Hi,

Just want to point out I've taught and published and lectured on
postmodernism, and videos I co-created with Dawja Burris dealt with the
subject in El Paso and Ciudad Juarez and I have no idea how you're using
the word or attacking it - it wasn't facetious, it was concerned among
other things, with informal economies and South America favelas etc.It's a
complex socio-economic subject and its effects cover issues such as
migration, homelessness, around the world. I just don't think you've read
deeply into the subject; for example scientific methodology was an integral
part of the discussion.

-  Best, Alan

On Sat, Feb 10, 2024 at 11:01 AM Max Herman via NetBehaviour <
[email protected]> wrote:

>
> +++
>
> The modern world has problems.  No longer ancient and starting sort of
> from scratch, no longer medieval with short lifespans and a simple
> church-state duopoly, and certainly no longer indigenous in direct mutual
> dialogue with nature like a woven fabric, our problems are unique enough to
> have their own name: "modernity."
>
> An idea, rather facetious, cropped up over fifty – yes, fifty – years ago
> to call European culture "post-modern" instead of modern.  This idea
> suggested that although modernity may have had many serious problems they
> no longer mattered because their "time" had passed.  The time of
> constitutions, including democratic ones, a public sphere of communication
> (with greater or lesser freedom of speech), the idea of rights codified by
> laws which were often upheld even when some official or strongperson didn't
> like it, and the reality of biological nature and scientific method, well
> those things were all passé.  Not only did they no longer require any
> effort or attention, they had never warranted it, being nothing more than
> rewritings of the tooth fairy tale.  There is no quarter under your pillow,
> they said, only lies.
>
> We shouldn't be surprised now that in 2024 the USA is fairly likely to
> vote an autocrat into the presidency and democracy is being routed like
> yesterday's news the world over.  Autocrats from Tallahassee to Budapest
> crow about being post-truth, their PR consultants throwing terms like
> post-Enlightenment around like confetti, and the general mass of ordinary
> people – the only force that has ever allowed democracy to function – has
> nothing to go by except tired populism and hyper-specific outrage.  Susan
> Neiman explains how Foucault carried this "who cares" attitude forward from
> Schmitt, who did so for Nietzsche, who is from – well, who?  Neiman's book
> explains why the millions of factions within the left and center can only
> blame each other for being not left enough, too left, or left in the wrong
> way, and cannot reliably organize political coalitions capable of defeating
> autocracy in elections.  Paul de Man is dancing under a giant disco ball in
> his grave.
>
> The boring view of Habermas that democracy is still real and matters, as
> do rights, constitutions, laws, and the public sphere of communication that
> articulates them all, that he pointed out very early on with Foucault – who
> he called way back in the 80's "a young conservative" and basically a
> hypocritical con artist like Freud or Bernays – well this practical
> reality-based view is now defined mainly by its incredible confusion and
> hopelessness.  How could democracy deteriorate so badly, everywhere, when
> we thought we were way past it?  I guess the European mind thought by
> ignoring democracy and pretending it didn't exist it would be protected
> forever, like a bee in amber.
>
> +++
>
> Paul de Man, who championed postmodernism so effectively out of Yale early
> on, was, we now know, a terrible fascist sympathizer and anti-Semite.  He
> knew very well, just as every bully on every playground knows, that if you
> confuse the people who are supposedly guarding ethical norms, the grown-ups
> and goody-goodies, you can get away with a lot more terrible shit.  A
> super-confusing, pretentious, hyper-abstract rhetoric on which to base the
> thousands of PhD's being handed out in the post-civil-rights era that could
> out-compete Marxism for clever ambitious scholars' affection was badly
> needed and postmodernism was it.  It has, moreover, worked like a charm.
>
> One can argue it was so crucially necessary, and therefore worthwhile, to
> nullify Marxism (also riddled with flaws, delusions, and outright lies)
> during the Cold War of 1948-1991 that any amount of duplicity or even
> violence was justified.  Even if you grant that, by a stretch of utter
> contortion, there is no escaping the brutal fact that a spited face still
> needs a nose both to smell and not frighten the neighbors' kids or everyone
> at the dinner party much less watching TV.  Autocracy, not the Marxist with
> a PhD, was the real adversary; and that lovely principle has not gone
> anywhere despite the wall falling and big business celebrating its myriad
> perfections in Beijing.  We poisoned our own democracy thinking we had to
> in order to defeat the autocrats of 20th century and now we have very
> little left with which to oppose our greatest adversary as reconstituted in
> the 21st.
