<https://gallery.mailchimp.com/e4e99825c1d97f8de6eaffad3/images/c6a4b757-b14c-4ec9-b8c6-9553961a080e.gif> This week [Sept. 28 - Oct. 6, 2019] in avant garde cinema Enter your event announcements by going to the <https://hi-beam.us9.list-manage.com/track/click?u=e4e99825c1d97f8de6eaffad3&id=6cec320b45&e=f36020cad0> Flicker Weekly Listing Form. To receive the weekly listing via email: <https://hi-beam.us9.list-manage.com/track/click?u=e4e99825c1d97f8de6eaffad3&id=626bf81645&e=f36020cad0> Subscribe. <https://scontent-sjc3-1.xx.fbcdn.net/v/t1.0-9/70830479_10219393374446274_8514623899537768448_n.jpg?_nc_cat=105&_nc_oc=AQkj-pGSQou08rMFR6fuKwXs4GEwy0cGU9E0mF5CAZSDEXCNrwhWVINCzlbZo7dN1bs&_nc_ht=scontent-sjc3-1.xx&oh=26d791a9207e0884695e94664d40f4fe&oe=5DFE4871> Corporeal Fluidity, Linguistic Flesh: Early Films By Lana Lin [September 30, Brooklyn, New York] <https://gallery.mailchimp.com/e4e99825c1d97f8de6eaffad3/images/2182c8ec-30f0-42a8-940f-c2ed26361f1f.jpg> Incredibly Strange Music [October 5, San Francisco] NEW CALLS FOR ENTRIES: Black Girl* Magic Film Series (Berlin, Germany; Deadline: January 15, 2020) <https://hi-beam.us9.list-manage.com/track/click?u=e4e99825c1d97f8de6eaffad3&id=28b392ab4b&e=f36020cad0> http://hi-beam.net/cgi-bin/ann.pl?type=calls&readfile=2045.ann IMAGE-SOUND-JUXTAPOSITION (Berlin, Germany; Deadline: September 30, 2019) <https://hi-beam.us9.list-manage.com/track/click?u=e4e99825c1d97f8de6eaffad3&id=157c7b0dcf&e=f36020cad0> http://hi-beam.net/cgi-bin/ann.pl?type=calls&readfile=2046.ann NOFLASH Video Show (New Brunswick, NJ, USA; Deadline: December 15, 2019) <https://hi-beam.us9.list-manage.com/track/click?u=e4e99825c1d97f8de6eaffad3&id=0e49e71141&e=f36020cad0> http://hi-beam.net/cgi-bin/ann.pl?type=calls&readfile=2047.ann Ann Arbor Film Festival (Ann Arbor, MI, United States; Deadline: October 01, 2019) <https://hi-beam.us9.list-manage.com/track/click?u=e4e99825c1d97f8de6eaffad3&id=5fb9a63499&e=f36020cad0> http://hi-beam.net/cgi-bin/ann.pl?type=calls&readfile=2048.ann Light Field (San Francisco, CA; Deadline: December 15, 2019) <https://hi-beam.us9.list-manage.com/track/click?u=e4e99825c1d97f8de6eaffad3&id=87fb58f679&e=f36020cad0> http://hi-beam.net/cgi-bin/ann.pl?type=calls&readfile=2049.ann DEADLINES APPROACHING: Black Maria Film Festival (Hoboken, NJ, USA; Deadline: October 15, 2019) <https://hi-beam.us9.list-manage.com/track/click?u=e4e99825c1d97f8de6eaffad3&id=712acde8ed&e=f36020cad0> http://hi-beam.net/cgi-bin/ann.pl?type=calls&readfile=2032.ann The Wake Up! Memorial (Cologne, Germany; Deadline: October 31, 2019) <https://hi-beam.us9.list-manage.com/track/click?u=e4e99825c1d97f8de6eaffad3&id=e4216ebb07&e=f36020cad0> http://hi-beam.net/cgi-bin/ann.pl?type=calls&readfile=2040.ann RISC / International Science & Film Festival (France; Deadline: September 30, 2019) <https://hi-beam.us9.list-manage.com/track/click?u=e4e99825c1d97f8de6eaffad3&id=d272f74fc7&e=f36020cad0> http://hi-beam.net/cgi-bin/ann.pl?type=calls&readfile=2042.ann Experiments in Cinema v15.1 (Albuquerque, New Mexico, USA; Deadline: November 01, 2019) <https://hi-beam.us9.list-manage.com/track/click?u=e4e99825c1d97f8de6eaffad3&id=c451b87102&e=f36020cad0> http://hi-beam.net/cgi-bin/ann.pl?type=calls&readfile=2043.ann IMAGE-SOUND-JUXTAPOSITION (Berlin, Germany; Deadline: September 30, 2019) <https://hi-beam.us9.list-manage.com/track/click?u=e4e99825c1d97f8de6eaffad3&id=507c3bac3b&e=f36020cad0> http://hi-beam.net/cgi-bin/ann.pl?type=calls&readfile=2046.ann Ann Arbor Film Festival (Ann Arbor, MI, United States; Deadline: October 01, 2019) <https://hi-beam.us9.list-manage.com/track/click?u=e4e99825c1d97f8de6eaffad3&id=25e8073f50&e=f36020cad0> http://hi-beam.net/cgi-bin/ann.pl?type=calls&readfile=2048.ann