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This week
[March 22-29, 2020]
in avant garde cinema









PLEASE CHECK WITH VENUES FOR SHOW STATUS!!
(likely only online events are being held.)


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DEADLINES APPROACHING:
Laterale Film Festival (Cosenza, Italy; Deadline: March 31, 2020)
  
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Braziers International Film Festival (Oxfordshire, UK; Deadline: April 05, 2020)
  
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FAR OUT FILM FEST (Nashville, TN, USA; Deadline: April 20, 2020)
  
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Berwick Film & Media Arts Festival (United Kingdom; Deadline: April 06, 2020)
  
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Fracto Experimental Film Encounter (Berlin, Germany; Deadline: April 01, 2020)
  
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Events are sorted alphabetically BY CITY within each DATE.

This week's programs (summary):

*       Oh! I Can't Stop! [March 22, Barcelona, Spain]
*       An Evening With Bill Basquin [March 23, New York, New York]
*       58th Ann Arbor Film Festival Live Stream [March 24, Ann Arbor, Michigan]
*       Paulino viota'S Contactos [March 24, Brooklyn, NY United States]
*       58th Ann Arbor Film Festival Live Stream [March 25, Ann Arbor, Michigan]
*       58th Ann Arbor Film Festival Live Stream [March 25, Ann Arbor, Michigan]
*       Screening | Miko Revereza&Rsquo;S No Data Plan [March 25, Buffalo, NY 
United States]
*       58th Ann Arbor Film Festival Live Stream [March 26, Ann Arbor, Michigan]
*       La RegiÓN MÁS Transparente: Formas AutÓNomas De Memoria [March 26, 
Brooklyn, NY United States]
*       58th Ann Arbor Film Festival Live Stream [March 27, Ann Arbor, Michigan]
*       58th Ann Arbor Film Festival Live Stream [March 28, Ann Arbor, Michigan]
*       Psycho Geo3 [March 28, San Francisco, California]
*       58th Ann Arbor Film Festival Live Stream [March 29, Ann Arbor, Michigan]
*       Do Not Tape Over: Aids Activist video In the Uk [March 29, Brooklyn, NY 
United States]
*       Do Not Tape Over: Aids Activist video In the Uk [March 29, Brooklyn, NY 
United States]


SUNDAY, MARCH 22, 2020

3/22
Barcelona, Spain: Xcentric Cinema
 
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 http://xcentric.cccb.org/en/programas/fitxa/oh-i-cant-stop/233157
18:30, CCCB (Centre de Cultura Contemporania de Barcelona)
OH! I CAN'T STOP!
Following the exhibition “Gameplay. Videogame Culture”, this session 
presents a series of experimental films made in analogue format in the 1970s, 
80s and 90s that have connections and echoes of the imaginary, rhythm and 
language of videogames, regarding aspects related to the creation of immersive 
spaces, the subjective point of view and the narrative structures of 
repetition/variation. The typical frenzy and energy experienced in many 
videogames are also conveyed in this session through accelerated movement and 
its effects on the spectator’s body. Kwadrat, Zbigniew Rybczynski, 1972, 35 
mm to digital, 3:39 min; Blok, Hieronim Neumann, 1982, 35 mm, 8:48 min; Oh! 
I Can’t Stop, Zbigniew Rybczynski, 1975, 35 mm, 9:50 min; C’etait un 
rendez-vous, Claude Lelouch, 1976, 35 mm, 8:27 min; Mountain Trip, Siegfried 
Fruhauf, 1999, 16 mm, 4 min; We Imitate; We Break Up, Ericka Beckman, 1978, 
Super-8 to digital, 26 min. Copies courtesy of Studio Filmowe Indeks, Filmoteca 
Narodowa, Sixpackfilm and Ericka Beckman. A programme by Gloria Vilches and 
Diego Cepeda.


MONDAY, MARCH 23, 2020

3/23
New York, New York: Museum of Modern Art/Modern Mondays
 
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 https://www.moma.org/calendar/events/6558
7:00pm, 11 West 53 Street, Manhattan
AN EVENING WITH BILL BASQUIN
- From Inside of Here - World Premiere! - Museum of Modern Art - New York, NY - 
Monday, March 23, 2020, 7pm. - Filmmaker in person ------ Filmmaker Bill 
Basquin will present the world premiere of From Inside of Here at the Museum of 
Modern Art in New York, NY, on March 23, 2020.-------- From Inside of Here is 
an 84-minute experimental film. --- Basquin filmed alone, over the course of 3 
years and 8 camping trips to the Gila National Forest of New Mexico. The only 
people encountered were elk hunters and government agents suspicious of the 
filmmaker’s California license plates and reasons for being there.--- The 
audience is invited to understand the filmmaker as a subject coproduced by 
their location, as well as consider the ways the land is coproduced by those on 
it. The place itself is a character in the film, as are the filmmaker’s 
methods.--- The film is composed of multiple media: 16mm film, HD video, 
infrared stills, inter-titles, and sound recordings. The result is a feminist 
ethnographic landscape film that communicates both the majesty of 1800s 
landscape photography and the violence of a settler colonial gaze that is its 
context.


