Hi all,
I'm about to shoot some 16mm film (color neg 50D) with a Bolex SB and was
wondering if I could borrow some of the good ole frameworker's wisdom to figure
out the compensation on my exposure levels.
I'm using a Minolta Spotmeter M and according to its manual, the cine exposure
for 24fps has to be measured with a shutter speed setting of 1/60th and then
open 1/3 of a stop. But then, this lightmeter is built to calculate the
readings for a camera with a 180° shutter.
Since the Bolex has a shutter of 130°, which compensation should I add on top
of the +1/3 suggested by the lightmeter?
Thanks a lot for your help and sorry for the rather dumb question.
Best to all and rest in peace, Jonas,Pablo Marín.Bs.As.
On Monday, January 28, 2019 6:35 AM, Kerstin Schroedinger
<[email protected]> wrote:
*****
Dear friends, collaborators and colleagues,
We are very pleased to announce the release of
Film in the Present Tense – Why can't we stop talking about analogue film?
as part of
Diffraktion #9
the annual screening highlighting new works by LaborBerlin members and friends
on Saturday, 2nd of February 2019,
19h30 @ ACUD mach NEU Studio, Veteranenstraße 21
Film in the Present Tense – Why can't we stop talking about analogue film?
Edited by L.Greenfield, D. S. Phillips, K.Schroedinger, B.Speidel and P. Widmann
Designed by Anne Retsch
English
Softcover
156 pages
ISBN 978-3-943620-81-8
published by Archive Books
order
“Why can’t we stop talking about analogue film?” is the collective, implicit
question connecting a variety of contributions from participants and guests of
Film in the Present Tense – International Symposium on Current Developments in
Analog Film Culture, held in Berlin from October 20 to 22, 2017, and organized
by LaborBerlin in collaboration with Filminstitut UdK Berlin.
The book reflects a contemporary discussion around the use, value and purpose
of analogue film from a multiplicity of perspectives: artists, filmmakers,
scholars, archivists, curators, technicians and manufacturers. Film in the
Present Tense – Why can’t we stop talking about analogue film? intends to
provide a documentation of the collective momentum that characterized the
symposium and it responds to the persistent desire to keep talking about
analogue film.
With contributions by Nicola Baldini, Erika Balsom, Petra Belc, Christa
Blümlinger, Britt Al-Busultan, Anja Dornieden, Juan David Gonzáles Monroy, Guy
Edmonds, Scott Fitzpatrick, Tiago Ganhão, Sally Golding, Luisa Greenfield,
Philip Hoffman, Emmanuel Lefrant, Olga Moskatova, Aurélie Percevault, Deborah
S. Phillips, Martin Reinhart, Nicolas Rey, Julian Ross, Katia Rossini, Kerstin
Schroedinger, Guy Sherwin, Björn Speidel, Peter Taylor, Esther Urlus, Stefanie
Weberhofer, Philip Widmann, Zero Pixel, Ulrich Ziemons.
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_______________________________________________
FrameWorks mailing list
[email protected]
https://mailman-mail5.webfaction.com/listinfo/frameworks