Events are sorted alphabetically BY CITY within each DATE. This week's programs (summary): * Optron 1: Hand Processing [September 28, San Francisco] * Can the Addict Speak [September 29, Brooklyn, NY United States] * Beyondfest: This Is Crime-Time [September 29, Los Angeles] * Ec: Hollis Frampton [September 29, New York, NY] * Corporeal Fluidity, Linguistic Flesh: Early Films By Lana Lin [September 30, Brooklyn, New York] * James Benning: Two Films [September 30, Los Angeles, CA United States] * J. Hoberman Presents the Next Voice You Hear + A New Beginning [October 1, Brooklyn, NY United States] * A Farewell To Angela Ricci Lucchi With Yervant Gianikian [October 1, Los Angeles, California] * Ismo Ismo Ismo--"ArmoníAs Urbanas/Ciudades Disonantes" [October 1, Mexico City] * Cineinfinito #104: Abbott Meader (Iii) [October 2, Santander, Spain] * Cineinfinito #105: Holly Fisher (I) [October 2, Santander, Spain] * Cineinfinito #106: Holly Fisher (Ii) [October 2, Santander, Spain] * Rivers In the Sky: A Documentary-In-Progress By Enid Baxter Ryce [October 3, Los Angeles, CA United States] * She Makes Noise 2019 [October 3, Madrid, Spain] * Satellite Cinema [October 5, RIDGEWOOD] * Incredibly Strange Music [October 5, San Francisco] SATURDAY, SEPTEMBER 28, 2019 9/28 San Francisco: Other Cinema <https://hi-beam.us9.list-manage.com/track/click?u=e4e99825c1d97f8de6eaffad3&id=246eff0c37&e=f36020cad0> http://www.othercinema.com/ 8:30, 992 Valencia Street OPTRON 1: HAND PROCESSING SEPT.28: ERIC STEWART + JOHN DAVIS + BLACK HOLE LAB + Teleporting in from Colorado is Process Negative Lab whiz Eric Stewart, to co-star in this hand-process showcase with our own East Bay film alchemists, in the first of four OPTRONICA events this season! Eric unspools three of his hand-made shorts, plus pieces by lab pals Taylor Dunne and Robert Schaller, before his 20-min. Meditations on the Life of a Star is live-tracked by much-loved synth maestro John Davis. The Vallejo-based Davis ups the ante by launching his own Night Country cyanotype filmwork--projected on multiple Analysts and live-sound-processed by Molly Fishman--and then reprising his masterful track married to Larry Jordan’s latest animation, Oz. The second half opens with the West Bay debut of work from Oakland’s brave Black Hole Lab: Matthew Hidy, Anna Geyer, Lauren Iverson, Zach Parrinella, Emily Chao, Alix Blevins, and Nicky Tavares. *$8.88 SUNDAY, SEPTEMBER 29, 2019 9/29 Brooklyn, NY United States: UnionDocs <https://hi-beam.us9.list-manage.com/track/click?u=e4e99825c1d97f8de6eaffad3&id=4962affc51&e=f36020cad0> http://www.uniondocs.org 7:30 PM, 322 Union Ave CAN THE ADDICT SPEAK Can The Addict Speak? presents a program of short films reflecting on the familiar cycles and stages of those experiencing addiction. Organized with filmmaker / programmer Devon Narine-Singh, this series raises the question of how film can be used as a restorative tool. Proposing a broadened conception of what a film about addiction can look like, these seven shorts approach recovery through its recognizable touchstones. Program: FREE ICE WATER 15 min. John Freyer Empyrean 7 min. 2016 Kalpana Subramanian The Body Besieged 5 min. 2009 Kelly Sears Leave Me Alone and Let Me Die 10 min. 2019 Devon Narine-Singhi Einst 11 min. 2016 Jessica Johnson Close Shave 10 min. 2018 John Freyer Hijacked 14 min. 2017 Shambhavi Kaul 9/29 Los Angeles: Ginger Media & Entertainment <https://hi-beam.us9.list-manage.com/track/click?u=e4e99825c1d97f8de6eaffad3&id=c5ed6cadb5&e=f36020cad0> https://www.thinorangelinefilm.com/ 2 pm, The Egyptian Theatre @ 6712 Hollywood Blvd, Los Angeles, CA 90028 BEYONDFEST: THIS IS CRIME-TIME The Thin Orange Line Aleem Hossain | USA | 7 min. A detective out for revenge is interrupted by his childhood imaginary friend. 