TUESDAY, MARCH 24, 2020

3/24
Ann Arbor, Michigan: Ann Arbor Film Festival
 
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 http://aafilmfest.org/
4PM EDT, https://www.aafilmfest.org/58aaff-live-stream
58TH ANN ARBOR FILM FESTIVAL LIVE STREAM 
The 58th Ann Arbor Film Festival (AAFF) will be presented as a free 
live-streamed six-day event March 24-March 29, 2020! The online event will be 
streamed through Vimeo as a one-time event and will be accessible worldwide. 
Moderated live Q&As with filmmakers will be streamed following the film 
screenings in order to continue discourse between filmmakers and our audience. 
Jurors will fulfill their commitment of reviewing programmed films in 
competition in order to confer the $22,500 in awards. Full program and live 
stream portal can be found on our website. Keep an eye out on social and/or 
sign up for our eNews to receive updates 
https://www.aafilmfest.org/subscribe-to-our-newsletter

3/24
Brooklyn, NY United States: Light Industry
 
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 http://www.lightindustry.org/
7:00 PM, 155 Freeman St
PAULINO VIOTA'S CONTACTOS
Contactos (Contacts), Paulino Viota, 1970, digital projection, 64 mins “Madrid, 
1970. A guesthouse where the characters live and hide, exhausting themselves; a 
restaurant where they work and socialize, discrete automata; sexual encounters, 
probably for cash. Stealthy work relationships, stealthy sexual contacts, 
‘tangible distance’; clandestine contacts too, in a dark, underground struggle. 
Endure, and mutely rebel. Silent anguish, behind closed doors; suffocating in 
an unbearable situation; an infuriating duration that seeks to unravel in a 
scream, in the perpetual and painfully postponed explosion.” - PV


WEDNESDAY, MARCH 25, 2020

3/25
Ann Arbor, Michigan: Ann Arbor Film Festival
 
<https://hi-beam.us9.list-manage.com/track/click?u=e4e99825c1d97f8de6eaffad3&id=e9bb52a619&e=f36020cad0>
 http://aafilmfest.org/
10AM EDT, https://www.aafilmfest.org/58aaff-live-stream
58TH ANN ARBOR FILM FESTIVAL LIVE STREAM 
The 58th Ann Arbor Film Festival (AAFF) will be presented as a free 
live-streamed six-day event March 24-March 29, 2020! The online event will be 
streamed through Vimeo as a one-time event and will be accessible worldwide. 
Moderated live Q&As with filmmakers will be streamed following the film 
screenings in order to continue discourse between filmmakers and our audience. 
Jurors will fulfill their commitment of reviewing programmed films in 
competition in order to confer the $22,500 in awards. Full program and live 
stream portal can be found on our website. Keep an eye out on social and/or 
sign up for our eNews to receive updates 
https://www.aafilmfest.org/subscribe-to-our-newsletter

3/25
Ann Arbor, Michigan: Ann Arbor Film Festival
 
<https://hi-beam.us9.list-manage.com/track/click?u=e4e99825c1d97f8de6eaffad3&id=393447b923&e=f36020cad0>
 http://aafilmfest.org/
10AM EDT, https://www.aafilmfest.org/58aaff-live-stream
58TH ANN ARBOR FILM FESTIVAL LIVE STREAM 
The 58th Ann Arbor Film Festival (AAFF) will be presented as a free 
live-streamed six-day event March 24-March 29, 2020! The online event will be 
streamed through Vimeo as a one-time event and will be accessible worldwide. 
Moderated live Q&As with filmmakers will be streamed following the film 
screenings in order to continue discourse between filmmakers and our audience. 
Jurors will fulfill their commitment of reviewing programmed films in 
competition in order to confer the $22,500 in awards. Full program and live 
stream portal can be found on our website. Keep an eye out on social and/or 
sign up for our eNews to receive updates 
https://www.aafilmfest.org/subscribe-to-our-newsletter

