LIMIT! (last sample for upcoming Public Eyesore cd!) http://www.alansondheim.org/dyn.jpg http://www.alansondheim.org/clarab.mp3 (revrev clarinet) (revrev - real time reverse reverberation) thanks again to Luke Damrosch, Azure Carter additional notes music swallowing itself == temporally / dynamically determined w/ unexpected buffering broad calculable frequency range -- live performance, playing into the past and future - Inverse dynamics: _fundamentally_ dependent on quality - human decision making - the waveform treated as a material substance, broken into independent parcels? (Think of this as a literal granularity of the real, via several levels of abstraction: the recording of the waveform in its initial configuration; its banding; the alterations of the bandings; the reassembling of the bands.) The fragility and dirtiness of the waveform (taken as an entirety): no 'clean and proper body,' but a body dissasembled, a surgical body, a body of potential _incisions._) The 'human project/ion' - simultaneous playing into past and future: with revrev always a capitulation (double meaning of word?) - temporal 'smearing' on the part of the player (as if playing a song for example, but in this case the song resonates, comes back as a haunting) -- Kristeva, p. 44: In this sense _there exists only one signification,_ that of the thetic phrase which contains the object as well as the proposition and the complicity between then." In _this_ case, the complicity is also a temporal unfolding/smearing, the memory of _what has not yet occurred._ There is also a memory of the program itself and its attributes, an underlying structure that is always already a _process_ - here is another accountable inherence of the world. One plays within and without the program: one plays the world, within the fragile boundaries of a temporary domain that is always (vis-a-vis the program) bootstrapped. livE revreV timE llowS evelyn norman weiss talk backs prayer cry aid journey verver! of a recording (similar to verver), the presence of an 'as-if' gamespace, verver, limits of temporality, etc.) formation at times.) (Thanks to Luke Damrosch for verver programming.) SPIRITVOICE at Granoff Tonight (Preformer) verver directly verver programs); inverted dynamics (post-playing, verver verver, and on balafon2, verver, inverse dynamics, real-time on verver, pitch shift, power grid, calculus, involves from two violin overlayed tracks, one with verver, dependent no-string jiari swallows arising dependent verver, audio tnerapsnart dna sselrood ververerver! wood! ny, please 'like' tanbur for verver/experimental work - sdanom elbaemrep instruments; the latter features verver - reverse reverber- Luke Damrosch verver and convolution programs. accompanying flute post-production shifted down two octaves. n-joy. with reverberation (verver) from Luke Damrosch. I play 19 verver mocap. / alterations second life performanceverver: reverse heard from three sources - Avatar's voice itself; difficulty "verver" allows musician enunciation head The verver was verver ververdanmoi ververpublicdraftbscd programs called and anticipatory architectures ,philosophy and revolutionb instrument and verver, i found myself in a new space ,verver keep the verver sounding full, but not overloading the See the idea idea the that real of - - - is verver verver time had to blizzards whiteout; verver ? live reverse general and allows a musician to work with live reverse phenomenology either the projector speakers or the Cave called "verver" the projector speakers or the Cave the verver fed through the virtual worlds, as if the verver fed through either the verver running speakers; and the verver fed through Luke Damrosch to mention that other problem of recording two stages - live verver with running two parallel verver, the aural landscapes created by verver, the sound system version Luke Damrosch, guzheng / madal / verver design convolution violin with verver thanks to luke damrosch, edge or lip of verver again, more soon bass recorder, verver, irqsaz irqsched irqschedrtf irqspace irqthree irqtoo that verver/inverted other; latter brings otherings into irqverver verver/inverted dynamics on the other; the latter one hand, and verver, the guitar, a flamenco guitar, has hand, and transforms that verver or inversions verver falls reduction SPIRITVOICE at verver qinqin and others to the kinds of global alto clarinet alt.fan.along-along-along-along-along verver and with with on of (you verver, oud, erhu verver version 1.8, shakuhachi, verver verver with practice verver the develop and dan moi. Damrosch plays guzheng, madal, verver jinashi 3d virtual worlds, verver clarinet, violin, verver madal, erhu silverthroat clarinet, verver Dimensional spatialities: on for performance. I write about "VERVER" - verver prueffer verver Azure Carter, voice / verver which I have to focus verver resonances; amplifier. goals acoustically balanced; verver improvisation with verver aaa and aa are modified with verver create against my better judgment, shasha shakuhachi my most carefulll beautiful music ever casio w/verver clarinet verververver ververscd revvv revvvv irqverver manifesto! action! program future! review ververpublicdraftscd created an environment which could quickly verver! ververerver lean production. We continue to get very balanced; live verver reverberation or anticipatory verver, and that's all - a whiteout; verver ? live reverse +++ --- +++ _______________________________________________ NetBehaviour mailing list [email protected] http://www.netbehaviour.org/mailman/listinfo/netbehaviour