9/29 New York, NY: Anthology Film Archives <https://hi-beam.us9.list-manage.com/track/click?u=e4e99825c1d97f8de6eaffad3&id=6bac91c1e0&e=f36020cad0> http://www.anthologyfilmarchives.org/ 7:30 PM, 32 Second Avenue EC: HOLLIS FRAMPTON ZORNS LEMMA (1970, 60 min, 16mm. Preserved by Anthology Film Archives.) "A major poetic work. Created and put together by a very clear eye-head, this original and complex abstract work moves beyond the letters of the alphabet, beyond words and beyond Freud. If you don't understand it the first time you see it, don't despair, see it again! When you finally 'get it,' a small light, possibly a candle, will light itself inside your forehead." -Ernie Gehr & HAPAX LEGOMENA I: (nostalgia) (1971, 36 min, 16mm. Preserved by Anthology Film Archives.) "In (nostalgia) the time it takes for a photograph to burn (and thus confirm its two-dimensionality) becomes the clock within the film, while Frampton plays the critic, asynchronously glossing, explicating, narrating, mythologizing his earlier art, and his earlier life, as he commits them both to the fire of a labyrinthine structure; for Borges too was one of his earlier masters, and he grins behind the facades of logic, mathematics, and physical demonstrations which are the formal metaphors for most of Frampton's films." -P. Adams Sitney Total running time: ca. 100 min. MONDAY, SEPTEMBER 30, 2019 9/30 Brooklyn, New York: Microscope Gallery <https://hi-beam.us9.list-manage.com/track/click?u=e4e99825c1d97f8de6eaffad3&id=b9cbd3fe9c&e=f36020cad0> http://www.microscopegallery.com 7:30pm, 1329 Willoughby Ave CORPOREAL FLUIDITY, LINGUISTIC FLESH: EARLY FILMS BY LANA LIN Microscope is very pleased to present an evening of films and videos by New York-based artist Lana Lin, organized by Morrison Gong. From Gong: “The works included in the program were made over the past 20 years – from Lin’s 16mm film “I Begin to Know You” made in 1992, a found footage collage depicting historical images of women in domestic settings, to her 2015 video “Moby Ovary and Madame Dick” that draws inspiration from thematic connections between two literary classics. Also included in the program is Lin’s collaborative project “Unidentified Vietnam No. 18” with H. Lan Thao Lam (Lin + Lam), in which they re-edit U.S. sponsored Vietnamese propaganda films to question structured and internalized national policies. Most works will be shown in their original formats. ...." Lin and Gong will be in attendance and available for Q&A following the screening. Lana Lin is a filmmaker, artist, and writer whose creative practice concerns embodied vulnerabilities. She has produced a body of experimental films and videos that interrogate the politics of identity and cultural translation through attention to the formal capacities and historical contingencies of moving image media. Since 2001, she has focused on collaborative multi-disciplinary research-based projects (as Lin + Lam) that examine the construction of history and collective memory. Her works have been screened and exhibited at BAMcinemaFest, Brooklyn, Stedelijk Museum, Amsterdam, Gasworks, London, and Oberhausen Film Festival, among others. Lin has received awards from the Javits Foundation, Fulbright Foundation, Jerome Foundation, New York State Council on the Arts, New York Foundation for the Arts, and has been a fellow at the MacDowell Colony, Civitella Ranieri, and the Vera List Center for Art and Politics. Lin is Associate Professor of Film Theory and Digital Cinema Production in Media Studies at The New School, New York. Admission $8, Students & Members, $6. More info: www.microscopegallery.com <http://www.microscopegallery.com> . Tel: 347.925.1433, [email protected] <mailto:[email protected]> . Jefferson L train (exit Starr Street). 