<https://gallery.mailchimp.com/e4e99825c1d97f8de6eaffad3/images/c6a4b757-b14c-4ec9-b8c6-9553961a080e.gif> This week [October 19-27, 2019] in avant garde cinema Enter your event announcements by going to the <https://hi-beam.us9.list-manage.com/track/click?u=e4e99825c1d97f8de6eaffad3&id=91572bc8ad&e=f36020cad0> Flicker Weekly Listing Form. To receive the weekly listing via email: <https://hi-beam.us9.list-manage.com/track/click?u=e4e99825c1d97f8de6eaffad3&id=7a627178b4&e=f36020cad0> Subscribe. <https://scontent-sjc3-1.xx.fbcdn.net/v/t1.0-9/72159233_2431392846978118_7202895691398512640_n.jpg?_nc_cat=111&_nc_oc=AQlOPT1MFK62HL1HtcMPz6hSPzggKhZhHJxbGKA7GHN0PHnci81Zf_-8OCL_ZreUGjU&_nc_ht=scontent-sjc3-1.xx&oh=a5a028fd0b078a863f83d8d99a20d814&oe=5E63D498> Cineinfinito #107: Holly Fisher (Iii) [October 23, Santander, Spain] <http://www.sfcinematheque.org/wordpress/wp-content/uploads/2019/08/2_Mack_J_HOARDERS_2018-690x525-wpcf_320x243.png> Something Between Us: Films By Jodie Mack [October 24, San Francisco, CA United States] <https://scontent-sjc3-1.xx.fbcdn.net/v/t1.0-9/71777303_2417062921744444_2443728742363693056_n.jpg?_nc_cat=106&_nc_oc=AQlOIXvRw2fw7iI7p0Cq1dFipKNe9QEaopA0ZxBmno6otDpd8rPS0R6T1X98sY7Ivzc&_nc_ht=scontent-sjc3-1.xx&oh=149ad2da2922a765f3fafd42299bca2c&oe=5E5F5A36> Cineinfinito #110: Leighton Pierce (Iii) [October 25, Santander, Spain] NEW CALLS FOR ENTRIES: Cosmic Rays Film Festival (Chapel Hill, NC, USA; Deadline: December 01, 2019) <https://hi-beam.us9.list-manage.com/track/click?u=e4e99825c1d97f8de6eaffad3&id=73d227193a&e=f36020cad0> http://hi-beam.net/cgi-bin/ann.pl?type=calls&readfile=2050.ann Video Art Miden (Greece; Deadline: November 30, 2019) <https://hi-beam.us9.list-manage.com/track/click?u=e4e99825c1d97f8de6eaffad3&id=922d7f9a6a&e=f36020cad0> http://hi-beam.net/cgi-bin/ann.pl?type=calls&readfile=2051.ann DEADLINES APPROACHING: Winter Film Awards International Film Festival (New York, NY, USA; Deadline: November 15, 2019) <https://hi-beam.us9.list-manage.com/track/click?u=e4e99825c1d97f8de6eaffad3&id=8a35c62edc&e=f36020cad0> http://hi-beam.net/cgi-bin/ann.pl?type=calls&readfile=2034.ann The Wake Up! Memorial (Cologne, Germany; Deadline: October 31, 2019) <https://hi-beam.us9.list-manage.com/track/click?u=e4e99825c1d97f8de6eaffad3&id=af4d922096&e=f36020cad0> http://hi-beam.net/cgi-bin/ann.pl?type=calls&readfile=2040.ann Experiments in Cinema v15.1 (Albuquerque, New Mexico, USA; Deadline: November 01, 2019) <https://hi-beam.us9.list-manage.com/track/click?u=e4e99825c1d97f8de6eaffad3&id=e236ccc9d6&e=f36020cad0> http://hi-beam.net/cgi-bin/ann.pl?type=calls&readfile=2043.ann Events are sorted alphabetically BY CITY within each DATE. This week's programs (summary): * Richard Serra, Program 4 (With Panel Discussion) [October 19, New York, NY] * The Grand Bizarre [October 19, San Francisco, California] * Incredibly Strange Music 2 [October 19, San Francisco] * A Song Dissolved In the Dawn: Films By Phil Solomon, Program 1 [October 20, Los Angeles, CA United States] * Jonas Mekas, Program 2: A Walk [October 21, New York, NY] * RenÉ viÉNet'S Can Dialectics Break Bricks? [October 22, Brooklyn, NY United States] * Ismo Ismo Ismo: Superficies Alteradas [October 22, Mexico CIty] * Works In Small Gauge: 16mm & Super 8 [October 22, Portland, Oregon] * Cineinfinito #107: Holly Fisher (Iii) [October 23, Santander, Spain] * Eyes On Elsewheres [October 24, Brooklyn, NY United States] * A Parcel of Land: Films By Urban Dwellers [October 24, Los Angeles, CA