This might be what you are after. Labs sometimes distributed this under their own name. There are later editions.
Handbook: Recommended Procedures for Motion PictHandbook: Recommended Procedures for Motion Picture and Video Laboratory Services.ure and Video Laboratory Services. ACVL Sent using Amazon Mobile for iPhone Jeff Kreines Kinetta [email protected] kinetta.com Sent from iPhone. Jeff Kreines Kinetta [email protected] kinetta.com Sent from iPhone. > On Dec 14, 2018, at 6:31 PM, Eric Theise <[email protected]> wrote: > > The frame says – > > Download this Exremely [sic] Helpful Word Document, Courtesy of: MPS > > "..........Your workprint and tracks serve as the "blue print" for work > performed at the laboratory. The leaders on the head and tail of your rolls > of film provide for proper syncing and handling, not only on your rolls, but > also, on the rolls created later during sound rerecording, negative cutting, > and laboratory work. Marks on the workprint show the Negative Cutter where > special effects are required so that the "A&B" rolls can be assembled. The > lab uses these same marks to cue the printer to produce those effects. The > correct preparation of your workprint is important to the completion of your > production. Errors made because of incomplete or incorrect instructions can > be very costly to you in both budget and deadline. We, at Motion Picture > Services, have an interest in helping you through this stage of your > production. We invite your questions and ask you to call us for help or > clarification with your production, workprint preparation, and schedules > (303-777-2110). We have produced the attached drawings to show a minimum > requirement for leaders and effects marks. Other publications such as the > "ACVL Handbook" may provide additional information that would be useful to > you......." > > – so that doc didn't originate with Western Cine/Cinema Lab. The page also > has an image that looks like a return address sticker that says: > > Motion Picture Services > Susie Phillips, (303) 777 2110 > 1115 S. Josephine, Denver, Co. 80210 > > Post back here if you ever find it, sounds useful. > > >> On Fri, Dec 14, 2018 at 4:24 PM Eric Theise <[email protected]> wrote: >> Hi Jason, >> >> I think this must be what you're looking for but it doesn't appear that the >> Wayback Machine actually archived it, just the frame-based site that >> contained it. >> >> https://web.archive.org/web/20040627095859fw_/http://www.thecinemalab.com:80/booklet.zip >> >> Eric >> >> >>> On Fri, Dec 14, 2018 at 4:11 PM Jason Halprin <[email protected]> wrote: >>> Hi All, >>> >>> In one of my computer updates, I seem to no longer have a pdf of a guide to >>> 16/35mm film editing that was originally put together by Western Cine. As I >>> recall, this included guidelines for marking your workprint, preparing >>> negatives for A/B rolling, and essentially the whole process that someone >>> working with a negative cutter (or a negative cutter themselves) would want >>> to follow. >>> >>> Does anyone know what I'm referring to? Or, where I might find it? If I >>> recall, I downloaded it from the Cinema Lab (successor to Western Cine) >>> website back in the early 2000s. >>> >>> Thanks in Advance! >>> >>> Jason Halprin >>> [email protected] >>> jasonhalprin.com >>> _______________________________________________ >>> FrameWorks mailing list >>> [email protected] >>> https://mailman-mail5.webfaction.com/listinfo/frameworks > _______________________________________________ > FrameWorks mailing list > [email protected] > https://mailman-mail5.webfaction.com/listinfo/frameworks
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