9/30 Los Angeles, CA United States: REDCAT - Roy and Edna Disney/CalArts Theater 8:30 PM, 631 W 2nd St JAMES BENNING: TWO FILMS “The latest masterwork by this grand figure of the American avant-garde.” — About two moons, Toronto International Film Festival **North American Premiere and US Premiere** ++In person: James Benning ++ In his prolific career, unfolding since the early 1970s, legendary filmmaker and artist James Benning has matched a passionate wanderlust to an exacting formal rigor, mapping out multivalent landscapes. REDCAT is proud to present the North American Premiere of two moons (2018, 42.5 minutes), filmed in November 2018 in Valencia, California. A gibbous and full moon rising. The film will be preceded by L. COHEN (2017, 45 minutes, Grand Prix, Cinéma du réel festival in Paris), filmed in August of 2017 near Madras, Oregon. A rather unremarkable farm field on a most remarkable day. Mount Jefferson can be seen 40 miles away. Rescheduled from April 2019. Funded in part by the Ostrovsky Family Fund. Curated by Steve Anker and Bérénice Reynaud, as part of the Jack H. Skirball Series. TUESDAY, OCTOBER 1, 2019 10/1 Brooklyn, NY United States: Light Industry <https://hi-beam.us9.list-manage.com/track/click?u=e4e99825c1d97f8de6eaffad3&id=51468e4ed0&e=f36020cad0> http://www.lightindustry.org/ 7:00 PM, 155 Freeman St J. HOBERMAN PRESENTS THE NEXT VOICE YOU HEAR + A NEW BEGINNING A New Beginning, Reagan Presidential Campaign, 1984, digital projection, 18 mins The Next Voice You Hear, William A. Wellman, 1950, 16mm, 83 mins As much a symptom as a movie, The Next Voice You Hear was a major influence on my “Found Illusions” trilogy (An Army of Phantoms, The Dream Life, and Make My Day). It is a study in terror, so terrified it doesn’t recognize itself. The movie appeared during a moment of crisis for Hollywood and the nation. Both had recently lost significant monopolies—the movie studios compelled to divest themselves of their theater chains, the U.S. no longer the world’s sole nuclear power. Both were under siege—whether by television or communism—and both were under investigation for internal subversion. The Next Voice You Hear, which I discovered on television, Christmas Day 1973, practices a unique form of direct address. Its premise is so simple as to be nearly elegant and so cosmic as to appear certifiably insane: For six consecutive nights, the Creator of the Universe commandeers the radio waves to address the American people. However, God’s audience is essentially reduced to a single family living in a modest home in suburban Los Angeles. Joe Smith (James Whitmore) is a mechanic in the Ajax Aircraft Plant; his pregnant wife Mary (Nancy Davis, later Reagan) is a gracious, super-nurturing mother to their ten-year-old son Johnny (Gary Gray, prepping to play opposite Lassie). Initially, the movie is an unfunny situation comedy, with Joe as at once compliant wage-slave and household tyrant. He bosses his family and chafes under authority (defined as “everybody telling you what to do”), resenting most particularly his acerbic foreman (former Group Theater member, soon to be blacklisted Art Smith) and the neighborhood cop who regularly chastises him for too recklessly backing his heap out of the driveway. Actually, God enters history only by hearsay. Charles Schnee’s rigorously schematic script ensures