3/25
Buffalo, NY United States: Squeaky Wheel
 
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 http://www.squeaky.org
7:00 PM, 617 Main St
SCREENING | MIKO REVEREZA&RSQUO;S NO DATA PLAN
$7 General, $5 Members, Free for ArtsAccess Pass Holders Miko Revereza’s 
acclaimed feature documentary No Data Plan features a narrator rehashing 
details about his mother’s affair as he crosses America by train. “Mama has two 
phone numbers. We do not talk about immigration on her Obama phone. For that we 
use the other number with no data plan.” Taking place entirely within a three 
day trip upon a train—including a tense stop near Buffalo—Revereza’s film 
evokes images and thoughts from far away, illustrating an undocumented 
subjectivity, a site of precarious movement, migration, and fugitivism in the 
United States. Image: Miko Revereza, No Data Plan (2019). Courtesy of Sentient 
Art Film.


THURSDAY, MARCH 26, 2020

3/26
Ann Arbor, Michigan: Ann Arbor Film Festival
 
<https://hi-beam.us9.list-manage.com/track/click?u=e4e99825c1d97f8de6eaffad3&id=e576207e5f&e=f36020cad0>
 http://aafilmfest.org/
10AM EDT, https://www.aafilmfest.org/58aaff-live-stream
58TH ANN ARBOR FILM FESTIVAL LIVE STREAM 
The 58th Ann Arbor Film Festival (AAFF) will be presented as a free 
live-streamed six-day event March 24-March 29, 2020! The online event will be 
streamed through Vimeo as a one-time event and will be accessible worldwide. 
Moderated live Q&As with filmmakers will be streamed following the film 
screenings in order to continue discourse between filmmakers and our audience. 
Jurors will fulfill their commitment of reviewing programmed films in 
competition in order to confer the $22,500 in awards. Full program and live 
stream portal can be found on our website. Keep an eye out on social and/or 
sign up for our eNews to receive updates 
https://www.aafilmfest.org/subscribe-to-our-newsletter

3/26
Brooklyn, NY United States: UnionDocs
 
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 http://www.uniondocs.org
7:30 PM, 322 Union Ave
LA REGI&OACUTE;N M&AACUTE;S TRANSPARENTE: FORMAS AUT&OACUTE;NOMAS DE MEMORIA
When an image is seen it begins to decompose. When a story is told it starts to 
be a conversation. For Colectivo los Ingrávidos, this gradual disappearance in 
the process of transmission is a shared space of listening, where poetry 
becomes an autonomous form of history.This program includes a selection of 
Colectivo los Ingrávidos work, found sound and found footage videos, 
intertwined with digital pieces, improvised music, 16mm footage digitally 
reproduced, projected images, newspaper clippings, and footage from public 
protests. Almudena will be in conversation with a member of the collective to 
talk visual improvisation, and poetry as tools of historical resistance. 
"Visión de Anáhuac" 2018, 1:03 "CI(s)NE NEGRO" 2016, 14:59 "Transmisión / 
Archivo de Indias" 2014, 6:35 "Batalla" 2017, 4:35 After the ominous attack 
that the paramilitary and police corporations carried out on September 26, 
"Piedra de Sol" 2017, 8:24 "Paralaje" 2019, 5:00 "Altares" 2019, 3:28 2017, 
9:46 "Pandora" 2020, 7:01 min "Impresiones para una máquina de luz y sonido" 
2017, 6:43 "Soldadera / Percusión Visual" 2013, 5:50


FRIDAY, MARCH 27, 2020

3/27
Ann Arbor, Michigan: Ann Arbor Film Festival
 
<https://hi-beam.us9.list-manage.com/track/click?u=e4e99825c1d97f8de6eaffad3&id=3fd9a78629&e=f36020cad0>
 http://aafilmfest.org/
10AM EDT, https://www.aafilmfest.org/58aaff-live-stream
58TH ANN ARBOR FILM FESTIVAL LIVE STREAM 
The 58th Ann Arbor Film Festival (AAFF) will be presented as a free 
live-streamed six-day event March 24-March 29, 2020! The online event will be 
streamed through Vimeo as a one-time event and will be accessible worldwide. 
Moderated live Q&As with filmmakers will be streamed following the film 
screenings in order to continue discourse between filmmakers and our audience. 
Jurors will fulfill their commitment of reviewing programmed films in 
competition in order to confer the $22,500 in awards. Full program and live 
stream portal can be found on our website. Keep an eye out on social and/or 
sign up for our eNews to receive updates 
https://www.aafilmfest.org/subscribe-to-our-newsletter