United States] * Ec: Eggeling / Grant / Jacobs & Fleischner [October 24, New York, NY] * Something Between Us: Films By Jodie Mack [October 24, San Francisco, CA United States] * Vinegar Syndrome Hallowe'En Spooktacular 2019 [October 25, Los Angeles, CA United States] * Cineinfinito #109: Leighton Pierce (Ii) [October 25, Santander, Spain] * Cineinfinito #110: Leighton Pierce (Iii) [October 25, Santander, Spain] * Incredibly Strange Religion [October 26, San Francisco] * Dagie Delights: New Films From A Recent Residency [October 27, Los Angeles, CA United States] * Jonas Mekas, Program 3: Lithuania and the Collapse of the Ussr [October 27, New York, NY] SATURDAY, OCTOBER 19, 2019 10/19 New York, NY: Anthology Film Archives <https://hi-beam.us9.list-manage.com/track/click?u=e4e99825c1d97f8de6eaffad3&id=b5583480ba&e=f36020cad0> http://www.anthologyfilmarchives.org/ 6:00 PM, 32 Second Avenue RICHARD SERRA, PROGRAM 4 (WITH PANEL DISCUSSION) RAILROAD TURNBRIDGE (1976, 19 min, 16mm, silent) STEELMILL/STAHLWERK (1979, 29 min, 16mm. Made in collaboration with Clara Weyergraf.) Total running time: ca. 50 min + panel discussion.On Sat, Oct 19, the screening will be followed by a panel discussion between curators Søren Grammel, Chrissie Iles, and Jeffrey Weiss, moderated by art historian Benjamin Buchloh.Buy tickets for Richard Serra: The Complete Films and Videos 10/19 San Francisco, California: San Francisco Museum of Modern Art <https://hi-beam.us9.list-manage.com/track/click?u=e4e99825c1d97f8de6eaffad3&id=9839dfe1de&e=f36020cad0> http://www.sfmoma.org 1pm, 3rd and Mission THE GRAND BIZARRE odie Mack in person! Jodie Mack is an internationally recognized experimental animator who combines the formal techniques and structures of abstract/absolute animation with those of cinematic genres. Her handmade films use collage to explore the relationship between graphic cinema and storytelling, and the tension between form and meaning. A mixture of musical documentary and stroboscopic effect, Mack’s films study domestic and recycled materials to illuminate the elements shared between fine-art abstraction and mass-produced graphic design. The works unleash the kinetic energy of overlooked and wasted objects and question the role of decoration in daily life. 10/19 San Francisco: Other Cinema <https://hi-beam.us9.list-manage.com/track/click?u=e4e99825c1d97f8de6eaffad3&id=ffbd1585e6&e=f36020cad0> http://www.othercinema.com/ 8:30, 992 Valencia Street INCREDIBLY STRANGE MUSIC 2 OCT.19: JAMES SCHNEIDER’s PUNK THE CAPITAL Long-time OC ally James June Schneider (1,2,3 Whiteout) remains an invaluable underground source, and bi-national non-fiction master, on the Washington watch. With essential help from small-gauge guru Paul Bishow, James has finally pulled together their long-awaited doc about the seminal years when punk broke in DC, with powerful new sounds and radical attitudes, thanks to bands like Minor Threat, Bad Brains, and the Void (Chris Stover in person). Tonight James is here in the flesh with the West Coast’s first look at how the DC scene gained momentum, and an affirmative, generous, and creative community emerged. An artists’ co-op called Madam’s Organ was a space of possibility, like punk itself, where generations and musical genres mixed, eventually becoming the launch-pad for Washington’s harDCore movement. Newly discovered footage and in-depth personal accounts afford fresh perspectives on how the impact of that music and those ideas eventually grew to resonate