that, on each of the six days God takes to the airwaves, the viewing audience will miss the divine performance. The movie’s producer, Dore Schary, was afraid that movie patrons might react with laughter—as well they might have. An MGM promotional release articulated the producer’s point of view: “May I suggest that, while you do not hear God’s voice, you go to see The Next Voice You Hear accepting the premise that God would use the radio much as at an earlier date He used the burning bush.” Hmmmm. The unheard voice of God is the essence of what Jacques Ellul called “sociological propaganda”—that vague, spontaneous, half-conscious form of social bonding and ideological proselytizing advanced by advertising, newspaper editorials, social service agencies, patriotic speeches, and anything else that might use the phrase “way of life.” (A New Beginning, the 1984 Reagan campaign film, is political propaganda with a heavy “sociological” overlay—like The Next Voice, an American equivalent to Stalinist socialist realism.) The Next Voice You Hear represents a utopian totalitarian world where everyone can receive the same message at the same moment. (While the movie is careful to note that all hear the Voice in their own language, it is taken for granted that the Voice is always heard when it’s primetime in L.A.—after all, that’s where movies are made.) Thus, The Next Voice is of 1950 but not in it: The Smiths do not own a television set; like God, TV cannot be represented. Nor is this the only absence. No one refers to the Atomic Bomb, let alone the recent loss of America’s nuclear monopoly. The Russians are furtively referred to (but not China). The word “Communism” is never even whispered, neither is the name “Jesus.” In short, The Next Voice You Hear is set in a fantastic parallel universe that rigorously works to exclude or conceal that which it might actually be about. Let’s call that imaginary world, The Movies. - J. Hoberman, adapted from the introduction to An Army of Phantoms: Hollywood and the Making of the Cold War 10/1 Los Angeles, California: Filmforum <https://hi-beam.us9.list-manage.com/track/click?u=e4e99825c1d97f8de6eaffad3&id=942a2764a8&e=f36020cad0> http://www.lafilmforum.org/ 8:30 pm, REDCAT, 631 West 2nd Street A FAREWELL TO ANGELA RICCI LUCCHI WITH YERVANT GIANIKIAN When painter Angela Ricci Lucchi – who passed in February 2018 – and architect Yervant Gianikian met in 1974, this triggered one of the most exciting collaborations in the history of cinema, spanning 44 years, as the pair became internationally known for their sensual, poetic, and critical work on “found footage.” They invented an “analytic camera” that allowed them to re-read, one frame at a time, archival material that was then slowed down, reframed, and colorized. To commemorate Ricci Lucchi’s memory, and in collaboration with Gianikian (who will be present via Skype), we have made a choice among the fifty-odd films they made together and selected seven shorts: Erat-Sora (1975), Animali criminali (1994), Lo specchio di Diana (1996), Trasparenze (1998), Film perduto (2008), Visioni del deserto (2000) and Notes from our Journeys to Russia (2010). Tickets: $12 general; $9 students (with ID)/REDCAT & Filmforum members; $6 for CalArts students and staff. Available in advance at https://web.ovationtix.com/trs/pr/1015770 or at the door. 10/1 Mexico City: Filmforum <https://hi-beam.us9.list-manage.com/track/click?u=e4e99825c1d97f8de6eaffad3&id=edb614b0ff&e=f36020cad0> http://www.lafilmforum.org/ 10AM-6PM, Tuesday-Sunday, Paseo de la Reforma 51, Col. Bosque de Chapultepec ISMO ISMO ISMO--"ARMONíAS URBANAS/CIUDADES DISONANTES" Ismo Ismo Ismo: Experimental