Re: [Frameworks] FrameWorks Digest, Vol 108, Issue 5

Sat, 04 May 2019 07:02:42 -0700

Thanks.
Ginger

On 4 May 2019 13:00, [email protected] wrote:

Extremely relevant to discussions of intellectual property/copying technologies/copyright connected to artist moving image, and extremely good too :) 

I wrote a review for Art Monthly in the UK when it was released that might give a sense of it.

All best,

Seth

On Fri, 3 May 2019 at 02:50, Bernard Roddy <[email protected]> wrote:
Hey everyone:

I'm teaching a course in a computer science program in which I devote a week to intellectual property. The use of found footage became more interesting as a result of looking for cases with which to raise ethical debate and present new terms of analysis.

In a slight departure from the expected narrative of the ethical dilemma faced in employment circumstances by the computer programmer or data analyst (security analysis seems to be the major to go wtih), I looking at a 2003 text from Artforum on the preservation of a film by Bruce Conner (Crossroads, 1976). Has anyone seen this film?

But also, are there other such sources that anyone can think of for this kind of discussion? I am thinking of the whole matter of engaging a court system but in terms that are sympathetic with moving image artistic practice.

Bernie
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Hi Scott,

Michael Snow's "walking woman" stuff, e.g. New York Eye and Ear Control

Frampton's cornfield film...

and

Nikki Swift's walking video projects:

There must be others...

Best wishes,
Ron
Video walkthroughs allow a buyer or patron to feel like they’ve seen a location without leaving their house, saving you the time.
www.nicolettecinemagraphics.com

Hey Ron,

And Snow's See You Later/Au Revoir, in a way.

Didn't know about Nikki Swift--thanks for the heads-up!

Best Regards,
Scott

On Fri, May 3, 2019 at 8:31 AM Green, Ron Green <[email protected]> wrote:
Hi Scott,

Michael Snow's "walking woman" stuff, e.g. New York Eye and Ear Control

Frampton's cornfield film...

and

Nikki Swift's walking video projects:

There must be others...

Best wishes,
Ron
Video walkthroughs allow a buyer or patron to feel like they’ve seen a location without leaving their house, saving you the time.

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And Joyce Weiland’s Solidarity.

Penny McCann


On May 3, 2019, at 8:38 AM, Scott MacDonald <[email protected]> wrote:

Hey Ron,

And Snow's See You Later/Au Revoir, in a way.

Didn't know about Nikki Swift--thanks for the heads-up!

Best Regards,
Scott

On Fri, May 3, 2019 at 8:31 AM Green, Ron Green <[email protected]> wrote:
Hi Scott,

Michael Snow's "walking woman" stuff, e.g. New York Eye and Ear Control

Frampton's cornfield film...

and

Nikki Swift's walking video projects:

There must be others...

Best wishes,
Ron
Video walkthroughs allow a buyer or patron to feel like they’ve seen a location without leaving their house, saving you the time.

_______________________________________________
FrameWorks mailing list
[email protected]
https://mailman-mail5.webfaction.com/listinfo/frameworks
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Hello Scott,
I just finished a film last year called Scenes from 10 Walks-
You can view it here if you wish
All the best,
Chris




On Thursday, May 2, 2019 7:02 PM, Scott MacDonald <[email protected]> wrote:


Hey Frameworkers,

A colleague is interested in films in which walking is a central formal thread.

Do any of you have suggestions? 

Please contact me separately.

Scott
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Luke Fowler & Lee Patterson 565685981->565615566

When La Monte Young wrote Composition “1960 #10” on a 3×5 filing card, he wrote what might be the most readily citational musical score in the history of Western music: “draw a straight line and follow it.” Filmmaker Luke Fowler and sound artist Lee Patterson interpret the instruction by this influential minimalist composer quite literally. Registering things they meet on their way, they make a ’straight’ journey through Ghent.

On Fri, May 3, 2019 at 2:50 PM PENNY MCCANN <[email protected]> wrote:
And Joyce Weiland’s Solidarity.

Penny McCann


On May 3, 2019, at 8:38 AM, Scott MacDonald <[email protected]> wrote:

Hey Ron,

And Snow's See You Later/Au Revoir, in a way.

Didn't know about Nikki Swift--thanks for the heads-up!

Best Regards,
Scott

On Fri, May 3, 2019 at 8:31 AM Green, Ron Green <[email protected]> wrote:
Hi Scott,

Michael Snow's "walking woman" stuff, e.g. New York Eye and Ear Control

Frampton's cornfield film...

and

Nikki Swift's walking video projects:

There must be others...

Best wishes,
Ron
Video walkthroughs allow a buyer or patron to feel like they’ve seen a location without leaving their house, saving you the time.

_______________________________________________
FrameWorks mailing list
[email protected]
https://mailman-mail5.webfaction.com/listinfo/frameworks
_______________________________________________
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[email protected]
https://mailman-mail5.webfaction.com/listinfo/frameworks

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oh yeah, and Gus Van Sant's Gerry

On Fri, May 3, 2019 at 3:20 PM jimmyschaus1 <[email protected]> wrote:
Luke Fowler & Lee Patterson 565685981->565615566

When La Monte Young wrote Composition “1960 #10” on a 3×5 filing card, he wrote what might be the most readily citational musical score in the history of Western music: “draw a straight line and follow it.” Filmmaker Luke Fowler and sound artist Lee Patterson interpret the instruction by this influential minimalist composer quite literally. Registering things they meet on their way, they make a ’straight’ journey through Ghent.

On Fri, May 3, 2019 at 2:50 PM PENNY MCCANN <[email protected]> wrote:
And Joyce Weiland’s Solidarity.

Penny McCann


On May 3, 2019, at 8:38 AM, Scott MacDonald <[email protected]> wrote:

Hey Ron,

And Snow's See You Later/Au Revoir, in a way.

Didn't know about Nikki Swift--thanks for the heads-up!

Best Regards,
Scott

On Fri, May 3, 2019 at 8:31 AM Green, Ron Green <[email protected]> wrote:
Hi Scott,

Michael Snow's "walking woman" stuff, e.g. New York Eye and Ear Control

Frampton's cornfield film...

and

Nikki Swift's walking video projects:

There must be others...

Best wishes,
Ron
Video walkthroughs allow a buyer or patron to feel like they’ve seen a location without leaving their house, saving you the time.

_______________________________________________
FrameWorks mailing list
[email protected]
https://mailman-mail5.webfaction.com/listinfo/frameworks
_______________________________________________
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[email protected]
https://mailman-mail5.webfaction.com/listinfo/frameworks

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I suspect these are already on your radar, but Hollis Frampton Surface Tension, and to a lesser degree, Zorns Lemma.

 

     ~ sarah

 

 

From: FrameWorks <[email protected]> On Behalf Of Green, Ron Green
Sent: Friday, May 3, 2019 8:31 AM
To: [email protected]; Nicolette Swift <[email protected]>
Subject: [Frameworks] Walking theme

 

Hi Scott,

 

Michael Snow's "walking woman" stuff, e.g. New York Eye and Ear Control

 

Frampton's cornfield film...

 

and

 

Nikki Swift's walking video projects:

 

There must be others...

 

Best wishes,

Ron

Video walkthroughs allow a buyer or patron to feel like they’ve seen a location without leaving their house, saving you the time.

 


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