world-wide. *$8 SUNDAY, OCTOBER 20, 2019 10/20 Los Angeles, CA United States: Echo Park Film Center <https://hi-beam.us9.list-manage.com/track/click?u=e4e99825c1d97f8de6eaffad3&id=d923043aea&e=f36020cad0> http://www.echoparkfilmcenter.org/ 7:30 PM, 1200 N Alvarado St A SONG DISSOLVED IN THE DAWN: FILMS BY PHIL SOLOMON, PROGRAM 1 Phil Solomon (1954-2019) was an immensely passionate, inspiring, and kind-hearted figure to so many who encountered him and his work. He inhabited this world as a generous friend, dedicated teacher and mentor, and as an artist of profound talent and feeling, whose films have inspired countless over the decades. Los Angeles Filmforum has hosted Phil Solomon on a few occasions over the years, and he was always one of our favorite guests, presenting programs of great personality and memorable, lingering emotionality. So although it is with great sadness that we now present a memorial program for our departed friend, we know that Phil would be so pleased at the thought of his beautiful work continuing to inspire new viewers. This program focuses on what might be considered the more intimate, inward-looking side of Phil’s work. These are films that come from very personal places, which nevertheless bloom into more universal and empathic experiences shared with us through Phil’s nuanced command of montage, mood, and manipulation of the photographic image. Including his widely beloved breakthrough films The Exquisite Hour and Remains to be Seen, this program will also feature some lesser-seen rarities such as The Lateness of the Hour, What’s Out Tonight is Lost, and the delicate and little-known As if We. It will be an evening of genuine cinematic poetry as we celebrate the life and work of a very special artist and friend. Screening: Nocturne 1980/89, 16mm, bw, silent 24fps, 8m Finding similarities in the pulses and shapes between my own experiments in night photography, lightning storms, and night bombing in World War II, I constructed the war at home. As if We 1980, 16mm, color, silent 18fps, 11m Restored print courtesy of the Academy Film Archive Musing on the past and the present, on roads not taken and the road I was already on. For Jeanine Hayden and her son Jeff, wherever you are. What’s Out Tonight is Lost 1983, 16mm, color, silent 18fps, 8.5m Restored print courtesy of the Academy Film Archive “Adopting its title from a poem by Edna St. Vincent Millay, WHAT’S OUT TONIGHT IS LOST is an elegaic film sifting through the unrecoverable. The film is a reflecting pool where vision breaks up. The home we recognize is swallowed in the brume, the light barely penetrates; and the yellow school bus steals us away, delivering us into new clouds, embracing fear. The film has a surface of cracked porcelain and intaglio: the allergic childhood skin of cracks and bruises. This is a film of transubstantiations, the discorporation of human forms into embers. Air looms and blossoms into solidity and nearness … I hear it breathing…” (Mark McElhatten) Remains to be Seen 1989/94, 16mm, color, sound, 17.5m Using chemical and optical treatments to coat the film with a limpid membrane of swimming crystals, coagulating into silver recall, then dissolving somewhere between the Operating Theatre, The Waterfall, and the Great Plains. The Exquisite Hour 1989/94, 16mm, color, sound, 14m Partly a lullaby for the dying, partly a lament at the dusk of cinema. Based on the song by Reynaldo Hahn and Paul Verlaine. The Snowman 1995, 16mm, color, sound, 8m A meditation on