This looks amazing! Please give more notice next time so we (who are not in the 
area) have a chance to make it!

All the best,
Gretta

Sent from my iPhone

> On 28 Sep 2016, at 14:53, thor <[email protected]> wrote:
> 
> Dear all,
> 
> Apologies for x-posting.
> 
> The AlgoMech Arts Research Symposium takes place within the Festival of 
> Algorithmic and Mechanical Movement (www.algomech.com), on the 13th November 
> 2016 at the Sheffield Hallam University in Sheffield, UK. AlgoMech will 
> celebrate a resurgence of making in performance, where creative processes are 
> made visible during a live event. Rather than presenting technology as 
> seamless, we pick at the seams, exposing its innards as human-made and 
> reconfigurable. We will also go beyond fashionable notions of technology to 
> take the long view; bringing together mechanical, kinetic, electronic, and 
> software arts, from periods spanning the stone age to present day, building a 
> picture of the human maker as both digital and analogue, thinking and 
> feeling, embodied yet reaching beyond what is bodily possible. The festival 
> will take place across Sheffield, and will include concerts, talks, hands-on 
> workshops, and a club night.
> 
> The arts research symposium will focus on the latest developments in this 
> field, drawing on both academic and artistic perspectives. We invite 
> proposals for artist talks and academic papers in the form of short 
> abstracts, describing the theme and structure of your research presentation 
> or artist talk in approximately one page of text. As an inclusive, 
> cross-disciplinary symposium, we are open-minded about the form of your talk 
> and proposal, but please do not hesitate to get in contact if you have 
> questions.
> 
> As well as talks accepted from this call, the day will include talks from 
> artists contributing work at the festival, and panel sessions on fictive 
> materials and maker culture.
> 
> We welcome submissions from areas that intersect with the following themes:
> 
>       • Human and mechanical motion
>       • Human-machine interaction and embodiment
>       • Creative computing and (live) coding
>       • Robotics in the arts
>       • Design and physical computing
>       • Machine creativity
>       • Algorithm aesthetics
>       • Mechanical automata in history
>       • Kinesthesis and art
>       • Machine choreography
>       • Maker culture
>       • Materialities for motion
>       • Generative design and architecture
>       • Alternative histories of algorithms and mechanisms
> 
> Programme
> 
> 9:30 – Coffee + live coding performance
> 10:00 – Paper session (8 papers – we will issue a call for papers soon)
> 12:00 – Lunch
> 13:00 – Panel 1 (on speculative hardware and fictive materialities - chair: 
> Derek Hales)
> 14:00 – Keynote talk with Godfried-Willem Raes
> 15:00 – Coffee with a performance
> 16:00 – Panel 2 (on maker culture – chair: Amy Twigger Holroyd)
> 17:00 – Performances at the Millennium Gallery
> 
> Keynote speaker
> 
> We will have a keynote by Godfried-Willem Raes, of the Logos foundation 
> (http://logosfoundation.org). Godfried is a composer and instrument maker, 
> who taught at Ghent Royal Conservatory and the Orpheus Higher Institution for 
> Music. In addition to his reputation as a composer, he is also an expert in 
> computer technology, robotics and interactive electronic art. As an example, 
> he is well known in this country for his work on musical robotics with Aphex 
> Twin.
> 
> Submissions
> 
> We invite proposals for 15 minute research presentations or artist talks (10 
> minutes talk + 5 minutes questions). Proposals should be a one page abstract 
> describing the presentation. Please also submit a short (200-300 word) 
> biography for each author and an image describing your project. Submissions 
> should be made in PDF or Word format.
> 
> If you are interested in participating in either of the panels on speculative 
> hardware and fictive materialities or maker culture, please send a note to 
> [email protected] and describe in a sentence or two why you would like 
> to join the panel.
> 
> Submission Process
> 
> Submissions will be selected by a panel chaired by members of the 
> Experimental Music Technologies (EMuTe) Lab at University of Sussex. Please 
> email your submission in PDF format to [email protected]
> 
> Important Dates
> 
> 10th October: Submission Deadline
> 17th October: Notifications
> 12th-20th November: AlgoMech Festival
> 13th November: Arts Research Symposium
> 
> Venue
> 
> Sheffield Institute of Arts, Fitzalan Square, Sheffield S1 2AY, United Kingdom
> 
> Contact
> 
> Symposium chairs:
> Thor Magnusson (university profile with email addresse: 
> http://www.sussex.ac.uk/profiles/164902) 
> Chris Kiefer (university profile with email addresse: 
> http://www.sussex.ac.uk/profiles/208667) 
> 
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