Hi Christopher, I've worked with both stocks safely under an amber safelight. The stock I've had trouble with in this situation is 3378e, which can only be under certain red safelights.
In my experience, both stocks are pretty similar, I've metered both at about a 12 ASA for shooting outdoors and had similar results. Both are certainly less dense at that rating than say 7363. Sorry if this isn't so helpful for the more specialized application you're working on. I admit I've not processed these with D-96 or D-97. I've had the best results with D-19. Mike MorrisDallas, Texas Message: 1 Date: Mon, 1 Oct 2018 12:21:36 +0200 From: Chris G <[email protected]> To: Experimental Film Discussion List <[email protected]> Subject: [Frameworks] PF2 & 7302 questions Message-ID: <ca+ujh1xapevoms+2gb8qourf3ptctoqrpf1ftkxer3+-cxe...@mail.gmail.com> Content-Type: text/plain; charset="utf-8" Frameworkers, I'm trying to figure out a few things about these print stocks. Does anyone know which is faster? An older B&W contact printer I'm using has two exposure settings, one for the ORWO stock and one for Kodak, I believe both to only affect the lamp operation voltage, one setting has a lower voltage than the other. Unfortunately it isn't terribly clear as to which of the two stocks corresponds to which setting, and can only assume that one is more light-sensitive than the other, and to go by that before running a test. Also, does anyone have experience processing either of these stocks in D-96? Will it yield more grain and less contrast than D-97? The main difference I see between the formulas is the lack of Borax in D-97... Are both stocks orthochromatic? Will any orange darkroom safelight be okay to work with? Thanks! Christopher
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