memory, burial and decay - a belated kaddish for my father. The Lateness of the Hour 1999, 16mm, color, silent 24fps, 10m Restored print courtesy of the Academy Film Archive A little Nachtmusik… breathing in the cool night airs, breathing out a children’s song; then whispering a prayer for a night of easeful sleep. My blue attempt at a sequel to Rose Hobart. total = 77m MONDAY, OCTOBER 21, 2019 10/21 New York, NY: Anthology Film Archives <https://hi-beam.us9.list-manage.com/track/click?u=e4e99825c1d97f8de6eaffad3&id=4585a94545&e=f36020cad0> http://www.anthologyfilmarchives.org/ 7:30 PM, 32 Second Avenue JONAS MEKAS, PROGRAM 2: A WALK WTC HAIKUS (Filmed 1977-95/edited 2010, 14 min, 16mm-to-digital) Looking through my finished and unfinished films, I was surprised how many glimpses of the World Trade Center I caught during my life in SoHo. I had a feeling I was Hokusai glimpsing Mount Fuji. Only that it was the World Trade Center. The WTC was an inseparable part of my and my family's life during my SoHo period from 1975-95. My method in constructing this piece was simply to pull out images of the WTC from my original footage, while including some of the surrounding scenes. The result I felt came close, albeit indirectly, to what in poetry is known as the Haiku. A WALK 1990, 58 min, digital On a rainy day, I have a walk through the early SoHo. I begin my walk on 80 Wooster Street and continue towards the Williamsburg bridge, where, 58 minutes later, still raining, my walk ends. As I walk, occasionally I talk about what I see or I tell some totally unrelated little stories that come to my mind as I walk. This video was my early exercise in the one-shot video form. There are no cuts in this video. TUESDAY, OCTOBER 22, 2019 10/22 Brooklyn, NY United States: Light Industry <https://hi-beam.us9.list-manage.com/track/click?u=e4e99825c1d97f8de6eaffad3&id=7798126e10&e=f36020cad0> http://www.lightindustry.org/ 7:00 PM, 155 Freeman St REN&EACUTE; VI&EACUTE;NET'S CAN DIALECTICS BREAK BRICKS? Introduced by Keith Sanborn. La Dialectique peut-elle casser des briques? (Can Dialectics Break Bricks?), René Viénet, 1972, digital projection, 82 mins This is a situationist film. This is not a situationist film. 10/22 Mexico CIty: Filmforum <https://hi-beam.us9.list-manage.com/track/click?u=e4e99825c1d97f8de6eaffad3&id=a00ed694b8&e=f36020cad0> http://www.lafilmforum.org/ 10AM-6PM, through Oct. 27, Museo Tamayo, Reforma 51, Col. Bosque de Chapultepec ISMO ISMO ISMO: SUPERFICIES ALTERADAS Altered Surfaces: Psychedelia and Abstraction Abstraction has been a recurring strategy in Latin American visual cultures since long before the European Conquest. Over the past century, and often in dialogue with artists elsewhere, Latin Americans working in diverse media have explored both abstraction, or in the case the concrete art movement, who rejected the term “abstract” art as too suggestive of a link to a figurative realm that is being abstracted, “pure” explorations of color and form. Not surprisingly, filmmakers have participated actively in this process of exploration, often in collaboration with artists from other media. Enrique Pineda Barnet’s 'Cosmorama' (1964) uses the kinetic sculptures of the Romanian-Cuban artist Sandú Darié Laver as a point of departure. Other filmmakers proceed from urban and architectural references, such as the Cathedral of Notre-Dame in Teo Hernández’ 'Nuestra señora de Paris' (1981-1982), and render these in ways that cross back and forth between abstraction and