I think it should be up to artist if he wants his track Mixed/Mastered.
Yes, the quality will be a part of the decision, but mixing and mastering
the track again would give consitency to the album.
Best regards,
Uroš
On 29 January 2014 22:42, John Serafino <[email protected]> wrote:
> What about peeps like me who are uploading tracks that we no longer have
> the projects for? I had a hard drive crash, and that kind of borked most of
> my LMMS projects. Also, shouldn't mixing/mastering quality be part of the
> decision about which tracks make it in?
>
>
> On Wed, Jan 29, 2014 at 3:37 PM, Tobiasz Karoń <[email protected]> wrote:
>
>> I want to ask whoever is in charge in the Competition project.
>>
>> How about the technical side of making the final compilation album?
>>
>> Are you going to contact creators of selected works to deliver unmastered
>> mixes and you'll master the final thing?
>>
>> I think that quality of the production (not using lossly data-compressed
>> source files, not using over dynamic-compressed recordings) is an important
>> matter, but I don't know if anything about this was told to the artists
>> before the submission phase started.
>>
>> I guess that a good thing would be to take a bunch of audio-savvy people
>> who can hear a lot (like me ;) ) and write down all musical and technical
>> feedback about selected submissions regarding corrections and improving
>> what can be improved. The artists will learn from this feedback too.
>>
>> Then the artists would have some time to apply these fixes (and we would
>> serve with our help online).
>> Bad mixes, bad quality samples, distorted vocal recordings,out-of tune
>> vocals, over-compressed masters, painful frequency peaks on certain
>> instruments - all that should be fixed in MIXING stage, before MASTERING.
>>
>> The artists would then have some time to deliver to the Competition Team
>> (whoever it is) the final mixes in 24-bit WAV or FLAC in 44.1 or 48 kHz and
>> with - say - 20dB of headroom for peaks not touching 0dBFS.
>>
>> *And then making a master out of that would ensure we'll have a good
>> sounding album*, that also is consistent and pleasant, not sounding like
>> a cheap home-made compilation CD, but like a commercially made one (we want
>> to sell this, right?).
>>
>> If reading this makes you think "o crap" - don't worry. I'm here to help
>> - I have some experience in all this and I want to make it a real blast for
>> LMMS.
>>
>> What are your thoughs?
>>
>>
>> 2014-01-29 Johannes Lorenz <[email protected]>
>>
>> > If something isn't clear to you about the competition, don't hesitate
>>> to ask
>>> > :)
>>>
>>> One dumb more question :)
>>>
>>> Is it ok if I post my song as a WIP on SC now and ask for feedback from
>>> listeners? I'd like to use the feedback to improve my sound before
>>> submission.
>>>
>>>
>>> ------------------------------------------------------------------------------
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>>
>>
>>
>> --
>> Tobiasz *unfa*
>>
>> -----BEGIN GEEK CODE BLOCK-----
>> Version: 3.1
>> GIT/MU/P d->-- s+:-(--)> a? C++(+++)>$ ULC+(++)>$ !P? L+++>++++$ E? W++>$
>> !N-? !o--? K-? !w-- O? !M-- V? PS++ PE++ !Y+ !PGP+? !t(+) 5? !X !R+ tv
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>> ------END GEEK CODE BLOCK------
>>
>>
>> ------------------------------------------------------------------------------
>> WatchGuard Dimension instantly turns raw network data into actionable
>> security intelligence. It gives you real-time visual feedback on key
>> security issues and trends. Skip the complicated setup - simply import
>> a virtual appliance and go from zero to informed in seconds.
>>
>> http://pubads.g.doubleclick.net/gampad/clk?id=123612991&iu=/4140/ostg.clktrk
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>>
>
>
> --
> Johnny
>
>
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> security issues and trends. Skip the complicated setup - simply import
> a virtual appliance and go from zero to informed in seconds.
>
> http://pubads.g.doubleclick.net/gampad/clk?id=123612991&iu=/4140/ostg.clktrk
> _______________________________________________
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>
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security issues and trends. Skip the complicated setup - simply import
a virtual appliance and go from zero to informed in seconds.
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