/plain; charset=us-ascii; format=flowed
> Content-Transfer-Encoding: 7bit
>
> Its a piece of junk.  (F35-135/3.5-4.5) Sorry, just my opinion.
>
> [EMAIL PROTECTED] wrote:
> > alex wetmore wrote:
> >
> >>I would like to see a 40-140 or so DA telephoto which is smaller than
> >>the DA 16-45/4.  Something with a 58mm filter size and perhaps the
> >>length (but wider) of the M 135/3.5 prime would be ideal in my mind,
> >>and I think that is feasable.
> >
> >
> > What about the F35-135/3.5-4.5?  Admittedly it doesn't meet your first
> > requirement as it is a bit bigger than the DA 16-45/4.  However it is
well
> > built with a solid feel, has a 58mm filter, is reasonably fast and is
> > perhaps an ideal companion for the DA 16-45/4.  On the *istD it is an
> > effective 52-202 so that both lenses together cover a range
approximately
> > equivalent in 35mm terms to 24-200.
> >
>
> ------------------------------
>
> Date: Fri, 25 Jun 2004 13:03:16 +0800
> From: "Nenad Djurdjevic" <[EMAIL PROTECTED]>
> To: <[EMAIL PROTECTED]>
> Subject: Re: FA* 80-200/2.8 discontinued?
> Message-ID: <[EMAIL PROTECTED]>
> Content-Type: text/plain;
> charset="iso-8859-1"
> Content-Transfer-Encoding: 7bit
>
> Gonz wrote:
> > Its a piece of junk.  (F35-135/3.5-4.5) Sorry, just my opinion.
>
> What's wrong with it?
>
> ------------------------------
>
> Date: Thu, 24 Jun 2004 23:46:30 -0500 (CDT)
> From: [EMAIL PROTECTED]
> To: [EMAIL PROTECTED]
> cc: [EMAIL PROTECTED]
> Subject: Re: Pentax F-series lenses??
> Message-ID: <[EMAIL PROTECTED]>
> Content-Type: TEXT/PLAIN; charset=US-ASCII
>
> > >F lenses are hard to find used, and presumably impossible to find new.
> > >They aren't exactly attractive, and they don't have the build quality
> > >of even the A lenses.  Manual focus with them is not great (in common
with
> > >early AF lenses from other manufacturers).  Most of the good ones
appear
> > >to be optically identical to the A versions.  All of these seem to be
> > >valid reasons why the F lenses are unpopular.
> >
> > I believe their regular F primes were built well, certainly better than
FA
> > lenses. They may have plastic shells, but metal inside.
>
> Actually, the build wasn't bad, especially compared to some of today's el
> cheepo zooms and some third party efforts I've seen, but they FELT loose
> and plastic compared to most manual-focus lenses from the previous era.
> Given the AF performance of the SF series, the bad manual focus handling
> was a real issue, too.
>
> > >Really the only NEW F primes I can think of are the 300/4.5 and the
> > >135/2.8, both of which are well regarded, and the 600/4 which we
> > >understandably don't hear much about.
> >
> > You missed the macros, and the F*250-600/5.6 too.
> > Alan Chan
> > http://www.pbase.com/wlachan
>
> Yep.  I'd put the 250-600 in the same category as the 600/4--too expensive
> for mere mortals.  IIRC the F macros have very good reputations.
> This just supports my contention that while the new F primes (all 5 or 6
> of them, assuming the macros are new designs) were good optics the F
> series had a number of mediocre zooms and lacked a number of the better A
> (or K or M) designs.  By contrast the A series had a number of new,
> top-of-the-line designs and many improved versions of familiar primes.
> It seems to me that the A line was the fullest and bestest, which leaves
> the F line looking inferior.
>
> DJE
>
> ------------------------------
>
> Date: Fri, 25 Jun 2004 00:27:07 -0500
> From: Gonz <[EMAIL PROTECTED]>
> To: [EMAIL PROTECTED]
> Subject: Re: FA* 80-200/2.8 discontinued?