recognizable representations, while still others reference the altered sensory perceptions and exaggerated color palettes of psychedelic experiences. Laborde’s 'As Within So Without' documents the reflective surfaces of the filmmaker’s inscrutable sculptures. Together, like the diverse approaches of the concrete, neo-concrete, geometric abstraction, “grupo Madí,” “grupo ruptura,” and other movements in the visual arts, these filmmakers pursue colors, light, shadows, and forms as the basis for their work. La abstracción y la geometría en el continente americano ha sido una estrategia recurrente en diversas manifestaciones culturales previas a la conquista europea. Durante el siglo XX surgieron en América Latina diversos movimientos artísticos centrados en la geometría y la abstracción. Estos cineastas, al igual que los artistas visuales asociados a estos movimientos, centraron sus obras en el color, la luz y la forma. 10/22 Portland, Oregon: Boathouse Microcinema <https://hi-beam.us9.list-manage.com/track/click?u=e4e99825c1d97f8de6eaffad3&id=5a33ba55af&e=f36020cad0> http://www.boathousemicrocinema.com/ 8PM , 822 N River St WORKS IN SMALL GAUGE: 16MM & SUPER 8 Works in Small Gauge: 16mm & Super 8 at 8pm on October 22, 2019 features 10 short films by 10 filmmakers who shoot primarily or exclusively on film. Featuring films by: Emilie Slater Pam Minty Julie Perini Melina Coumas Kamila Kuc Alice Heit Stephanie Hough Miriam Gossing & Line Sieckmann Curated by Nicole Elaine Baker Www.magiklantern.com <http://Www.magiklantern.com> WEDNESDAY, OCTOBER 23, 2019 10/23 Santander, Spain: Centro Cultural Doctor Madrazo 6:00 PM, Casimiro Sainz, S/N CINEINFINITO #107: HOLLY FISHER (III) Cineinfinito #107: Holly Fisher (III) CINEINFINITO / Centro Cultural Doctor Madrazo Miércoles 23 de Octubre de 2019, 18:00h. Centro Cultural Doctor Madrazo Calle Casimiro Sainz, s/n 39004 Santander Programa: Here Today Gone Tomorrow (aka Rushlight) (1984), Super 8 (a 16mm) / color / silente / 54 min Formato de proyección: HD (nuevo transfer digital en primicia para esta sesión) Agradecimiento especial a Holly Fisher y a Light Cone https://www.cineinfinito.org/cineinfinito-holly-fisher-3/ THURSDAY, OCTOBER 24, 2019 10/24 Brooklyn, NY United States: UnionDocs <https://hi-beam.us9.list-manage.com/track/click?u=e4e99825c1d97f8de6eaffad3&id=1ae5c6399f&e=f36020cad0> http://www.uniondocs.org 7:30 PM, 322 Union Ave EYES ON ELSEWHERES Presented during the 12th edition of the Imagine Science Film Festival in NYC (Oct 18-25), this companion program expands upon the festival’s 2019 theme of EMERGENCE: the ability of simple parts acting together to give rise to complicated properties unobserved in the parts alone, whether on the level of chemical interactions or universal social change. Through this program of films we’ll ask how do we observe that which we cannot experience directly? Whether searching the surfaces of distant planets or peering into the quantum world, science seeks to extend our perception ever further. But the further we seek, the more perception, always subjective, may become a metaphor for reality. What is the truth, even, of a photographic image? Centered on The Other Side of Mars, a philosophical feature study of the exploration and documentation of the surface of Mars via robotic rover, along with films set in CERN and on the moon, this program asks questions at the top levels of scientific theory: of how much we can ever hope to know. For María Molina Peiró, Semiconductor and Minna