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This week
[January 26-February 2, 2020]
in avant garde cinema








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Black Feminism [January 26, Barcelona, Spain] 

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Over and Out : Third Annual Celebration of Resistance [January 30, Austin, TX 
United States] 

  <http://www.cccb.org/rcs_gene/5.-John-Smith_1000x560.jpg> 
John Smith. the Black Tower and Slow Glass (Attended By the Filmmaker) [January 
30, Barcelona, Spain] 

NEW CALLS FOR ENTRIES:
Berwick Film & Media Arts Festival (United Kingdom; Deadline: April 06, 2020)
  
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DEADLINES APPROACHING:
Flatpackfestival (Birmingham, UK; Deadline: January 26, 2020)
  
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Another eXperiment by Women Film Festival (NY NY; Deadline: February 15, 2020)
  
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Events are sorted alphabetically BY CITY within each DATE.

This week's programs (summary):

*       Black Feminism [January 26, Barcelona, Spain]
*       Cabin Fever: Experimental Films For Kids! [January 26, Winnipeg, MB 
Canada]
*       Jonas Mekas: From the Diaries of A Cinema Maniac [January 27, Brooklyn, 
New York]
*       The Films and videos of Richard Serra - Program One [January 27, 
Cambridge, Massachusetts]
*       Experimental Feature World Premiere [January 29, New York, New York]
*       Over and Out : Third Annual Celebration of Resistance [January 30, 
Austin, TX United States]
*       John Smith. the Black Tower and Slow Glass (Attended By the Filmmaker) 
[January 30, Barcelona, Spain]
*       Revolutions Per Minute Fest 2020 [January 31, Boston, Massachusetts]
*       Finissage Maurice Lemaitre [January 31, Paris, France]
*       Revolutions Per Minute Fest 2020 [February 1, Boston, Massachusetts]
*       Hijack! & Agitate Present Essential Cinema Vol 1. [February 1, New 
York, New York]
*       Karpo Godina: the Antipodes of Socialist Realism [February 2, 
Barcelona, Spain]
*       Revolutions Per Minute Fest 2020 [February 2, Boston, Massachusetts]


SUNDAY, JANUARY 26, 2020

1/26
Barcelona, Spain: Xc�ntric Cinema
 
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 http://xcentric.cccb.org/en/programas/fitxa/black-feminism/232530
18:30, CCCB (Centre de Cultura Contempor�nia de Barcelona)
BLACK FEMINISM
One of the most overlooked and little known stories of cinema is the 
documentary and experimental production of pioneering Afro-American filmmakers 
in the seventies and early eighties. With limited means, in the face of 
contempt and hostility, these portraits manifest and value their stories, 
bodies and images. Starting with a Nina Simone song, in Four Women Julie Dash 
presents Lina Martina Young in a dance film where the form and treatment of 
light and colour turn figurative stereotypes to oblique, critical angles. Water 
Ritual is a pioneering film in experimental black feminist cinema. Conceived as 
a ritual in an abandoned area of Watts, it dialogues with the African Diaspora 
cosmology and attempts to expel the putrefaction absorbed from the physical 
environment and to cleanse it. In her portrayal of invisible women, with 
Killing Time Fronza Woods presents the dilemma of a woman preparing to commit 
suicide and, with Fannie�s Film, a 65 year old cleaning woman talks about her 
life, hopes and feelings. �What inspires me are people who don't sit on 
life�s rump but have the courage, energy, and audacity not only to grab it by 
the horns, but to steer it as well.� (Fronza Woods). Finally, Suzanne, 
Suzanne is a raw documentary by Camille Billops about her niece�s fight to 
comprehend the legacy of her violent, abusive father, her mother�s 
complicity, and drug addiction as an escape; in the film, after years of 
silence, she shares these experiences with her mother. Four Women, Julie Dash, 
1975, 16 mm, 8 min; Water Ritual #1: An Urban Rite of Purification, Barbara 
McCullough, 1979, 16 mm, 5 min; Killing Time, Fronza Woods, 1979, 16 mm, 10 
min; Fannie�s Film, F. Woods, 1979, 16 mm, 15 min; Suzanne, Suzanne, Camille 
Billops and James Hatch, 1982, 16 mm, 30 min. Video screening. Spanish 
subtitles. Copies of Fronza Woods courtesy of Women Make Movies. Copies of 
Julie Dash, Barbara McCullough, and Camille Bishop and James Hatch courtesy of 
Third World Newsreel.