SATURDAY, MARCH 28, 2020

3/28
Ann Arbor, Michigan: Ann Arbor Film Festival
 
<https://hi-beam.us9.list-manage.com/track/click?u=e4e99825c1d97f8de6eaffad3&id=5057ba7ebd&e=f36020cad0>
 http://aafilmfest.org/
8AM EDT, https://www.aafilmfest.org/58aaff-live-stream
58TH ANN ARBOR FILM FESTIVAL LIVE STREAM 
The 58th Ann Arbor Film Festival (AAFF) will be presented as a free 
live-streamed six-day event March 24-March 29, 2020! The online event will be 
streamed through Vimeo as a one-time event and will be accessible worldwide. 
Moderated live Q&As with filmmakers will be streamed following the film 
screenings in order to continue discourse between filmmakers and our audience. 
Jurors will fulfill their commitment of reviewing programmed films in 
competition in order to confer the $22,500 in awards. Full program and live 
stream portal can be found on our website. Keep an eye out on social and/or 
sign up for our eNews to receive updates 
https://www.aafilmfest.org/subscribe-to-our-newsletter

3/28
San Francisco, California: Other Cinema
 
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 http://www.othercinema.com/
8:30 PM, 992 Valencia St
PSYCHO GEO3
In the first of a co-bill on post-Soviet Central Asia, long-time San Fran 
cineaste Jeanne Finley interweaves a poignant group portrait of some nine 
Kazakh orphans coming of age in the shadow of a nearby Cosmodrome. Herself a 
mother of a Kazakh adoptee, Finley conjures a complex yet lyrical sense of 
space and time from the majestic landscape of the Steppes, from the local 
traditional culture, from the imagination of rocket science, and from the 
teens' own writings and performances. All followed by inspiring songs from the 
SF Threshold Choir! Also out of CCA, Moldavian-born Stefan Rusu takes up the 
theme of cosmonaut utopianism as well, in the NO. American debut of his 40 min. 
Return from the Future, in which we-like Stanislaw Lem's culture-shocked 
space-time voyager-re-visit the boldly Modernist "science fiction" buildings of 
Kyrgyzstan... to find the formerly ideologically charged edifices fallen into 
the shabby revisionism of the new free-market economy. *$8


SUNDAY, MARCH 29, 2020

3/29
Ann Arbor, Michigan: Ann Arbor Film Festival
 
<https://hi-beam.us9.list-manage.com/track/click?u=e4e99825c1d97f8de6eaffad3&id=9d588645b8&e=f36020cad0>
 http://aafilmfest.org/
9AM EDT, https://www.aafilmfest.org/58aaff-live-stream
58TH ANN ARBOR FILM FESTIVAL LIVE STREAM 
The 58th Ann Arbor Film Festival (AAFF) will be presented as a free 
live-streamed six-day event March 24-March 29, 2020! The online event will be 
streamed through Vimeo as a one-time event and will be accessible worldwide. 
Moderated live Q&As with filmmakers will be streamed following the film 
screenings in order to continue discourse between filmmakers and our audience. 
Jurors will fulfill their commitment of reviewing programmed films in 
competition in order to confer the $22,500 in awards. Full program and live 
stream portal can be found on our website. Keep an eye out on social and/or 
sign up for our eNews to receive updates 
https://www.aafilmfest.org/subscribe-to-our-newsletter