>
> Even if the autocratic party of the USA, led by a predictably effective
> postmodern demagogue who by the power of lying and graft has leapt straight
> off the TV screen into the corridors of power, loses this November
> democracy will still have to preserve and maintain itself under terribly
> adverse conditions.  If the autocrats win, they will still have to be
> opposed and hopefully weakened by democratic means; and if by some chance
> the demagogue manages to cancel the constitution and put everyone who voted
> against autocracy to death in a giant bonfire those who survive will still
> have to think about democracy, what its problems are, and what to do about
> it.  Even if the word democracy was struck from every paper book and
> internet web page the idea of it would have to be dealt with.  So how
> should one do that?
>
> +++
>
> The modern world, trying to birth itself Athena-like after medievalism,
> has always had two basic versions: autocracy and democracy.  This battle is
> present from the earliest times, even the ancient ones.  In ancient
> conversations, they talked about whether there was such a thing as right
> and wrong, or justice, outside of simply what the strongest person forced
> other people to say was right.  Entire civilizations in Greece and Rome,
> not to mention Egypt and Mesopotamia, rose and fell on the fundamental
> ground of this question.  Religions discussed it for literally thousands of
> uninterrupted years in antiquity and even in prehistory, and the discussion
> of what divinity was and which humans it deemed worthy of life or freedom
> was of course the basic economic function, outside farming, of the Middle
> Ages.  Today we are still stuck in it, this conversation, you might even
> say up to our necks.
>
> Does might make right, with the autocrat as divine enforcer, or does right
> make might through a democracy of laws?
>
> Plato wrote about this topic, as did basically most other ancients, hoping
> that right makes might.  In the real world of street violence and royal
> dungeons of course we know it isn't always the case and right making might
> is often aspired to rather than experienced.  Still, even after ancient
> Rome and Athens were well and duly sacked once and for all the question
> lingered like ash nutrients in fertile soil; and the reborn religions of
> the medieval age centered on it too.  At first the claim was made that
> monotheism answered the question: since the monodeity created and loved all
> humans, all were of value under divine law.  Various failures to apply the
> spirit of such equality did occur, sometimes in great volume, but so did
> efforts to reform such corruption grow with time.  Reformation was built
> into the DNA of medieval institutions even to the dismay of many rulers
> thereof.
>
> Dante is just one example of thousands of reformers, across every
> continent, who both imagined and created the modern age in which art and
> science emerged as often equal peers to reform the church-state duopoly and
> rescue it from the fungal logic, which tends to afflict any moribund tissue
> of the body politic, that might makes right.  Ethical art and science,
> Dante wrote, were the engines of adaptive change that could turn the
> institutions of church-state authority away from corrupted autocracy back
> onto the path of democracy, rights, and the rule of law, thus restoring the
> ethical status of both temporal and ecclesiastical authority away from
> might makes right, the abyss of destruction which has always threatened
> every human relationship since humans began.
>
> +++
>
> Yet without Hope there can be no Hopelessness, and modernity was as
> certain to forge paths to might-makes-right as the prehistoric, ancient,
> and medieval times were.  In the Renaissance, the first modern stretch of
> history in Europe, some like to posit, Machiavelli, who is often called the
> first modern philosopher and the inventor of political modernity, set forth
> such a path indelibly in *The Prince* and *Discourses on Livy*.  These
> two books in which force is the parent of all things laid the foundation
> for all might-making-right to follow, through Hobbes to every
> proto-autocrat including Marx and Nietzsche, and thence to yes Schmitt and
> Foucault.  It's the same ugly lineage all the way back.  It's the
> hopelessness that drinks the poison wine of violence hoping to piss
> perfume.  It has whispered sweetly into the ears of
> mass-slaughter-aficionados from Mussolini to Stalin, and Mao to Putin.