1/26
Winnipeg, MB Canada: Winnipeg Cinematheque
3:00 PM, Main Floor - 100 Arthur Street
CABIN FEVER: EXPERIMENTAL FILMS FOR KIDS!
There will be free stop motion animation workshop offered by Art City one hour 
prior to the screening. Free Admission! WNDX presents this program of short 
experimental film and video tuned especially for kids and the young at heart! 
Featuring handmade and digital animation, personal essay and documentary films, 
and left-field surprises from Manitoba and around the world, this program will 
offer a beginner’s level introduction to the world of experimental moving 
image, and an exciting alternative to the multiplex experience. Suitable for 
ages 4 to 94! FULL PROGRAM: Chromakeycraycray, dirs. Art City (1.5 min); Crux 
Film, dirs. Alexander Stewart & Lilli Carré (5 min); Blanket Statement #1, dir. 
Jodie Mack (3 min); Convolve, dir. Colby Richardson (3 min); Yawning and Crying 
a Little Less, dirs. Toby Gillies & Marijana Mandusic (1 min); Sadhana, dir. 
Annapurna Kumar (2.5 min); Kuujjuaq, dir. Sammy Gadbois (5 min) Insecta, dir. 
Ramey Newell (5 min); Bees & Space, dir. Trinity Linklater (2 min); Stan vs. 
Squirrel, dir. Lilly Boruszkowski (21.5 min); Time Is a Terrible Thing to 
Waste, dir. Leslie Supnet (3 min). We gratefully acknowledge the support of the 
Assiniboine Credit Union. Presented in partnership with the WNDX Festival of 
Moving Image.


MONDAY, JANUARY 27, 2020

1/27
Brooklyn, New York: Microscope Gallery
 
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 http://www.microscopegallery.com
7:30pm, 1329 Willoughby Ave
JONAS MEKAS: FROM THE DIARIES OF A CINEMA MANIAC
Microscope presents a screening of video works by Jonas Mekas, in honor of and 
as a tribute to the legendary filmmaker, poet, artist, critic, and founder of 
Anthology Film Archives, among other institutions, who died a year ago on 
January 23rd at the age of 96. The night marks the American debut of �From 
the diaries of a cinema maniac�, a roughly hour-long video that combines a 
series of diarist portraits of film luminaries from New York and abroad � 
such as Agnes Varda, B�la Tarr, Harmony Korine, Peter Hutton, Ken Jacobs, MM 
Serra, Peter Kubelka, and Susan Sontag � with other moments from the life of 
the filmmaker himself including a recent spontaneous reading of his manifesto 
�Cinema is Not 100 Years Old.� The work will be preceded by two short 
videos �Made in the U.S.A.� (2010) and �When,� a 16mm film to video 
transfer (1968/2005). The former appeared in Microscope�s inaugural 
exhibition �Independence� in 2010 and the latter in the exhibition 
�Independence Returns,� which launched the gallery�s 2011 season. Jonas 
we miss you! Keep Dancing, Keep Singing! General admission: $8, Students $6, 
Free for Members! More info: www.microscopegallery.com 
<http://www.microscopegallery.com> , tel: 347.925.1433: 
[email protected] <mailto:[email protected]> . Nearest 
subway: Jefferson St L (exit Starr St)

1/27
Cambridge, Massachusetts: Harvard Film Archive
 
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 http://hcl.harvard.edu/hfa
7pm, 24 Quincy Street
THE FILMS AND VIDEOS OF RICHARD SERRA - PROGRAM ONE
This program sees Serra moving from the task-based minimalism of his earliest 
films�all of which depict a hand engaged in simple actions�to films that 
explore the various ways that the medium of film can transform the reality 
being photographed, whether through the imposition of a border in Frame, the 
way motion is rendered in Tina Turning, or the capturing of color and 
two-dimensional space in Color Aid. Introduction by Benjamin Buchloch. Hand 
Catching Lead 1968, 16mm, black & white, silent, 4 min. Hands Scraping 1968, 
16mm, black & white, silent, 5 min. Hands Tied 1968, 16mm, black & white, 
silent, 4 min. Hand Lead Fulcrum 1968, 16mm, black & white, silent, 3 min. 
Frame 1969, 16mm, black & white, 22 min. Tina Turning 1969, 16mm, black & 
white, silent, 2 min. Color Aid 1970-71, 16mm, color, 36 min.