Långström, this manifests through the photographs of astronaut Charles Duke, humanity’s place at the European Organization for Nuclear Research and the otherworldly process of photography on Mars. PROGRAM The Sasha 21 min., 2019 María Molina Peiró The View >From Nowhere 13 min., 2018 Semiconductor The Other Side of Mars 55 min., 2019 Minna Långström 10/24 Los Angeles, CA United States: Echo Park Film Center <https://hi-beam.us9.list-manage.com/track/click?u=e4e99825c1d97f8de6eaffad3&id=22922d49b8&e=f36020cad0> http://www.echoparkfilmcenter.org/ 8:00 PM, 1200 N Alvarado St A PARCEL OF LAND: FILMS BY URBAN DWELLERS The urban environment as we know is a continuous ever changing phenomenon. It is planned and formed of the tangible and intangible. We shape it as much as it shapes us. Is there anyway to experience every inch of what has been created so far? Possibly not. But join us for a night of short films about some of the urban spaces around us by local urban dwellers. Films presented tonight include work by Eliza Jimenez, Dominick Ortiz, Gemma Jimenez Gonzalez, Monica Juarez, Nicole Ucedo, and Thea Rhodes. 10/24 New York, NY: Anthology Film Archives <https://hi-beam.us9.list-manage.com/track/click?u=e4e99825c1d97f8de6eaffad3&id=1eb7f3c99b&e=f36020cad0> http://www.anthologyfilmarchives.org/ 7:30 PM, 32 Second Avenue EC: EGGELING / GRANT / JACOBS & FLEISCHNER Viking Eggeling SYMPHONIE DIAGONALE (1924, 8 min, 35mm) "This early experimental short is one of only two films completed by Swedish-born artist Viking Eggeling, who worked in Paris, Milan, and ultimately Germany. It utilizes paper cutouts, tin foil, and frame-by-frame photography to create a playful show in which cubist, even art deco, circles and lines dance - diagonally - across the black screen." -FACETS Dwinell Grant COMPOSITION #2 CONTRATHEMIS (1941, 5 min, 16mm, silent) "An attempt to develop visual abstract themes and to counterpoint them in a planned, formal composition." -Dwinell Grant STOP MOTION TESTS (1942, 3 min, 16mm, silent) A pixillated self-portrait of the filmmaker in his studio. COLOR SEQUENCE (1943, 3 min, 16mm, silent) "Pure solid-color frames which fade, mutate and flicker. A research into color rhythms and perceptual phenomena." -William Moritz Ken Jacobs & Bob Fleischner BLONDE COBRA 1959-63, 35 min, 16mm-to-35mm blow-up. With Jack Smith. Preserved by Anthology Film Archives with support from The Film Foundation. "BLONDE COBRA is an erratic narrative - no, not really a narrative, it's only stretched out in time for convenience of delivery. It's a look in on an exploding life, on a man of imagination suffering pre-fashionable Lower East Side deprivation and consumed with American 1950s, 40s, 30s disgust. Silly, self-pitying, guilt-strictured and yet triumphing - on one level - over the situation with style… enticing us into an absurd moral posture the better to dismiss us with a regal 'screw off.'" -Ken Jacobs Total running time: ca. 60 min. 10/24 San Francisco, CA United States: San Francisco Cinematheque <https://hi-beam.us9.list-manage.com/track/click?u=e4e99825c1d97f8de6eaffad3&id=cea0cbac78&e=f36020cad0> http://www.sfcinematheque.org 7:30 PM, 701 Mission St SOMETHING BETWEEN US: FILMS BY JODIE MACK *FILMMAKER JODIE MACK APPEARING IN PERSON* This program is co-presented with Headlands Center for the Arts, Canyon Cinema and SFMOMA The flickering, post-structuralist, quasi-animated films of Jodie Mack beguile with scintillating color and gloss. Obsessively animated from cast-off