Fake docs like 'No Lies' and 'Daughter Rite' don’t really question the concept 
of truth in any profound way. They are also genre specific to Cinema Verite. If 
anything, the problem with Daubghter Rite is that the gimmick of the fakery 
subverts the theme more than it deepens it. 

So you can stage sequences with the same shooting and editing codes used in 
verite. So what?

The famous short sequence on the bridge repeated three times in Letter from 
Siberia probably does more to "question the concept of 'truth in documentary’" 
than all the clever fakes and fauxs put together.

Bernie mentioned Nichols’ ‘Intro to Documentary’ as touching on the topic, but 
I think his “Blurred Boundaries” is probably more relevant, though as usual the 
prose is hardly user-friendly.

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