Film in Latin America/Cine experimental en América Latina Urban Harmonies/Dissonant Cities At the end of the silent era, an international cycle of films celebrated the modern city as modern utopia. These films, known as city symphonies, were edited ato a musical score. The rhythm and succession of the images were immensely important for the filmmakers. In Latin America, some of the earliest experimental films participated in this cycle of city symphonies. For example, São Paulo: a Sinfonia da Metrópole, by Rodolfo Rex Lustig and Adalberto Kemeny, and Humberto Mauro’s film-poem about his home town in Minas Gerais, Brazil, Sinfonia de Cataguases. Ever since those early efforts many filmmakers have maintained a fascination with the city, as Latin American cities were transformed by unfettered growth, industrialization, and massive rural to urban migrations. This program offers a range of urban visions—some more celebratory, others more critical—of the architecture, daily life, public spaces, and transportation of cities such as Buenos Aires, Havana, Lima, Cali, Los Angeles, Prague Sao Paulo, and London. Armonias Urbanas / Ciudades Disonantes A finales de la época del cine silente, hubo a nivel internacional una tendencia por realizar filmes que retrataran la ciudad moderna. El montaje de estas películas, conocidas como sinfonías urbanas o sinfonías fílmicas, se realizaba como si se tratara de una partitura: el ritmo y la sucesión de las imágenes eran muy importantes para los cineastas. En América Latina, algunas de las primeras películas experimentales se sumaron a esta suerte de género de sinfonías urbanas, por ejemplo, São Paulo: a Sinfonia da Metrópole (1929) de Rodolfo Rex Lustig y Adalberto Kemeny, así como Sinfonia de Cataguases (1929), el cine-poema de Humberto Mauro sobre su pueblo natal en Minas Gerais, Brasil. Desde estas primeras obras, muchos cineastas han mantenido una fascinación por la ciudad, a la par que las urbes latinoamericanas se han ido transformando debido a un rápido e irrefrenable crecimiento, la industrialización y la migración masiva del campo a la ciudad. Este programa ofrece una gama de visiones —algunas más celebratorias, otras más críticas— sobre la arquitectura, el transporte, la cotidianidad, los desechos, el uso de los espacios públicos en ciudades como Buenos Aires, La Habana, Lima, Cali, Los Ángeles, Santiago de Chile, São Paulo, Praga y Londres. WEDNESDAY, OCTOBER 2, 2019 10/2 Santander, Spain: Centro Cultural Doctor Madrazo 6:00 PM, Casimiro Sainz, S/N CINEINFINITO #104: ABBOTT MEADER (III) Cineinfinito #104: Abbott Meader (III) CINEINFINITO / Centro Cultural Doctor Madrazo Miércoles 2 de Octubre de 2019, 18:00h. Centro Cultural Doctor Madrazo Calle Casimiro Sainz, s/n 39004 Santander Programa: · Criss Cross (1964-65), 16mm, b&w, sonora, 6 min · Nogarok (1971/72), 16mm, b&w, silente, 6 min · Destroying Angel (1969), 16mm, color, sonora, 4 min · Lovetape Film (1969-73), 16mm, color, sonora, 9 min · Isolation (1972/74), 16mm, color, silente, 6 min · South Slope (1977), 16mm, color, sonora, 25 min Formato de proyección: HD (copias cortesía de Northeast Historic Film, Maine) Agradecimiento especial a Abbott Meader, Bruce Williams y Joe Gardner 10/2 Santander, Spain: Centro Cultural Doctor Madrazo 7:00 PM, Casimiro Sainz, S/N CINEINFINITO #105: HOLLY FISHER (I) Cineinfinito #105: Holly Fisher (I) CINEINFINITO / Centro Cultural Doctor Madrazo Miércoles 2 de Octubre de 2019, 19:00h. Centro Cultural Doctor Madrazo Calle Casimiro Sainz, s/n 39004 Santander Programa: · Glass Shadows (1976), 16mm / color / 20 mins · >From the Ladies (1978), 16mm / color / sound and silent / 20 mins