> Message-ID: <[EMAIL PROTECTED]>
> Content-Type: text/plain; charset=us-ascii; format=flowed
> Content-Transfer-Encoding: 7bit
>
> Very soft.  Its hard to manually focus, the focus ring is very narrow
> and is at the front of the lens.  In my copy, the zoom mechanism make
> ball bearing noises that sound like they used a cheap bearing.  The zoom
> feel on mine is also somewhat stiff, but probably because of its age.
>
> rg
>
>
> [EMAIL PROTECTED] wrote:
> > Gonz wrote:
> >
> >>Its a piece of junk.  (F35-135/3.5-4.5) Sorry, just my opinion.
> >
> >
> > What's wrong with it?
> >
>
> ------------------------------
>
> Date: Fri, 25 Jun 2004 00:03:33 -0500 (CDT)
> From: [EMAIL PROTECTED]
> To: [EMAIL PROTECTED]
> cc: [EMAIL PROTECTED]
> Subject: Re: FA* 80-200/2.8 discontinued?
> Message-ID: <[EMAIL PROTECTED]>
> Content-Type: TEXT/PLAIN; charset=US-ASCII
>
> > Date: Thu, 24 Jun 2004 21:48:12 -0400
> > From: "Herb Chong" <[EMAIL PROTECTED]>
> > To: <[EMAIL PROTECTED]>
> > Subject: Re: FA* 80-200/2.8 discontinued?
> > Message-ID: <[EMAIL PROTECTED]>
> > Content-Type: text/plain;
> > charset="Windows-1252"
> > Content-Transfer-Encoding: 7bit
> >
> > well, it's better than every other one of my lenses in terms of
sharpness
> > except the FA 50/2.8 macro. my FA 50/1.4 is too new to compare against.
at
>
> Assuming your other lenses are Pentax, this does not necessarily support
> the argument that the 80-200/2.8 is better than similar lenses made by
> other manufacturers.  If the 80-200 is in fact sharper than your FA 50
> I'll be very surprised--I've not seen ANYTHING as sharp as a good 50, at
> least at comparable apertures.
>
> > all zoom positions, it's sharper than the FA* 24/2.
>
> From what I've heard of that lens, and what I've seen of other 24s
> (especially f/2 versions) that is not saying much.  Most ultrawides stink,
> especially at wide apertures and towards the edges.
>
> I'll admit that my 70-200 appears to be as sharp as a lot of the primes
> in its focal length range, which is an impressive achievement.  It is made
> possible by expensive glass and four or five generations of evolution,
> plus the absolute need to have a good 70-200 in today's pro market.  It's
> still bigger, heavier, MUCH more expensive, and in general slower than
> the primes in its focal length range.
>
> I also note that Nikon, at least, has not made a new 105, 135, or 200
> recently with superduper glass and such because nobody is buying such
> lenses.  The technology in the zooms is newer and the companies are
> putting most of their R&D into zooms, plus price no longer seems to be an
> issue for pro zooms.  All this adds up to the distinct possibility that
> zooms on the market are better than primes on the market now.
>
> I'm still going to take a lot of convincing that the FA* 80-200, good as
> it apparently is, is better than the current offerings from Nikon, Canon,
> Leica, and Contax.
>
> DJE
>
> ------------------------------
>
> Date: Thu, 24 Jun 2004 22:31:48 -0700
> From: "Alan Chan" <[EMAIL PROTECTED]>
> To: [EMAIL PROTECTED]
> Subject: Re: FA* 80-200/2.8 discontinued?
> Message-ID: <[EMAIL PROTECTED]>
> Content-Type: text/plain; format=flowed
>
> * or not, the FA*24/2 is not that great optically.
>
> Alan Chan
> http://www.pbase.com/wlachan
>
> >well, it's better than every other one of my lenses in terms of sharpness
> >except the FA 50/2.8 macro. my FA 50/1.4 is too new to compare against.
at
> >all zoom positions, it's sharper than the FA* 24/2.
>
> _________________________________________________________________
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> ------------------------------
>
> Date: Thu, 24 Jun 2004 22:35:17 -0700
> From: "Alan Chan" <[EMAIL PROTECTED]>
> To: [EMAIL PROTECTED]
> Subject: Re: FA* 80-200/2.8 discontinued?
