I think if you made lace for a living, you went as fast as you could, and
certainly making lace with one hand and putting in pins with the other is a
big step up in speed. Probably different lacemakers had different solutions to
the problem of “how can I make this faster”.

I know when I was making my first 5-metre piece, which was Torchon, I got to
know the pattern so well that I didn’t have to think about it, and I used to
see how fast I could make various parts. I could make a crown during the time
it took my teakettle to boil. (the tea was a treat for me because I hated
making the crowns). I found a lot of time-saving movements began to happen
without thinking, and knowing the pattern so well, and having to repeat it
about 275 times, I saw different patterns and different, faster ways to work
the bobbins.

I got to stop after 5 metres; I don’t mean to sound facetious, but try
making your Bucks Point pattern as fast as possible for 8-10 hours a day for a
decade or so, and see how fast you get!

Having said that, of course quality suffers when you go for speed, and we
hobby lacemakers can take our time and try to make perfect lace. Watching the
video, I was certainly struck by how, um, really not very good, the lace was
that she was making.

Adele



> This youtube is interesting in that the woman is using her left hand
> way more than I use mine. In some cases, it seems like she does all
> the movements with her left hand and uses the right, principally for
> pin placement. Is this an aberration between two lacemakers, or do we
> think that this is historically correct?

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