3/29
Brooklyn, NY United States: UnionDocs
 
<https://hi-beam.us9.list-manage.com/track/click?u=e4e99825c1d97f8de6eaffad3&id=a8ff36aee0&e=f36020cad0>
 http://www.uniondocs.org
7:30 PM, 322 Union Ave
DO NOT TAPE OVER: AIDS ACTIVIST VIDEO IN THE UK
In 1987, the distribution catalogue for London-based Albany Video lists eleven 
videos available for hire under the heading ‘HEALTH, AIDS’. Since then, the 
majority of these have been lost or are no longer in circulation. For this 
event, we’re delighted to host filmmaker / researcher Ed Webb-Ingall to present 
on collecting and digitising some of these alternative and activist UK AIDS 
videos, a number of which have not been screened in public since they were 
first made. PROGRAM DO NOT TAPE OVER 60 min. Ed Webb-Ingall is a filmmaker and 
researcher working with archival materials and methodologies drawn from 
community video. He collaborates with groups to explore under-represented 
historical moments and their relationship to contemporary life, developing 
modes of self-representation specific to the subject or the experiences of the 
participants. He is the participation programmer for the London Community Video 
Archive and is writing a book with the working title ‘Video Activism Before the 
Internet:1969-1993’. Canadian born Theodore Kerr (he/him) is a Brooklyn based 
writer, organizer and artist whose work focuses on HIV/AIDS, community, and 
culture. His writing has appeared in Women’s Studies Quarterly, The New 
Inquiry, BOMB, Lambda Literary, The Advocate, The St. Louis American, and other 
publications. In 2016, he won the Best Journalism award from POZ Magazine for 
his HyperAllergic article on race, HIV, and art. In 2015, Kerr was the editor 
for an AIDS-focused issue of the We Who Feel Differently journal, and in 2018, 
he was the editor of WHAT YOU DON’T KNOW ABOUT AIDS COULD FILL A MUSEUM, an 
issue of the journal, ON CURATING. . Kerr is a founding member of the What 
Would An HIV Doula Do? collective, a community of people committed to better 
implicating community within the ongoing response to HIV/AIDS. In the winter of 
2019, WWHIVDD curated an exhibition for the One Archives and the NYC LGBT 
Center entitled, METANOIA: Transformations through AIDS Archives and Activism. 
It is currently on view now at the ONE Gallery in West Hollywood. Creating 
postcards, posters, stickers, and collages, Kerr’s art practice is about 
bringing together pop culture, photography and text to create fun and 
meaningful shareable ephemera and images. Collaboration is a big part of Kerr’s 
art practice. Two of his works, in collaboration with Shawn Torres and Jun Bae, 
are part of DePaul Art Gallery’s permanent collection.

3/29
Brooklyn, NY United States: UnionDocs
 
<https://hi-beam.us9.list-manage.com/track/click?u=e4e99825c1d97f8de6eaffad3&id=ba637b9fed&e=f36020cad0>
 http://www.uniondocs.org
7:30 PM, 322 Union Ave
DO NOT TAPE OVER: AIDS ACTIVIST VIDEO IN THE UK
In 1987, the distribution catalogue for London-based Albany Video lists eleven 
videos available for hire under the heading ‘HEALTH, AIDS’. Since then, the 
majority of these have been lost or are no longer in circulation. For this 
event, we’re delighted to host filmmaker / researcher Ed Webb-Ingall to present 
on collecting and digitising some of these alternative and activist UK AIDS 
videos, a number of which have not been screened in public since they were 
first made. PROGRAM DO NOT TAPE OVER 60 min. Ed Webb-Ingall is a filmmaker and 
researcher working with archival materials and methodologies drawn from 
community video. He collaborates with groups to explore under-represented 
historical moments and their relationship to contemporary life, developing 
modes of self-representation specific to the subject or the experiences of the 
participants. He is the participation programmer for the London Community Video 
Archive and is writing a book with the working title ‘Video Activism Before the 
Internet:1969-1993’. Canadian born Theodore Kerr (he/him) is a Brooklyn based 
writer, organizer and artist whose work focuses on HIV/AIDS, community, and 
culture. His writing has appeared in Women’s Studies Quarterly, The New 
Inquiry, BOMB, Lambda Literary, The Advocate, The St. Louis American, and other 
publications. In 2016, he won the Best Journalism award from POZ Magazine for 
his HyperAllergic article on race, HIV, and art. In 2015, Kerr was the editor 
for an AIDS-focused issue of the We Who Feel Differently journal, and in 2018, 
he was the editor of WHAT YOU DON’T KNOW ABOUT AIDS COULD FILL A MUSEUM, an 
issue of the journal, ON CURATING. . Kerr is a founding member of the What 
Would An HIV Doula Do? collective, a community of people committed to better 
implicating community within the ongoing response to HIV/AIDS. In the winter of 
2019, WWHIVDD curated an exhibition for the One Archives and the NYC LGBT 
Center entitled, METANOIA: Transformations through AIDS Archives and Activism. 
It is currently on view now at the ONE Gallery in West Hollywood. Creating 
postcards, posters, stickers, and collages, Kerr’s art practice is about 
bringing together pop culture, photography and text to create fun and 
meaningful shareable ephemera and images. Collaboration is a big part of Kerr’s 
art practice. Two of his works, in collaboration with Shawn Torres and Jun Bae, 
are part of DePaul Art Gallery’s permanent collection.

  _____  

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