> Message-ID: <[EMAIL PROTECTED]>
> Content-Type: text/plain; format=flowed
>
> The problem with the FA28-70/4 is that it was designed to have poor built
> quality. This is, of course doesn't matter if it didn't fall apart like
some
> Sigma lenses do.
>
> Alan Chan
> http://www.pbase.com/wlachan
>
> >Quite right:  Does one stop faster really make it worth paying 10 times
> >more
> >money and putting up with 4 times the weight?  For example the difference
> >between the FA28-70f4 and the FA28-70f2.8 is only one stop (the
difference
> >between setting the ISO from 200 to 400 on the *istD) and the difference
> >optically is apparently minimal (3.3 and 3.5 according to
www.photodo.com)
>
> _________________________________________________________________
>
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> ------------------------------
>
> Date: Fri, 25 Jun 2004 00:18:20 -0500 (CDT)
> From: [EMAIL PROTECTED]
> To: [EMAIL PROTECTED]
> cc: [EMAIL PROTECTED]
> Subject: M 75-150 and social theory
> Message-ID: <[EMAIL PROTECTED]>
> Content-Type: TEXT/PLAIN; charset=US-ASCII
>
> I decided that I was going to get an M 75-150, as it looks like a useful
> lens and the going price is below my "toy" threshold.  For something like
> $50, I can take the risk that it is mediocre.
>
> I decided to check with stan halpin's site to make sure it wasn't
> unanimously rated a dog.  5 out of 6 comments there suggest that it has
> good sharpness and contrast and is an excellent lens.  And then there's
> Shel, who is not at all positive about it, claiming it is "soft" and "big
> and bulky".
>
> From what I can see of Shel's tastes, I can discount the "big and bulky"
> for my uses--he seems to like SMALL.  I can't believe any lens with
> a 49mm filter is big and bulky, compared to the Nikkor behemoths I lug
> around on the job.   OTOH I have found myself normally in
> agreement with Shel's assessment of the optical performance of lenses.
> So, what's going on here?  Did Shel get a bad sample?  Do the other five
> guys just have very low standards?  Is the lens worse than most primes
> (which Shel seems to like) but better than most zooms?  I wouldn't expect
> it to be equal to the M 150/3.5, for example, but given that Pentax made
> an 85, 100, 135, and 150 in the M series you'd think there was SOME reason
> for the zoom.
>
> Anybody want to explain Shel, or the M 75-150, or the social dynamics of
> some very divergent comments in Stan's collection of lens evaluations?
> As I said, I'm getting the lens anyway, but I'm curious why the 5th
> dentist does not recommend sugarless gum...
>
> DJE
>
> ------------------------------
>
> Date: Thu, 24 Jun 2004 22:48:02 -0700
> From: "Alan Chan" <[EMAIL PROTECTED]>
> To: [EMAIL PROTECTED]
> Subject: Re: Pentax F-series lenses??
> Message-ID: <[EMAIL PROTECTED]>
> Content-Type: text/plain; format=flowed
>
> I had the "SMC PENTAX-A 70-210/4" which I think is a great "zoom" lens. I
> did some outdoor test near infinity against the 3rd generation AF Nikkor
> 80-200/2.8 few years ago. To my surprised, their sharpness were so close I
> thought I did something wrong (Nikkor was sharper, but not by much). I
even
> used one of those Pentax vibrators like "Super A" for trhe test, and Nikon
> F90X. I also owned the Nikkor AF 70-210/4-5.6D and did some tests against
> the Pentax too between 2-3 metres with flash. The Nikkor was way softer
and
> inferior than the Pentax at all focal lengths and apertures (though the
> Nikkor had more pleasing colour). It was like the Nikkor required 3 stops
> difference to achieve the same level of sharpness as the Pentax did. Since
> there are non-SMC variants which are similar to the "SMC PENTAX-A
70-210/4",
> I suspect photdo mixed them up and thought it was "SMC PENTAX-A 70-210/4".
> Afterall, there is no "SMC PENTAX-A 70-200/4" as they suggested. If the
dog
> lens like Nikkor AF 70-210/4-5.6D could achieve 2.8, no way the Pentax got
> 2.2 only. They must make some mistake along the way. Simply as that.
