I have the book  JOURS ANCIENS DE CILAOS by Mick Fouriscot and Suzanne
Maillot, Editions Didier Carpentier, 1998. From the diagrams showing how to
set up and work this, it is clearly a form of cutwork embroidery, somewhat
in the same family as reticella. Some threads of the woven fabric are
removed, the edge stabilized, then complicated designs worked in the empty
spaces, anchored to the few fabric threads that remain. So it isn't really
lace at all. Lace assumes no background fabric remaining - punto in aria.

 

I think we could say it bears some resemblance to teneriffe, but only in the
complexity of the motifs. Teneriffe itself grew out of drawn thread work,
where a channel is prepared in the fabric: one section having only
horizontal threads removed, another section having only vertical threads
removed. This leaves a fairly large square hole at the corners. These
corners were then filled with elaborate star of flower motifs. Somebody
figured out how to dispense with the woven fabric entirely, and just work
the fancy corners.

 

Lorelei Halley

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