Formato de proyección: HD (copias cortesía de Light Cone) Agradecimiento especial a Holly Fisher y Light Cone https://www.cineinfinito.org/cineinfinito-holly-fisher-1/ 10/2 Santander, Spain: Centro Cultural Doctor Madrazo 7:00 PM, Casimiro Sainz, S/N CINEINFINITO #106: HOLLY FISHER (II) Cineinfinito #106: Holly Fisher (II) CINEINFINITO / Centro Cultural Doctor Madrazo Miércoles 2 de Octubre de 2019, 19:00h. Centro Cultural Doctor Madrazo Calle Casimiro Sainz, s/n 39004 Santander Programa: Chicken Stew (1978), 16mm / color / sound / 1S / 11′ 00 This is Montage (1978-2019), 16mm / color / silent / 7′ 25 Formato de proyección: HD (copias cortesía de Light Cone) Agradecimiento especial a Holly Fisher y Light Cone https://www.cineinfinito.org/cineinfinito-holly-fisher-2/ THURSDAY, OCTOBER 3, 2019 10/3 Los Angeles, CA United States: Echo Park Film Center <https://hi-beam.us9.list-manage.com/track/click?u=e4e99825c1d97f8de6eaffad3&id=f1caa9fc5b&e=f36020cad0> http://www.echoparkfilmcenter.org/ 8:00 PM, 1200 N Alvarado St RIVERS IN THE SKY: A DOCUMENTARY-IN-PROGRESS BY ENID BAXTER RYCE Enid Baxter Ryce brings her hand-painted stop-motion animated documentary in-progress about the magic of Atmospheric Rivers... Rivers in the Sky! The film features the music of composer Philip Glass, hidden histories of this weather pattern that flooded all of California, and the importance of indigenous understandings of science. Enid makes films about places, and will also bring excerpts of her films about Fort Ord, CA, created for the National Gallery of Art in Washington D.C. and some other handmade films. Appropriate for all ages. FILMMAKER IN ATTENDANCE! DOORS 7:30… COME EARLY AND DO A LITTLE PAINTING TOGETHER BEFORE THE FILM 10/3 Madrid, Spain: La Casa Encendida 9:00 PM, Ronda de Valencia 2 SHE MAKES NOISE 2019 Del 3 al 6 de octubre, La Casa Encendida celebra la quinta edición de she makes noise que, lejos de acomodarse, sigue arriesgando año tras año en su programación para ahondar en un SHE cada vez más fluido y transversal con artistas llegadas de diferentes latitudes como Uganda, Colombia o Grecia. she makes noise se consagra como un festival activista y lúdico que presenta artistas destacadas dentro del noise y el techno pero que integra también los ritmos dance más representativos de la actualidad. Son ritmos atravesados por una mirada decolonial y feminista que transportan a realidades periféricas y a propuestas con raíces latinoamericanas y africanas junto a jóvenes artistas que establecen lazos vía on line más allá de su propuesta escénica. PROGRAMA: Taller digital > creación de entornos multimedia y video expandido impartido por Elena Juárez. (Torreón, 4 horas, jueves 3 y viernes 4) Precio: 20 € https://www.lacasaencendida.es/cursos/audiovisuales/taller-digital-interactivos-10209 Jueves, 3 de octubre - 21.00 h - Concierto > Abyss X (Patio) https://www.lacasaencendida.es/conciertos/abyss-x-10376 Viernes, 4 de octubre - 19.00 h - Cine > Largometraje: “Searching Eva”, de Pia Hellenthal (estreno en España) (Sala Audiovisual) https://www.lacasaencendida.es/cine/searching-eva-pia-hellenthal-10380 - 20.00 h - Concierto > Hibotep + Natalia Escobar aka Poison Arrow+ Juliana Huxtable (Patio) https://www.lacasaencendida.es/conciertos/hibotep-poison-arrow-juliana-huxtable-10377 Sábado, 5 de octubre - 12.00 h - En Familia > Mursego (Patio) https://www.lacasaencendida.es/conciertos/mursego-10385 - 19.00 h - Cine - cortometrajes she makes noise > - “The Glass Note”, de Mary Helena Clark; “Veslemøy's song”, de Sofia Bohdanowicz; “Soujourner”, de Cauleen Smith (estreno en España); “Queen” de Kathryn Elkin (estreno en España) y “I Hope I'm