>
> Alan Chan
> http://www.pbase.com/wlachan
>
> >I have never owned a A70-210/4 but I notice everyone seems to have agood
> >opinion of it even though  www.photodo.com gives it only a grade 2.2.  By
> >comparison the F 70-210/4-5.6 is given a rating of 3.4.  Could it be that
> >the A70-210/4 was good for its time but has been eclipsed by better
> >technology?
>
> _________________________________________________________________
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> ------------------------------
>
> Date: Thu, 24 Jun 2004 22:52:07 -0700
> From: "Alan Chan" <[EMAIL PROTECTED]>
> To: [EMAIL PROTECTED]
> Subject: Re: Pentax F-series lenses??
> Message-ID: <[EMAIL PROTECTED]>
> Content-Type: text/plain; format=flowed
>
> Indeed, when they introduced the F lenses, they must thought the zooms
would
> replace most primes.
>
> Alan Chan
> http://www.pbase.com/wlachan
>
> >It seems to me that the A line was the fullest and bestest, which leaves
> >the F line looking inferior.
>
> _________________________________________________________________
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> ------------------------------
>
> Date: Fri, 25 Jun 2004 08:39:53 +0200
> From: Frantisek Vlcek <[EMAIL PROTECTED]>
> To: Alan Chan <[EMAIL PROTECTED]>
> Subject: Re: FA* 80-200/2.8 discontinued?
> Message-ID: <[EMAIL PROTECTED]>
> Content-Type: text/plain; charset=us-ascii
> Content-Transfer-Encoding: 7bit
>
> AC> even what I consider the most believable results from photodo doesn't
give
> AC> that good score (and their results seem to match my experience so
far).
>
> Well, they didn't mine. Photodo is, by now, old, they do not explain
> enough how they test the lenses, and where did they get the lenses (some
of
> them are discontinued). The worst is they claim to be scientific, by
> using MTF testing, but that's cr*p still untill you know precisely
> how they tested it. Lens testing is a bunch of cr*p, unless you do a
> real world test with your lenses, and still it doesn't tell so much
> about other sample of the lens, with some new lenses having quite
> loose tolerances. And some of the long discontinued lenses - how many
> samples did they test, anyway? Just one? etc.
>
> That to say, that was a comment made on photodo and lens testing, not
> at you :-) From all the past, I respect you quite a lot.
>
> Best regards,
>    Frantisek Vlcek
>
> ------------------------------
>
> Date: Fri, 25 Jun 2004 08:43:51 +0200
> From: Frantisek Vlcek <[EMAIL PROTECTED]>
> To: Nenad Djurdjevic <[EMAIL PROTECTED]>
> Subject: Re: Pentax F-series lenses??
> Message-ID: <[EMAIL PROTECTED]>
> Content-Type: text/plain; charset=us-ascii
> Content-Transfer-Encoding: 7bit
>
> ND> I have never owned a A70-210/4 but I notice everyone seems to have
agood
> ND> opinion of it even though  www.photodo.com gives it only a grade 2.2.
By
> ND> comparison the F 70-210/4-5.6 is given a rating of 3.4.  Could it be
that
>
> Just do not believe all lens tests. Simple. Judge for yourself. There were
> big discussions about photodo some years back here IIRC, but it's lost
from
> the archives probably.
>
> Best regards,
>    Frantisek Vlcek
>
> ------------------------------
>
> Date: Fri, 25 Jun 2004 08:56:04 +0200
> From: Arnold Stark <[EMAIL PROTECTED]>
> To: [EMAIL PROTECTED]
> Subject: Re: Pentax F-series lenses??
> Message-ID: <[EMAIL PROTECTED]>
> Content-Type: text/plain; charset=ISO-8859-1; format=flowed
> Content-Transfer-Encoding: 7bit
>
> Hello
>
> whereever possible, I replaced my FA lenses with F lenses because of the
> better build quality, the better materials, the better feel, and also
> the better mechanics. It is true that the focusing ring of F lenses is
> narrow. However, once you get used to the narrowness, the actual
> focussing feel is at least as good as with the FA lenses. For me, the F
> series is the K series of the Pentax auto focus lenses. Yes, there are
> holes in the F series primes line-up. However, that does not reduce the
> value of the F primes that exist. I own  the F28/f2.8, F50/f1.4,
> F50/f1.7, F50/f2.8, F100/f2.8, F135/f2.8, F*300/f4.5, and I am happy
> with all of them. The only one that was updatet optically by an FA lens
> was the 28.
