I wish I could unsubscribe! I went in for a minor art removal and they grafted 
on a whole brave new art world to the left side of my brain. Now every time I 
go to say, "art market democracy", it comes out as "military-industrial 
complex, patriarchal hegemony."

What's the cure?



> On 29 Nov 2016, at 11:20, furtherfield <[email protected]> wrote:
> 
> ;-);-);-);-)you are now unsubscribed from the list ;-);-);-)
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> ;-);-);-);-);-);-);-);-);-);-)
> 
> 
> 
>> On Mon, Nov 28, 2016 at 6:49 PM, [email protected] <[email protected]> 
>> wrote:
>> please unsubscribe me form this list
>> 
>> -----Original Message-----
>> From: [email protected] 
>> [mailto:[email protected]] On Behalf Of 
>> [email protected]
>> Sent: 28 November 2016 12:00
>> To: [email protected]
>> Subject: NetBehaviour Digest, Vol 2912, Issue 1
>> 
>> Send NetBehaviour mailing list submissions to
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>> Today's Topics:
>> 
>>    1. bloodriver amanuensis (Alan Sondheim)
>>    2. Blaan Faglung (Alan Sondheim)
>> 
>> 
>> ----------------------------------------------------------------------
>> 
>> Message: 1
>> Date: Sun, 27 Nov 2016 14:40:51 -0500 (EST)
>> From: Alan Sondheim <[email protected]>
>> To: [email protected]
>> Subject: [NetBehaviour] bloodriver amanuensis
>> Message-ID: <[email protected]>
>> Content-Type: text/plain; charset=US-ASCII; format=flowed
>> 
>> 
>> 
>> bloodriver amanuensis
>> 
>> http://www.alansondheim.org/bloodriver2.jpg
>> http://www.alansondheim.org/bloodriver3.jpg
>> 
>> the wound of 2 transliterated into the normative illumination of 3; the 
>> environment pales in comparison. it's all driven by the apparatus of a 
>> stopped video load; the central timing wheel is stilled as a result perhaps 
>> of a rupture somewhere along the way. the bloodflow parts and churns and is 
>> buried in the inverse rectitude of 3. the images resonate with the original 
>> bloodriver video as well as its cover image, bloodriver.jpg. bloodriver is 
>> also bloo-driver, the driven blue of the ocean churned to death.
>> death inverts. the illumination of death inverts death. this is progressive 
>> reportage which is never fulfilled, always incomplete; we like to believe 
>> the text is just around the corner, but nothing ever returns, or returns in 
>> the same form.
>> we give credence to blood as sign, but it is never sign, always empty; we 
>> inflate emptiness to the level of the sign. we call this transmission or a 
>> text. the text dissolves in the blood, the blood dissolves, the world dries, 
>> cauterizes. we will not be around for a final reading, nor any such 
>> asymptotic. dissolution of the blood empties. the planet empties. the timing 
>> wheel means nothing. it is a panic symptom, panic syndrome. the only thing 
>> that returns, turns, is the image. someone asked me about my books today, 
>> whether there are any new ones. there aren't any.
>> do not salvage these texts; the inevitable, as one is wont to say, is 
>> inevitable. they have always already disappeared.
>> nothing writes them. the blood is mine. the blood is mined, no salvage.
>> 
>> 
>> 
>> ------------------------------
>> 
>> Message: 2
>> Date: Mon, 28 Nov 2016 03:23:17 -0500 (EST)
>> From: Alan Sondheim <[email protected]>
>> To: [email protected]
>> Subject: [NetBehaviour] Blaan Faglung
>> Message-ID: <[email protected]>
>> Content-Type: text/plain; charset=US-ASCII; format=flowed
>> 
>> 
>> 
>> Blaan Faglung
>> 
>> for Arjho Carino Turner and Hans Brandeis
>> 
>> http://www.alansondheim.org/atl110.jpg
>> http://www.alansondheim.org/faglung.mp4
>> http://www.alansondheim.org/atl090.jpg
>> http://www.alansondheim.org/atl100.jpg
>> 
>> Years ago, I bought a hegelung from Music Inn, in Manhattan. I didn't know 
>> much about the instrument, but learned quickly, and through a series of odd 
>> coincidences I met Grace Nono, T'boli singer, musical advocate, and hegelung 
>> player; I also met, independently, her friend Hans Brandeis, 
>> ethnomusicologist and expert on the boat lute, a general name for the class 
>> of instruments that the hegelung belonged to. I've played hegelung for quite 
>> a while ( see audio below and my recent session with the brilliant Luke 
>> Damrosch mastering and on madal at 
>> http://www.alansondheim.org/dynsession31.jpg ). We're now in Atlanta, and 
>> Hans has introduced me to Arjho Carino Turner, who is Blaan and working with 
>> Blaan musicians in the Philippines; she is also working with Blaan 
>> communities in the United States.
>> Azure and I had an amazing talk with her and her husband Bernard, and her 
>> two children; we met at the Atlanta Zoo, and she brought a faglung with her, 
>> that she has given her husband.
>> The faglung and hegelung are related; the T'boli and Blaan are adjacent. We 
>> discussed ethnomusicology and its politics, the position of the Blaan in the 
>> Philippines, and boat lutes and the faglung in particular. Arjho doesn't 
>> play the instrument herself, and let me play it in the parking lot. I was 
>> careful with the tuning, since it hadn't been played for at least a decade 
>> (in the Philippines; Bernard doesn't play it), and the strings were 
>> delicate. But I was able to sound it somewhat, and it was beautiful; tuned 
>> up properly it would be outstanding!
>> 
>> All this by way of saying this has been one of the peak experiences of my 
>> life. The hegelung and faglung are, for me, uncanny instruments; they have a 
>> life and spirit of their own.
>> I'm hoping to hear more Blaan music (some of it is on YouTube), and possibly 
>> to help find a way to have a cd issued; I have one of T'boli music done by 
>> Mickey Hart with the assistance of Fred Lieberman. These musics should be 
>> heard; for me, they're transporting, meditative, energized, and deep.
>> 
>> We've been discussing all of this on Facebook; I wanted to put up something 
>> myself, since I can distribute this also to a few email lists and Facebook 
>> pages that might be interested. Thank you all! (Azure Carter took some of 
>> the photographs, by the
>> way.)
>> 
>> session with Luke Damrosch on madal, myself on hegelung -
>> http://www.alansondheim.org/hegandmadal.mp3
>> 
>> 
>> 
>> ------------------------------
>> 
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>> End of NetBehaviour Digest, Vol 2912, Issue 1
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