WEDNESDAY, JANUARY 29, 2020

1/29
New York, New York: New Filmmakers NY
 
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9 pm, Anthology Film Archives, 32 Second Avenue at E2nd Street
EXPERIMENTAL FEATURE WORLD PREMIERE
9:00PM NEWFILMMAKERS FEATURE FILM PRESENTATION. Fred Hatt THREE DANCES OF 
SUDDEN LOSS (2018, 16 minutes, digital). David Finkelstein SPONTANEOUS 
ARTIFACTS (2020, 77 minutes, digital). Two actors improvise an extended dialog, 
examining the way that we record and organize our experiences, and the dangers 
inherent in creative expression. Their words inspire a series of complex, 
unfolding landscapes, meticulously rendered in 3D animation, and a 
multi-layered musical score. Like archeologists of the unconscious, their 
explorations unearth images from their imaginations, as well as from our 
shared, cultural legacies, giving rise to vistas filled with clocks, flying 
pizza pies, pyramids, tarot cards, and myriad other artifacts. By turns 
ecstatic, reflective, illuminating and elegiac, these visually sumptuous 
explorations draw the viewer into an inner landscape.


THURSDAY, JANUARY 30, 2020

1/30
Austin, TX United States: Experimental Response Cinema
 
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 http://ercatx.org
7:30 PM, Canopy Center, East Austin
OVER AND OUT : THIRD ANNUAL CELEBRATION OF RESISTANCE
Join ERC in celebrating a THIRD year of RESISTANCE to the policies of our 
CURRENT PRESIDENTIAL ADMINISTRATION! This screening of short films from around 
the globe playfully condemns the current political landscape and envisions a 
better one to come. Creativity is a vital clapback to #45's lies, greed, 
bigotry and ignorance! * Suggested admission of $5-$10 goes directly to Refugee 
Services of Texas * EXCITED TO CELEBRATE WITH YOU!

1/30
Barcelona, Spain: Xcentric Cinema
 
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http://xcentric.cccb.org/en/programas/fitxa/john-smith-the-black-tower-and-slow-glass/232531
19:30, CCCB (Centre de Cultura Contemporania de Barcelona)
JOHN SMITH. THE BLACK TOWER AND SLOW GLASS (ATTENDED BY THE FILMMAKER)
In the films in this session, John Smith ranges East London, cataloguing and 
collecting fragments of urban landscapes, imprecise wastelands that take on 
mysterious meanings. This is not the first time the English filmmaker explores 
the topography of these spaces, filming them with his strange, teasing 
approach. He�s done it before and he�ll do it again, always tempting the 
limits of what we understand by documentary and fiction, representation and 
abstraction. The Black Tower, 1985-87, 16 mm, 24 min. Slow Glass, 1988-91, 16 
mm, 40 min. Digital screening. Catalan subtitles. Copies courtesy of John Smith.


FRIDAY, JANUARY 31, 2020

1/31
Boston, Massachusetts: Revolutions Per Minute Fest
 
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 http://revolutionsperminutefest.org/
15:00 - 20:00, University Hall 2310, UMass Boston, University Drive North, 
Dorchester, MA 02125
REVOLUTIONS PER MINUTE FEST 2020
The Second edition of Revolutions Per Minute Fest features 107 short films, 5 
audio-visual live performances, a documentary feature film, and 9 installations 
in the exhibition area, the selection of RPM 2020 remains loyal to the 
experimental spirit and intimacy of personal filmmaking. 15 PM - 17 PM 
Self-Portrait: Sphinx in 47 KM Director: Zhang Mengqi 94min, China, 2018 17PM - 
18:30PM Impossible Shapes - Animation For more information: 
http://revolutionsperminutefest.org/