and recycled materials these cinematically kinetic pop-art gems reach for the stars and aspire to the ecstatic while blurring the boundaries between fine-art abstraction and mass-produced consumerist kitsch. Visiting the Bay Area as an Artist in Residence at Headlands Center for the Arts, Jodie Mack appears in person to present a collection of works created 2010–2018 including: HOARDERS WITHOUT BOARDERS 1.0; WASTELAND NO. 1: ARDENT, VERDANT; SOMETHING BETWEEN US; RAZZLE DAZZLE; NEW FANCY FOILS; POINT DE GAZE; POSTHASTE PERENNIAL PATTERN; PERSIAN PICKLES and UNDERTONE OVERTURE. FRIDAY, OCTOBER 25, 2019 10/25 Los Angeles, CA United States: Echo Park Film Center <https://hi-beam.us9.list-manage.com/track/click?u=e4e99825c1d97f8de6eaffad3&id=dbb4b78d50&e=f36020cad0> http://www.echoparkfilmcenter.org/ 8:00 PM, 1200 N Alvarado St VINEGAR SYNDROME HALLOWE'EN SPOOKTACULAR 2019 This month we present Hallowe’en Super 8 Spooktacular, specially devised to help you get in the Halloween spirit! We’ll be screening a grab bag of classic and B-Grade horror flicks from EPFC’s formidable Super 8 collection. Expect swamp men, vampires, mummies, werewolves and a few unconvincing rubber monster masks. Featuring LIVE MUSICAL ACCOMPANIMENT! Plus candy. Lots of candy. 10/25 Santander, Spain: Centro Cultural Doctor Madrazo 6:00 PM, Casimiro Sainz, S/N CINEINFINITO #109: LEIGHTON PIERCE (II) Cineinfinito #109: Leighton Pierce (II) CINEINFINITO / Centro Cultural Doctor Madrazo Viernes 25 de Octubre de 2019, 18:00h. Centro Cultural Doctor Madrazo Calle Casimiro Sainz, s/n 39004 Santander Programa: Retrograde Premonition (2010), HD, color, sonora, 5 min White Ash (2013), HD, color, sonora, 29 min Deck (2019), HD, color, sonora, 29 min Formato de proyección: HD (copias cortesía de Leighton Pierce) Agradecimiento especial a Leighton Pierce https://www.cineinfinito.org/cineinfinito-leighton-pierce-2/ 10/25 Santander, Spain: Centro Cultural Doctor Madrazo 7:30 PM, Casimiro Sainz, S/N CINEINFINITO #110: LEIGHTON PIERCE (III) Cineinfinito #110: Leighton Pierce (III) CINEINFINITO / Centro Cultural Doctor Madrazo Viernes 25 de Octubre de 2019, 19:30h. Centro Cultural Doctor Madrazo Calle Casimiro Sainz, s/n 39004 Santander Programa: (el orden de los films según indicaciones del autor) Back Steps (2001), mini-DV, color, stereo sound, 5 min Wood (2000), mini-DV, color, stereo, 8 min Thursday (1991), 16mm, color, sonido, 4 min Blue Hat (1992), 16mm, color, sonido 4 min Pink Socks (2002), mini-DV, color, stereo, 5 min Fall (2002), mini-DV, color, stereo, 13 min Evaporation (2002), mini-DV, color, stereo, 11 min Water Seeking its Level (2002), mini-DV, color, stereo, 5 min Formato de proyección: HD y SD (copias cortesía de Leighton Pierce) Agradecimiento especial a Leighton Pierce https://www.cineinfinito.org/cineinfinito-leighton-pierce-3/ SATURDAY, OCTOBER 26, 2019 10/26 San Francisco: Other Cinema <https://hi-beam.us9.list-manage.com/track/click?u=e4e99825c1d97f8de6eaffad3&id=58dfc87227&e=f36020cad0> http://www.othercinema.com/ 8:30, 992 Valencia Street INCREDIBLY STRANGE RELIGION OCT.26: REVIVAL OF EVIL + UNARIUS + SUB-GENIUS + Holy crap! For our annual Halloween SPOOKTACULAR, we couldn’t get any freakier than the contemporary hellscape of “alt religion”...and here is a veritable Flood of eschatological SPEW and wide-eyed WHEW!! We’ve got Pat Boone speaking in tongues, clips of Poke Runyon’s Magic of Solomon, Holy Ghost Hysteria, Mark of the Beast, Cult Explosion, the ever-visionary adventures of