I've been using Digital Media Services in New York. Trevor Boelter
EVP, Sales  818.846.4000 <818.846.4000%20x1313>      818.679.1056 cell
   tboelter@ <[email protected]>digitalmediaservices.com

Fondest regards,
Dennis Doros
*Milestone Film & Video • *PO Box 128 • Harrington Park, NJ 07640
Phone: +1 (201) 767-3117 • Email: [email protected] • www.milestone.film

President, *Association of Moving Image Archivists*
[email protected] • www.amianet.org
*AMIA 2019 • 11/13–16  Baltimore, MD*

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On Sat, Nov 2, 2019 at 5:32 PM Scott Dorsey <[email protected]> wrote:

> Steve Puntolillo at Sonicraft is the first place I would go.  First of all,
> they are careful people and will set their machines up properly for your
> tapes.  If your tapes have tones, they will line them up, if they don't
> they
> will set the azimuth by ear.  And then they are able to do clean unattended
> transfers which will cost you less than having an attended transfer done.
>
> If you have 3 3/4 ips tapes, likely they were made on consumer machines
> which
> might be quarter-track instead of normal professional half-track
> configuration
> and they can identify those and make sure they have the right headstack in
> the machine.
>
> I can do transfers like this but I'll charge a whole lot more money
> because
> I have one machine that will need to be reconfigured for every different
> format and then re-aligned at the end for normal studio configuration and
> every time I do that you pay for the time.  If you send it to someone like
> Sonicraft that specializes in the work, they can do it faster and that
> means
> doing it cheaper because they have machines already configured and they
> don't need to be swapping heads and speed control boards all the time.
>
> If you think there is ANY chance that any of these tapes have center track
> pilot tone or timecode, warn the transfer guy in advance and make sure he
> has a machine with nagratone heads so he can pull the synch signal off.
> --scott
>
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