>
> Also, I do not agree with the statement "Personally, my gripe with F
> lenses is that they are for the most part cheesy zooms--a lot of the
> good stuff either died off in the K or A era or was only updated as FA
> rather than F."
>
> Which "cheesy" zooms do you mean?
>
> The F24-50 is optically identical to the A24-50
> The F28-80 is optically identical to the A28-80 and way better than the
> FA28-80s.
> OK, the A28-135/f4 was not replaced by an F lens, however, the FA28-200
> was not a replacemet, either.
> The F35-70 is optically identical to the A35-70/f3.5-4.5
> The F35-105/f4-5.6 was slower than the great A35-105/f3.5, however, it
> is not a bad zoom at all
> The F35-135 is optically identical to the A35-135
> The F70-210/f4-5.6 was slower than the great A70-210/f4, however, it is
> of the same quality.
> The F*250-600/f5.6 was an improvement over the K135-600/f6.7.
>
> Speeking of "cheesy zooms", the ones that come to my mind are the
> FA28-80/f3.5-4.5, FA70-200/F4-5.6, and the FA28-200.
>
> Arnold
>
> [EMAIL PROTECTED] schrieb:
>
> >I haven't run anything like a proper test, but so far I'd agree with you
on the F* 300/4.5.  I suspect it will test better than the other slow 300s I
have to put against it.  IMHO no 300/4.5 is going to work well on a 2x
converter (too dark), and from what I've heard most 2x converters cause a
loss of quality that most professionals find intolerable.
> >
> >F lenses are hard to find used, and presumably impossible to find new.
They aren't exactly attractive, and they don't have the build quality of
even the A lenses.  Manual focus with them is not great (in common with
early AF lenses from other manufacturers).  Most of the good ones appear to
be optically identical to the A versions.  All of these seem to be
> >valid reasons why the F lenses are unpopular.
> >
> >Personally, my gripe with F lenses is that they are for the most part
cheesy zooms--a lot of the good stuff either died off in the K or A era or
was only updated as FA rather than F.  Given the lens focal lengths and
apertures that I would like to carry, there are almost no F versions  (no
wides wider than 28, no 28/2.0, no 35,  only a soft-focus 85, no 200,
> >only the 600/4 for big glass).  There are A versions, and often FA
versions.
> >
> >Really the only NEW F primes I can think of are the 300/4.5 and the
135/2.8, both of which are well regarded, and the 600/4 which we
understandably don't hear much about.
> >
> >DJE
> >
> >
> >
> >
> >
>
> ------------------------------
>
> Date: Fri, 25 Jun 2004 09:15:18 +0200
> From: "Jens Bladt" <[EMAIL PROTECTED]>
> To: <[EMAIL PROTECTED]>
> Subject: RE: M 75-150 and social theory
> Message-ID: <[EMAIL PROTECTED]>
> Content-Type: text/plain;
> charset="us-ascii"
> Content-Transfer-Encoding: 7bit
>
> This is a very nice portrait focal length.
> I own a Tamron 3.5 in this interval. It's a really ideal interval for
> portraits. This M lens have been discussed here earlier. AFAIR it's rated
> quite good.
>
> Jens Bladt
> mailto:[EMAIL PROTECTED]
> http://hjem.get2net.dk/bladt
>
>
> -----Oprindelig meddelelse-----
> Fra: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED]
> Sendt: 25. juni 2004 07:18
> Til: [EMAIL PROTECTED]
> Cc: [EMAIL PROTECTED]
> Emne: M 75-150 and social theory
>
>
>
> I decided that I was going to get an M 75-150, as it looks like a useful
> lens and the going price is below my "toy" threshold.  For something like
> $50, I can take the risk that it is mediocre.
>
> I decided to check with stan halpin's site to make sure it wasn't
> unanimously rated a dog.  5 out of 6 comments there suggest that it has
> good sharpness and contrast and is an excellent lens.  And then there's
> Shel, who is not at all positive about it, claiming it is "soft" and "big
> and bulky".