our flying-saucer/past-lives pals Unarius, and a couple clips (Arise!, X-Day Drill) from the Texas Slack sect with strong connections to SF, The Church of the Sub-Genius! Praise Bob!! The night’s 16mm high/low point is a conspiratorial section from Jeremiah Films’ ultra rare, utterly wicked Revival of Evil, with intro by collector Anthony Buchanan. ALSO the Mormon Ancient America (claiming Jesus preached in Meso-America), the post-Mormon doomsday sect Nesara, 700 Club on Burning Man’s Satanic connections, Joe Schimmel on backward-masking, black magic, sorcery, and witchcraft, and the energized rants and intra-Christian attacks of many other bizarre belief-systems. DJ Mysterious Music Meister will be spinning the vinyl backwards, of course, as well as dispensing free trick-or-treats! *$6.66 SUNDAY, OCTOBER 27, 2019 10/27 Los Angeles, CA United States: Echo Park Film Center <https://hi-beam.us9.list-manage.com/track/click?u=e4e99825c1d97f8de6eaffad3&id=84db90ebd4&e=f36020cad0> http://www.echoparkfilmcenter.org/ 8:00 PM, 1200 N Alvarado St DAGIE DELIGHTS: NEW FILMS FROM A RECENT RESIDENCY EPFC’s 2-day Cinematic Oktoberfest wraps up at EPFC with the return of Dagie Brundert and a whole bunch of new eco-brew Super 8 films created during her two-month residency at North Street Collective in Willets, CA. Food, drinks, films and fun for everyone! FREE EVENT! FILMMAKER IN ATTENDANCE! This event is made possible by Wunderbar Together: Germany and the US, an initiative funded by the German Federal Foreign Office, implemented by Goethe Institut and supported by BDI The Voice of Germany Industry. 10/27 New York, NY: Anthology Film Archives <https://hi-beam.us9.list-manage.com/track/click?u=e4e99825c1d97f8de6eaffad3&id=2a80b29328&e=f36020cad0> http://www.anthologyfilmarchives.org/ 5:00 PM, 32 Second Avenue JONAS MEKAS, PROGRAM 3: LITHUANIA AND THE COLLAPSE OF THE USSR LITHUANIA AND THE COLLAPSE OF THE USSR 2008, 289 min, digital This video is made up of footage that I took with my Sony from the television newscasts during the collapse of the USSR, with the home noises in the background. It's a capsule record of what happened and how it happened during that crucial period as recorded by the television newscasters. It can be also viewed as a classic Greek drama in which the destinies of nations are changed drastically by the unbending, bordering on irrational, will of one single man, one small nation determined to regain its freedom, backed by Olympus in its fight against the Might & Power, against the Impossible. _____ Let us know about your alternative film/video event! Enter your event announcements by going to the <https://hi-beam.us9.list-manage.com/track/click?u=e4e99825c1d97f8de6eaffad3&id=56ac768dbb&e=f36020cad0> Flicker Weekly Listing Form. To receive the weekly listing via email, send a message to <https://hi-beam.us9.list-manage.com/track/click?u=e4e99825c1d97f8de6eaffad3&id=3ee6331a59&e=f36020cad0> Subscribe. <https://hi-beam.us9.list-manage.com/track/click?u=e4e99825c1d97f8de6eaffad3&id=2be8f1853b&e=f36020cad0> <https://hi-beam.us9.list-manage.com/track/click?u=e4e99825c1d97f8de6eaffad3&id=f7455a47c9&e=f36020cad0> Copyright © 2019 Flicker, All rights reserved. Longtime recipient of This Week in Avant Garde Cinema <https://hi-beam.us9.list-manage.com/track/open.php?u=e4e99825c1d97f8de6eaffad3&id=23db1b05cc&e=f36020cad0>
_______________________________________________ FrameWorks mailing list [email protected] https://mailman-mail5.webfaction.com/listinfo/frameworks
