A simple script could do this; is a script enough of an entity to be qualified as an artist?

I like that it pokes fun at the importance of artists. An importance sometimes self-granted, other times instituionally granted.






On 01/09/16 18:17, Randall Packer wrote:
Thanks Guido for referencing the curatorial statement. I can see a connection 
between what you are doing and the Artist is Present by Marina Abramovic, in 
that she takes such a passive though open position in front of the viewer, 
revealing essentially nothing about herself, except perhaps what can be 
communicated through the expressionless gaze, although sometimes that gaze 
turned to tears. In your case, you are situating yourself as well in front of 
the viewer, “expressionless” in terms of not revealing anything about what you 
are typing except for your presence.



From: <[email protected]> on behalf of Guy McMusker 
<[email protected]>
Reply-To: NetBehaviour for networked distributed creativity 
<[email protected]>
Date: Thursday, September 1, 2016 at 12:56 PM
To: NetBehaviour for networked distributed creativity 
<[email protected]>
Subject: Re: [NetBehaviour] The artist is typing | online exhibition at Storage 
Un.it | September 1 - 30, 2016



Hi Randall,



thanks for all your answers.
I'm quite a lazy and slowly guy and I'm not sure to give you the right answers 
but I'll try ;-)


For sure I can say that I wasn't interested in streaming the content of my 
keypressing activity.
I know it could seem such an easy content but just want to give an ironical 
view of my presence in the act of typing.

You can see it as a sort of performative minimal/intimistic self portrait.

Or you can even see it as an ironical representation of how computer based art 
is made today: typing.
Or maybe as I wrote in the email I just want to suggest that art, as life, is 
what happens while you are typing.



Anyway I'm not so good with words :-) and I think Filippo Lorenzin - who 
curated the project for Arebyte - wrote some good considerations about the work 
that you can read here: http://www.arebyte.com/storage-unit/4592523415


Thank you again for your interest!
All the best,

Guido





ᐧ



2016-09-01 17:59 GMT+02:00 Randall Packer <[email protected]>:

John, excellent point. I think this piece brings up very interesting issues of 
authenticity, openness, disclosure, etc., in the act of the artist engaging the 
online viewer and performing via the network (or anyone for that matter). 
Guido, what are your thoughts on this? Or are you busy typing away right now… 
Perhaps you could use this listserv as an “open” networked feed for your 
project.



On 9/1/16, 11:49 AM, "John Hopkins" <[email protected] on 
behalf of [email protected]> wrote:

    On 01/Sep/16 08:57, Randall Packer wrote:
    > But we can’t read what you are typing… so there is no content… is that the
    > point? I don’t mean to criticize the project as I am quite interested in 
the
    > idea of the open source broadcast of the artist at work, but the key 
thing is
    > knowing what the artist is saying, thinking, feeling, not just the artist 
as
    > an on/off switch.

    Important points, Randall, my thots as well ... of course, if that's not 
what
    Guido wanted to do ... the old form/content issue in some way, but it 
brings up
    Roy Ascott's idea: "networking invites personal disclosure" ...

    jh
    --
    ++++++++++++++++++++++++++++++++++++++++++++++++++
    Dr. John Hopkins, BSc, MFA, PhD
    levitating on bentonite
    twitter: @neoscenes
    http://tech-no-mad.net/blog/
    ++++++++++++++++++++++++++++++++++++++++++++++++++

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