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They are both good mikes AFAIK, the 907 will be better in quite settings
like nature recordings becaues the T mike will pick up the ticking
sound of the MD recorder unless you use an extension cord. On the other
hand, the T mike is handier for fast set up and for music, the ticking
of the recorder will not be heard because the record level will not be
set as high as it is for nature studies. OF course you can make one
for about $10 US. I am sure parts are available in NZ.
http://www.tir.com/~liteways/Mandolin.html#Microphone
Alan C wrote:
>
> Hey all,
>
> I *really* need help on the above issue. I'm a minidisc (R50) owner,
> looking to tape concerts with a fairly good mic. Due to the low NZ exchange
> rate and postage costs, buying from sound-pros, core-sound etc... through
> the internet is just too expensive. So it has to be one available in the
> shops here. I did some research, and its down to these two:
>
> Sony ECM-MS907
> http://www.sel.sony.com/SEL/consumer/ss5/home/accessories/microphonesfordigi
> tal/ecm-ms907_specs.shtml
> * Frequency Response 100 - 15,000Hz
> * Maximum Sound Pressure Level Input more than 110 SPL
>
> Sony ECM-DS70P
> http://www.planetminidisc.com/planetminidisc/ecm-ds70p.html
> * Frequency Response: 100 to 15,000 Hz
> * Maximum Sound Pressure Input Level: >110dB SPL
>
> Now, these 2 seem to basically have the same stats, but the 907 is twice as
> much here.
> Which is the best for live music? Nothing excessively loud - just standard
> 'alternative' rock. Is the 907 worth the extra $$?
>
> Please reply to the list, or email me personally if you have an opinion or
> experience with either one.
>
> Thanks so much :)
> Alan
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--
Jim Coon
Not just another pretty mandolin picker.
mailto:[EMAIL PROTECTED]
If Gibson made cars, would they sound so sweet?
My first web page
http://www.tir.com/~liteways
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