> There is no moral code worth following, no rules, no arbiter in the sky to
> pass judgment, there is only you killing or being killed.
>
> Who has fought to keep democracy alive thus far?  People whose names start
> with L, like Lincoln and Leonardo da Vinci, and others whose names do not
> start with L like Hamilton and Tokarczuk.  Kondiaronk, the great Native
> American author and diplomat, arguably reminded 17th century Europe more
> than any European (ancient, medieval, or modern) that democracy matters.
> In today's world and all over the internet we have both people trying to
> protect democracy in 2024 and people trying to put it out of its misery.
> We are all in the game, invested one way or another, even in how we happen
> to fondle our phones on any given day.
>
> +++
>
> For simplicity and energy, and considering the towering importance of
> Machiavelli in this saga of modern might vs. right, let us focus our
> wandering eyes on an unlikely interlocutor: Leonardo, fatherless child of
> the town of Vinci in Tuscany, born about two months before slavery (only of
> non-Christians of course) was declared legal *Dum Diversas* i.e. "until
> otherwise" by the ecclesiastical authorities of Europe.  Leonardo was
> smarter than you and me, or at least as smart, and very perceptive too, and
> he knew Machiavelli personally and worked with him on both canal-digging
> and espionage projects as fellow public servants of the government of
> Florence, Italy.  Leonardo favored Dante, from whom he learned to read and
> write the only language he could, Italian, and he knew an autocrat when he
> saw one.  (They were all over Renaissance Italy like flies on a turd, you
> might say.)
>
> So Leonardo, who loved lists and recipes, as well as phrases and drawings,
> created his counter-mechanism.  He did it so well it was not destroyed by
> over 500 years of autocracy and even autocrats like Napoleon have
> worshipped rather than burnt it.  Like an early form of genetic
> engineering, Leonardo has provided us with the benefits of his own
> immuno-response in the form of ten letters spliced into the conversations
> of today, 10 February 2024: E-X-P-E-R-I-E-N-C-E, or in Italian,
> E-S-P-E-R-I-E-N-Z-A.  It's the story by allegory of right making might over
> might making right in his portrait of the Mona Lisa, showing in perfect
> subtlety how art and science can serve and nourish all life and nature,
> including humans, in defiance of and victory (*vinci*) over those who
> would enslave and slaughter by said instruments in their hate, rage, pale
> ire, envy, and despair.
>
> Yet Leonardo did not end his painting life there.  He painted one more
> after, a much darker work, indeed almost black: the *Gran Giovanni*.
> Leonardo knew the "monster" of humanity could and likely would kill all
> life on earth due to the simple bad habit of incontinence, or compulsive
> appetite, which Dante had depicted as a starving wolf which "mated with all
> things."  There is no guarantee, as it were, and as we can all attest to we
> are not, most certainly not, out of the woods yet.  Leonardo explained
> clearly how in their cruelty, unbounded, humans would soon dig up and
> despoil every natural life-form, throughout the land and under the land and
> in the sea, for consumption, and then bring war and hate and violence and
> labor and fury to every living thing, all from appetite escalated by
> cruelty.  We are not out of the woods.
>
> +++
>
> Some have written of what is likely autocracy's worst, most violent, and
> most pathological modern example, German Fascism, by ascribing to it "the
> banality of evil."  Just people doing their work, following orders, filling
> out paperwork, calculating formulas, and so forth, thereby making possible
> a descent into horror, destruction, and atrocity previously unimaginable.
> There is some truth to this, to the smallness and meekness of bureaucratic
> slaughter.  However, on the flip side, all that fiery German rhetoric (
> *Feurigeworter*) and those rallies and banners and ritualized pogroms
> egged on by radio and film were quite dramatic, volatile, spectacular, and
> boisterous.  It was these most vehement "exhortations to evil" driven by
> lust, blood, and hyper-erotic sadism as well as insipid clerical duties
> which changed Germany from a relatively normal group of people into a
> nation of mechanized psychopathy overnight.  It wasn't just banality: much
> of the motive force was theatrical, exaggerated, amplified brutality of the
> most public, transgressive, and fevered character possible.
