Dear frameworkers I working on a project and looking for "cameraless" films related to "mediated intimacies" "structures of feelings" "vulnerability" that came out in 2020 or are still to be completed.
Please write me in private if you have an interesting ongoing project Best, Ludo ::ludovica fales:: documentary & film director storytelling::interactivity::filmmaking MA,PhD UCL Future Media Studio Department of Anthropology Open City Docs School [email protected] DREAMS KEEP YOU AWAKE. Lower your carbon emissions:: don't print this email! This email is confidential; it is for the use of the named recipient(s)only. If you have received it in error, do not copy or disclose its contents, please notify us immediately and delete the e-mail from your computer. NB This email was sent from a mobile - sorry for the typos. Also, in an attempt to fight email slavery, it might take me up to 36 hours to respond to your email. Accept my apologies. On Fri, 26 Jun 2020, 16:11 Emily Tucker, <[email protected]> wrote: > Good Morning, > > I tried to register again. I hope it went through this time. Here is our > submission: > > Curated by Laura McGough > *Notes Towards an Infinite Film* > *Program II: Signal, Skin, Pixel, Camera* > > “Notes Towards an Infinite Film” is a series of online screenings that > surveys four decades of film, video and new media work created by Buffalo’s > extended community of media artists. Channeling the spirit of Hallwalls’ > physical video viewing rooms of yore, each program will be online and > viewable for two weeks before being archived. Visitors are invited to spend > time with individual videos and films, following the program Laura has > curated or self-curating their own version. > > The experimental works that comprise Signal, Skin, Pixel, Camera > interrogate the material properties of film, video and digital moving > images. The skin, or the emulsion, of film is reconsidered as cinematic > image through hand-processing and chemical alteration. Software tools > glitch and pixelate the digital image revealing its display elements. Image > processing instruments foreground video’s noisy electronic signal. Rich, > lush color is culled from the electronic eye of the camera. The resulting > works offer viewers a richly sensual and haptic visual experience and entry > into a unique conversation across decades of Buffalo film and video history. > > Magnetic North, 1996/2007, 7 mins., 3/4 inch Umatic > *Andrew Deutsch* > > HandMade, 2007, 6 mins., 16 mm film transferred to video > *Vincenzo Mistretta* > > Sweepers, 2019, 5 mins., video > *Tammy McGovern* > > — gh05T1ng —, 2015, 2 mins., Digital Video > *Jax Deluca* > > Untitled #5 (From Nothing to Nothing), 2006, 7 mins., Super 8 film > transferred to video > *Brian Milbrand* > > Music for Voices, 1979/2009, 8 mins., 16mm film transferred to digital > video > *Barbara Lattanzi* > > Metamorphosis, 2010, 10 mins, Digital Video > *Su Hyun Nam* > > Spore Print Film #16, 2016, 3 mins., 6mm film to digital video > *Anna Scime* > > Bog Rushes, 1978, 4 mins., video > *Hank Linehart* > > A Dialogue of Dissonance, 2016, 6 mins., digital video > *Kalpana Subramanian* > > Aquamarine, 2018, 7 mins., digital video > *Laura Kraning and Blue Kraning* > > Precession of The Simulacrum, 1988-2000, 22 mins., Video and Digital Video > *Sara Hornbacher* > > > Warm Regards, > Emily W. Tucker > *Hallwalls Contemporary Art Center* > Director of Fundraising, Membership, & Special Events > emily@ <[email protected]>hallwalls.org | (716) 553-8483 > *Follow us online:* > <https://www.hallwalls.org/> <https://www.instagram.com/hallwalls/> > <https://www.facebook.com/Hallwalls/> > _______________________________________________ > FrameWorks mailing list > [email protected] > https://mailman-mail5.webfaction.com/listinfo/frameworks >
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