>
> From what I can see of Shel's tastes, I can discount the "big and bulky"
> for my uses--he seems to like SMALL.  I can't believe any lens with
> a 49mm filter is big and bulky, compared to the Nikkor behemoths I lug
> around on the job.   OTOH I have found myself normally in
> agreement with Shel's assessment of the optical performance of lenses.
> So, what's going on here?  Did Shel get a bad sample?  Do the other five
> guys just have very low standards?  Is the lens worse than most primes
> (which Shel seems to like) but better than most zooms?  I wouldn't expect
> it to be equal to the M 150/3.5, for example, but given that Pentax made
> an 85, 100, 135, and 150 in the M series you'd think there was SOME reason
> for the zoom.
>
> Anybody want to explain Shel, or the M 75-150, or the social dynamics of
> some very divergent comments in Stan's collection of lens evaluations?
> As I said, I'm getting the lens anyway, but I'm curious why the 5th
> dentist does not recommend sugarless gum...
>
> DJE
>
> ------------------------------
>
> Date: Fri, 25 Jun 2004 09:15:13 +0200
> From: "Jens Bladt" <[EMAIL PROTECTED]>
> To: <[EMAIL PROTECTED]>
> Subject: RE: Pentax F-series lenses??
> Message-ID: <[EMAIL PROTECTED]>
> Content-Type: text/plain;
> charset="us-ascii"
> Content-Transfer-Encoding: 7bit
>
> There will always be discussions about lens tests.
> However, measuring resolution in lp/mm is a good starting point - after
all,
> we all want to know to which degree detail can be recorded on film. If you
> don't trust tests, I guess it's a good idea to test it your self. Or have
> someone photograph a test target or a newspaper page a various
> apertures/focal lengths at a given distance in daylight - then judge for
> your self. You are the final judge. If you think it's good enough, then it
> is.
>
> I know photodo gave - for instance the FA 70-200mm - bad grades. I have
> owned this lens - and it really WAS bad. The F 4-5.6/70-210 was rated
quite
> high in German Fotomagazin as well as by photodo. And it really is quite
> good, although a little slow for some of my needs (concert shots etc.).
>
> I wish there was some kind of standard independent testing organisation,
who
> could test all new (and some old) lenses.
> In the old days, Fotomagazine did a good job. After the death of the guy
who
> invented the test, I don't know. I guess the problem is that photographic
> magazines are NOT independent, because their main source of income is the
> photographic manufacturers. We should actually form some kind of user
> organisation to provide the necessary tests.
>
> Jens Bladt
> mailto:[EMAIL PROTECTED]
> http://hjem.get2net.dk/bladt
>
>
> -----Oprindelig meddelelse-----
> Fra: Frantisek Vlcek [mailto:[EMAIL PROTECTED]
> Sendt: 25. juni 2004 08:44
> Til: Nenad Djurdjevic
> Emne: Re: Pentax F-series lenses??
>
>
> ND> I have never owned a A70-210/4 but I notice everyone seems to have
agood
> ND> opinion of it even though  www.photodo.com gives it only a grade 2.2.
> By
> ND> comparison the F 70-210/4-5.6 is given a rating of 3.4.  Could it be
> that
>
> Just do not believe all lens tests. Simple. Judge for yourself. There were
> big discussions about photodo some years back here IIRC, but it's lost
from
> the archives probably.
>
> Best regards,
>    Frantisek Vlcek
>
> ------------------------------
>
> Date: Fri, 25 Jun 2004 09:28:42 +0200
> From: "keller.schaefer" <[EMAIL PROTECTED]>
> To: [EMAIL PROTECTED]
> Subject: Re: *istD firmware wishlist (open letter?)
> Message-ID: <[EMAIL PROTECTED]>
> Content-Type: text/plain
> Content-Disposition: inline
> Content-Transfer-Encoding: 7bit
>
> I fear manufacturers development departments are not good at thinking
'outside
> of the box' and the short product cycles have cut down available time to
let
> foreigners test prototypes - to make the developers aware of things they
just
> did not 'see'.
