Dear Alix, Concerning this field the major recommendation would be the PhD dissertation written by Michelle Adrianna Puetz. "Variable Area: Hearing and Seeing Sound in Structural Cinema, 1966–1978" is the title of an awesome study you can find online as a pdf.
In 2018 the (S8) film festival organized an exhibition curated by Gloria Vilches and Elena Duque named *El cine en papel *about this same idea. There were drawing pieces and filmstrips by Lis Rhodes, Peter Kubelka, Rose Lowder, etc.. Other names that comes to mind: Bill Brand, Ladislav Galeta, Heinz Emigholz. I'm not sure about it but maybe some of the filmmakers behind the Workshop of Film Form <https://monoskop.org/Workshop_of_Film_Form> were working with visual scores too. Albert On Thu, Oct 3, 2019 at 3:56 AM FrameWorks Admin <[email protected]> wrote: > Dear Alix, > I think there are many. Of course Paul Sharits, as can be seen in the > documentary on him by François Miron. > I have images from scores by Peter Kubelka, Peter Rose, Martin Arnold, > Joost Rekveld and even myself. > There are also scores made a posteriori for example, by Huckleberry Lain > of Arnulf Rainer. > - Pip Chodorov > > > > On Oct 3, 2019, at 7:48 AM, Alix Blevins <[email protected]> wrote: > > I'm working on a project and looking for references of filmmakers whose > works employ visual scores and/or other graphic notation in making films > (e.g. Kurt Kren, Rose Lowder). > > > > _______________________________________________ > FrameWorks mailing list > [email protected] > https://mailman-mail5.webfaction.com/listinfo/frameworks > -- http://visionaryfilm.net/ <http://www.visionaryfilm.net/> http://albertalcoz.com/ <http://www.albertalcoz.com/>
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