1/31
Paris, France: The Film Gallery
 
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 http://film-gallery.org
5:00-8:00pm, 43 rue du Faubourg Saint Martin
FINISSAGE MAURICE LEMAITRE
End of the exhibition dedicated to Maurice Lemaitre


SATURDAY, FEBRUARY 1, 2020

2/1
Boston, Massachusetts: Revolutions Per Minute Fest
 
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 http://revolutionsperminutefest.org/
12 PM - 22 PM, University Hall 2310, UMass Boston, University Drive North, 
Dorchester, MA 02125
REVOLUTIONS PER MINUTE FEST 2020
12AM - 13:00PM Broken Narratives; 13:45PM - 15:15PM Sights, Symbols and Signs; 
15:30PM - 16:45PM Slice the Eye!; 17PM - 18:30PM Saul Levine; 19:15PM - 20:30PM 
Labor Intensive; 21PM - 22PM Expanded Cinema II Free admission for all, with 
suggested donation of $3. For more information: 
http://revolutionsperminutefest.org/

2/1
New York, New York: Agitate:21C & Hijack!
 
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7:00PM, 18 Bleecker Street, New York City. 2nd Floor (entrance on Elizabeth 
Street)
HIJACK! & AGITATE PRESENT ESSENTIAL CINEMA VOL 1.
Free admission Hijack! is a regular three-hour screening series that runs from 
7-10PM. Other work is also screened in the program. This is a small venue, 
please arrive on time to ensure a seat. Karissa Hahn - Regal (2min, sound) 
Nazlı Din�el - Untitled - (12min, sound) Lynne Sachs - Carolee, Barbara, 
Gunvor - (9min, sound) Sylvia Toy St. Louis - AND SO I SAID - (6min, sound) 
Morrison Gong - Eros Diary - (5min, sound) Jennifer Sharpe - Lights Bypass - 
(3min, sound) Karissa Hahn - _______ - (4min, sound) Gisela Guzm�n - Llegu� 
Bien - (6min, sound) Kelly Gallagher - Slower - (7min, sound) Morrison Gong - 
Festal Flutter - (3min, sound) Karissa Hahn - Please Step Out Of the Frame - 
(4min, sound) Anu Valia - Lucia, Before and After - (14min, sound) Xiaoer Liu - 
2nd Time [Xiaoer Midnight Paintings] - (3min, silent)


SUNDAY, FEBRUARY 2, 2020

2/2
Barcelona, Spain: Xcentric Cinema
 
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http://xcentric.cccb.org/en/programas/fitxa/karpo-godina-the-antipodes-of-socialist-realism/232537
18:30, CCCB (Centre de Cultura Contemporania de Barcelona)
KARPO GODINA: THE ANTIPODES OF SOCIALIST REALISM
Special programme devoted to Karpo Godina, one of the foremost figures of the 
Yugoslav Black Wave. After presenting the work of the Kino Klub Split as one of 
the spawning grounds of avant-garde film in former Yugoslavia, this season we 
focus on a cult figure of this artistic milieu. Game/Divjad (with Jure 
Pervanje), 1965, 6 min; Dog/Pes (with Mario Ur�ić), 1965, 8 min; Anno 
Passato, 1966, 6 min; The Gratinated Brain of Pupilija Ferkeverk, 1970, 12 min; 
Litany of Happy People, 1971, 14 min; On the Art of Loving or Film with 14441 
Frames, 1972, 10 min; I Miss Sonia Henie, 1972, 16 min; The Making of Sonja 
Henie, 1972, 14 min.

2/2
Boston, Massachusetts: Revolutions Per Minute Fest
 
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 http://revolutionsperminutefest.org/
12 PM - 22 PM, University Hall 2310, UMass Boston, University Drive North, 
Dorchester, MA 02125
REVOLUTIONS PER MINUTE FEST 2020
Vital Transit (12PM - 13:45PM); Mythologies (14PM - 15:15PM); Elemental 
Findings (15:30PM - 16:45PM); The Known Unknown (17PM - 18:30PM); Only The 
Buried Left Alive (19:00PM - 20:15PM); Evidence of Life (20:30M - 22PM) Free 
admission for all, with suggested donation of $3.

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