>
> If we leave behind the 'film based' thinking, then ISO, aperture and
shutter
> speed have a comparable influence on the final image and all three values
> should be equally easy to adjust and be equally displayed. What was a
> combination of two values now is a ISO-speed-aperture triangle (well, it
always
> was...).
>
> If it gets darker I can adjust ISO to get the best noise/shutter
speed/aperture
> compromise, if I need shallow DOF I decrease ISO so that I can shoot wide
open,
> if I need a very high shutter speed I can increase ISO until I get 1/6000
and
> so on. I don't think it is an adequate solution having to turn two dials
to
> adjust ISO and then afterwards not even being able to see what was set
(without
> hitting another button).
>
> Sven
>
>
> Zitat von [EMAIL PROTECTED]:
>
> >
> > Neither my Nikon D100 nor my Nikon D1H display ISO in any of the
> > normal displays.  It'd be real tempting to say "manufacturers didn't
> > anticipate the desire to see the freely-changeable ISO number in
> > the normal displays of a digital camera", except that my Nikon F5
> > DOES show ISO in the rear display.
> > Still, perhaps the "amateurs use DX coding" mentality is to blame.
> > Does the *istD have an "auto ISO" feature?  Some of the other low and/or
> > mid-level DSLRs do, presumably because film speed confuse tyros.
> >
> > OTOH, I rarely shoot more than a couple of frames at an inappropriate
ISO
> > before my brain tells me that the settings are fishy and I check to
> > see where the camera is set.  I'd expect most of you have good enough
> > eye-meters that you aren't going to shoot at 1600 ISO by accident for
> > long.
> >
> > DJE
> >
> >
> >
> >
>
> ------------------------------
>
> Date: Fri, 25 Jun 2004 09:40:56 +0200
> From: Antonio Aparicio <[EMAIL PROTECTED]>
> To: [EMAIL PROTECTED]
> Subject: Re: OT - test
> Message-Id: <[EMAIL PROTECTED]>
> Content-Type: text/plain; charset=US-ASCII; format=flowed
> Content-Transfer-Encoding: 7bit
>
> 1 rule for the "in" crow eh, another for the rest ....
>
> Antonio
>
>
>
>
> On 25 Jun 2004, at 01:20, Tanya Mayer Photography wrote:
>
> >
> > Get a grip antonio, they aren't hurting anyone's feelings with THEIR
> > posts,
> >
> > and besides, I've been laughing along with them with every post.
> >
> > tan.
> >
> > -----Original Message-----
> > From: Antonio Aparicio [mailto:[EMAIL PROTECTED]
> > Sent: Friday, 25 June 2004 9:05 AM
> > To: [EMAIL PROTECTED]
> > Subject: Re: OT - test
> >
> >
> > Sheesh, and you guys have a go at me for being OT? Why dont you email
> > each other with your private chit chat?
> >
> > A.
> >
> >
> > On 25 Jun 2004, at 00:55, Cotty wrote:
> >
> >> On 24/6/04, frank theriault, discombobulated, offered:
> >>
> >>> Kripes, Cotty,
> >>>
> >>> For that kind of money, just pay to fly me over the pond:
> >>>
> >>> I'll whisper my posts into your ear...
> >>
> >> LOL.
> >>
> >> Right now I could do with a shoulder massage. Been filming in a rowdy
> >> and
> >> crowded pub in Oxford, watching England go out of the European
> >> football
> >> championships :-(  It gets past fun and into downright painful
> >> territory
> >> with that bloody camera (25 lbs) sitting up there for more than 2
> >> hours
> >> (match, plus extra time plus penalty shoot out). I've had some aspirin
> >> and arnica gel rubbed in but boy that's painful!
> >>
> >> Anyway, off to bed.
> >>
> >> Cheerio mate.
> >>
> >>
> >>
> >>
> >> Cheers,
> >>   Cotty
> >>
> >>
> >> ___/\__
> >> ||   (O)   |     People, Places, Pastiche
> >> ||=====|    www.macads.co.uk/snaps
> >> _____________________________
> >>
> >>
> >
> >
>
> --------------------------------
> End of pentax-discuss-d Digest V04 Issue #670
> *********************************************


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