Hi Albert!

In the Intro to Production course I teach every fall at Bucknell
University, the students make all their projects on digital video, but we
spend a week early in the semester on 16mm. One day we go out with a Bolex
and while half of the group is out filming, the other half is making
cameraless films, and then they swap (it's direct animation with black
leader, clear leader, scratching tools, markers and there's also a bunch of
cut up prints [educational films, mostly] that they can work with as found
footage).

For my class, it's a means of introducing students to 16mm, to handling it,
etc. And a way to show them about some of the history of
experimental/artist made film, including animation (we watch a few things
as well).

Rebecca

On Wed, Feb 12, 2020 at 9:10 AM Becka Barker <[email protected]> wrote:

> I include at least one day of cameraless in my intro animation,
> experimental animation, and intro film classes at NSCAD university here in
> Nova Scotia. I always have a critical mass of students interested in trying
> it, since most of them have never seen celluloid. Our university has a
> fairly interdisciplinary orientation overall; our students come at film and
> media arts from a variety of disciplinary backgrounds (from sculpture and
> textiles to creative writing and design), so having a very tactile, direct,
> and accessible way of creating moving images is always a winner here! I
> could be biased, though, since cameraless is an important part of my own
> studio work anyway. :)
>
> I like seeing so many affirmative responses in this discussion!
>
> Becka
>
>
> On Wed, Feb 12, 2020 at 7:59 AM Albert Alcoz <[email protected]>
> wrote:
>
>> Hello,
>>
>> Does anyone know if cameraless film is a common subject at university?
>>
>> I am investigating the role of cameraless film in the studies of Fine
>> Arts and Media Studies.
>>
>> Most of cameraless film workshops are organized by art centers,
>> alternative spaces or private film schools but i wonder the role it has
>> within the university.
>>
>> Is it taught as a technique that can be applied in the audiovisual
>> industry (such as video clips, advertisements, fiction animated films,
>> etc.) or as a line to develop artistic projects or personal film
>> developments?
>>
>> Would be great to know personal experiences concerning teaching this
>> animation technique related to experimental cinema.
>>
>> Best,
>> Albert
>> --
>> http://albertalcoz.com/ <http://www.albertalcoz.com/>
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