Loud When I'm Dead”, de Beatrice Gibson https://www.lacasaencendida.es/cine/cortometrajes-she-makes-noise-10383 - 21.00 h - Concierto > META con CLON & NWRMNTC - Electric Indigo (Auditorio) https://www.lacasaencendida.es/conciertos/clon-nwrmtc-electric-indigo-10379 Domingo, 6 de octubre - 12.00 h - #EnFamilia > “Camuflaje”, de Slvj y Rayuli (Patio) https://www.lacasaencendida.es/conciertos/camuflaje-slvj-rayuli-10386 - 18.00 h - Charla > Encuentro con Susanne Kirchmayr aka Electric Indigo: 20 años de female: pressure. Ayer y hoy de la mujer en la industria musical y las artes digitales. Modera - Estela Oliva. (Auditorio) Entrada libre hasta completar aforo. https://www.lacasaencendida.es/encuentros/20-anos-female-pressure-electric-indigo-10417 - 19.00 h - Cine > Largometraje: "Knives and Skin", de Jennifer Reeder (Sala Audiovisual) https://www.lacasaencendida.es/cine/knives-and-skin-jennifer-reeder-10382 SATURDAY, OCTOBER 5, 2019 10/5 RIDGEWOOD: Independent 1pm , 751 Onderdonk Ave. SATELLITE CINEMA Supermoon is pleased to present Satellite Cinema opening on October 5th, 2019 as part of its new programming. Satellite Cinema is a 16mm film screening series for kids taking place monthly on Saturday afternoons. Located at 751 Onderdonk Ave. in Ridgewood, Satellite Cinema highlights the New York Public Library’s extensive holdings with additional support from independent distributors of artists’ films. Programming will include early cinema, silent films, animation, and experimental work. Live music will be performed during silent films. In Spring 2020, following the series will be a cameraless 16mm film animation workshop for kids. 10/5 San Francisco: Other Cinema <https://hi-beam.us9.list-manage.com/track/click?u=e4e99825c1d97f8de6eaffad3&id=19a89b5397&e=f36020cad0> http://www.othercinema.com/ 8:30, 992 Valencia Street INCREDIBLY STRANGE MUSIC OCT.5: IGGY’s PUNK + HARRY PARTCH + THE RESIDENTS + AnOther annual habit here is honoring those artists who are exploding the definitions of musical genres! Showcased is the 16mm screening of Stephen Pouliot‘s The Dreamer That Remains, on Harry Partch, the free-thinking beatnik who grew from hobo to new-instrument builder. PLUS: In Iggy Pop’s paean to the Punk Revolution, Penelope Houston and Johnny Lydon reflect on the Sex Pistols’ final performance at our own Winterland. Outsider Music jam-packs the rest of the program: Sun Ra (as seen by both French TV and Soda_Jerk), Andre Perkowski’s In Between Dreams (with local eyeballs The Residents), Bill Daniel’s Butthole Surfers in Houston and Sonic Youth in NY, the BBC’s Throbbing Gristle, Ben Folstein’s Where Do Babies Come From?, Tribe 8, Wesley Willis, Matmos, and even more outlandish Soundies and Scopitones. Free LPs! _____ Let us know about your alternative film/video event! Enter your event announcements by going to the <https://hi-beam.us9.list-manage.com/track/click?u=e4e99825c1d97f8de6eaffad3&id=9d65622084&e=f36020cad0> Flicker Weekly Listing Form. To receive the weekly listing via email, send a message to <https://hi-beam.us9.list-manage.com/track/click?u=e4e99825c1d97f8de6eaffad3&id=8670c89526&e=f36020cad0> Subscribe. <https://hi-beam.us9.list-manage.com/track/click?u=e4e99825c1d97f8de6eaffad3&id=37e77ee883&e=f36020cad0> <https://hi-beam.us9.list-manage.com/track/click?u=e4e99825c1d97f8de6eaffad3&id=f0700b8235&e=f36020cad0> Copyright © 2019 Flicker, All rights reserved. <https://hi-beam.us9.list-manage.com/track/open.php?u=e4e99825c1d97f8de6eaffad3&id=4ff987a632&e=f36020cad0>
_______________________________________________ FrameWorks mailing list [email protected] https://mailman-mail5.webfaction.com/listinfo/frameworks
