Dear Frameworkers, 

There will be a FREE screening of Thom Andersen’s “The Thoughts That Once We 
Had” as a belated NYC launch for “Slow Writing: Thom Andersen on Cinema” at NYU 
this Thursday. Copies of the book will be available for purchase, so please 
take this chance to save on expensive mail order shipping. Details below. 

Many thanks,

Mark Webber
www.thevisiblepress.com
www.markwebber.org.uk

…

THE THOUGHTS THAT ONCE WE HAD & SLOW WRITING NYC BOOK LAUNCH
Thursday 29 March 2018, at 6:45 pm 

at NYU Waverly Place: Room 670
721 Broadway, New York, NY 10003, USA

THE THOUGHTS THAT ONCE WE HAD
Thom Andersen, 2015, digital video, 108 min
Introduced by Sukhdev Sandhu, director of the NYU Center for Experimental 
Humanities

“The Thoughts That Once We Had” is a personal history of cinema by America’s 
preeminent film essayist Thom Andersen. In conversation with the theoretical 
writings of Gilles Deleuze, the director of landmark features such as “Red 
Hollywood” (1996) and “Los Angeles Plays Itself” (2003) plunders the 
cine-archive, assembles unidentified footage from across the twentieth century, 
and creates a mordant, memory-marinated exploration of film past and film 
future.

This special screening also marks the New York launch of “Slow Writing: Thom 
Andersen on Cinema” (The Visible Press, 2017). The director’s first collection 
of writings, it gathers texts – some going back as far as 1966, some 
unpublished, others originating in Artforum, Film Comment, and Cinema Scope – 
that address the avant-garde, documentary, installations, exploitation films, 
film noir. Knowledgeable, plain spoken, socially conscious and dryly witty, 
Andersen reflects upon the likes of Pedro Costa, Nicholas Ray, Andy Warhol and 
Christian Marclay and locates their work within the broader spheres of popular 
culture, politics, history, architecture, and the urban landscape.

Copies of “Slow Writing: Thom Andersen on Cinema” will be available for sale at 
the screening for a reduced price of $30 per copy.

Presented by the NYU Center for Experimental Humanities in association with 
Grasshopper Film. With the help of Mark Webber, Thom Andersen, Flaherty Film 
Seminar.
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