>
> What it was, however, this attempt to subject the whole planet to some
> Germano-Roman fantasy of might making right, above all else was mediocre.
> All of its leaders were crass, second-rate, and in a word, loser slobs.
> Their sadism and luxuriation in bloodletting was not banal by any
> definition, but it was the height of mediocrity in ethical, cultural,
> political, and psychological terms.  They were like middle-school bullies
> with tank divisions and gas chambers, who hadn't outgrown their own
> humiliation (by parents, the newspapers, other bullies, or morbid and
> stunted self-talk) nor had they been sickened by their own early taste of
> cruelty the way most decent people are.  Their own standards for human
> right and wrong were incredibly mediocre – like Schmitt, a laughable idiot,
> and Heidegger, little if any better – and so was the conscience of both the
> general populace and the wealthy.  Their society's institutions and laws
> for the protection of rights and legality itself were worse than middling
> in quality and effectiveness, and their culture was often little more than
> bigotry, kitsch, tuxedos and brandy, or cheap maudlin taverns.  Such
> mediocrity run amok was all the human appetite for cruelty needed to seize
> power and destroy peace in the twentieth century and perhaps forever given
> the toxic human and chemical waste left by the Fascists' war and its
> aftermath.
>
> All this is Machiavelli, walking in the blood-soaked trenches as if an
> officer in a greatcoat, surveying his handiwork and glorying in the success
> of his prophecy, all throughout he is there.
>
> +++
>
> Yet Leonardo: he is still the stronger, yes by excellence but not of an
> autocratic sort to indulge his own love of power to kill.  Leonardo is a
> servant-warrior, who loved all life and took his own power to live from
> this love of nature.  He had and was conscience free of the allure of cruel
> appetite, a freedom he had to fight hard from a young age to gain and
> keep.  So, in keeping with his own nature, which was part created by him
> and part the gift of circumstance, he built for us the means of destroying
> Machiavelli's new Prince and in so doing sustain the planet as a living one.
>
> Just a simple portrait, it hangs (if spattered with pumpkin soup) in the
> grand museum of the pyramids at the heart of Paris, France, home of this
> year's Olympic games in which despite the doping and souvenirs and crass
> bluster the world aspires to something better than its worst – a flame of
> hope, you could say, for excellence of effort to help right make might.
> The portrait will be there, in the heart of all this hope, not far from the
> once-charred skeleton of Notre Dame cathedral rebuilt as another gesture
> toward the second most-divine virtue.
>
> Can the portrait speak, over the din of the new Prince marching
> everywhere, and will it?
>
> The portrait has never stopped speaking, and likely never will even if
> autocracy defeats democracy forever in nine months (because even autocrats
> need excuses).  All we have to do is listen, and repeat; hear a word, then
> speak a word; hear a word, then speak that word in our own little voice.
> It's as achievable, you could say, as breathing, and just as powerful.
> Nothing can stop it if you choose to let it happen, nothing on earth or
> above the earth, before, during, or after.  And who teaches this simple
> fact?  Saint Genevieve, who has a bridge I painted once in 2006, in the
> city of Paris, while I floated on a boat (a barge) that had a little table
> and patio on top and a funny apartment in the hold, all moored along the
> left bank close to Pont de Sully.
>
> Genevieve is the saint who saves France, and is the patron saint of
> Paris.  She saves it in different ways for different times, eras, and
> contexts, but she saves it almost always by hoping and speaking hopefully,
> as one of many in a large group.  She is definitely a defender not a
> crusader; she appears at the time of greatest need and danger like that
> which constitutional democracy faces this very year, on the very streets of
> Paris France.  Someone will even cross her bridge to see the Olympic games
> this summer or visit the rebuilt cathedral, or just have coffee with a
> friend or a stranger or even alone.
>
> Someone might even whisper that little word, that one word, to a visual
> image of a portrait of an idea, hoping.
>
> +++
>
> Max Herman
> February, 2024
> ExperienceDemocracy2024.org/experience-democracy-is/
>
> +++
>
>
>
>
>
>
>
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> [email protected]
> https://lists.netbehaviour.org/mailman/listinfo/netbehaviour
>


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