De nada, Esperanza! Hopefully this will bloom for 2019 spring in beautiful 16mm screenings in Oviedo, let's see!
2018-02-15 16:01 GMT+01:00 Esperanza Collado <[email protected]>: > «there is no time and no money for this edition» :) > > Gracias, Elena. > > 2018-02-15 13:33 GMT+01:00 Elena Duque <[email protected]>: > >> Thanks! >> >> It is for Oviedo, Asturias. Of course, you have to pay for the films for >> a public screening, no matter if they are digital or prints in 16mm, that >> is out of question! >> >> 2018-02-15 13:23 GMT+01:00 Esperanza Collado <[email protected] >> >: >> >>> Hi Elena, >>> >>> Once I rented Lemon by Frampton from Anthology Film Archives, it was a >>> digital file and was screened at Irish Film Institute. I think we couldn't >>> get the actual print as it was already booked, so we rented that file but >>> not for free of course. >>> >>> So, in the end it costs money too if you screen digital, and you're not >>> even showing the original work. That sucks :) >>> >>> What city is this? Can you tell us? >>> >>> 2018-02-15 12:53 GMT+01:00 Elena Duque <[email protected]>: >>> >>>> Thanks, Pip >>>> >>>> I totally understand that, and I work for a festival that is very aware >>>> of that ((S8) Mostra de Cinema Periférico in A Coruña). Ideally, I would >>>> suggest them to project in 16mm, but this is a test screening in a small >>>> Spanish town, happening in a month and a half thanks to a venue they just >>>> got recently. So, there is no time and no money for this edition (besides >>>> of getting a projector, it would be necessary to hire a projectionist and >>>> pay for the shipping of the prints), but hopefully we will be able to that >>>> properly next year. So, I'm trying to do my best with what's available, in >>>> a place with no avant garde screenings tradition whatsoever. It is >>>> important to be aware of the context, and as much as I think that the >>>> analog screening is a totally different experience, I think this is better >>>> than nothing. We go little by little, trying to create a new audience that >>>> does not exist now! >>>> >>>> Given that, thank you very much for your suggestion! I will look >>>> through your catalogue and maybe I will make you some enquiries, trying to >>>> be respectful to all the filmmakers involved. >>>> >>>> Cheers! >>>> >>>> 2018-02-15 12:39 GMT+01:00 Pip Chodorov <[email protected]>: >>>> >>>>> Dear Elena, >>>>> >>>>> Many filmmakers don't want their films shown digitally. A good example >>>>> is Stan Brakhage. It really denatures the intended image. Other filmmakers >>>>> are more tolerant, such as Jonas Mekas. It is a big debate. >>>>> >>>>> At Re:Voir in Paris we have digital files for our VOD platform and >>>>> DVD/Blu-Ray publishing but these are meant only for home video, and though >>>>> we do get requests for screenings we always encourage programmers to >>>>> screen >>>>> film prints from the coops. A 16mm projector is really quite affordable. >>>>> But if the programmers insist and if the filmmakers agree, we can rent >>>>> files. >>>>> >>>>> In any case it is important to write in your screening programs and to >>>>> tell the audience that you are showing electronic reproductions. Just as >>>>> if >>>>> you go to a museum you expect to see original paintings, not photocopies, >>>>> so reproductions would be indicated on the title card. It is important to >>>>> educate your audience and show them films on film! >>>>> >>>>> Pip Chodorov >>>>> >>>>> >>>>> >>>>> >>>>> At 12:28 +0100 15/02/18, Elena Duque wrote: >>>>> >>>>>> I am trying to put together a couple of programs as a sort of >>>>>> introduction to experimental cinema for the audience of a small festival >>>>>> in >>>>>> a small town. They don't have the possibility to project in 16mm or 35mm >>>>>> (not this year at least), so I need to find digital files available to >>>>>> rent >>>>>> and screen. I have been browsing through the catalogues of all the >>>>>> cooperatives and distributors I could think of, but I am still missing >>>>>> some >>>>>> things I consider important. For instance, Stan Brakhage and Marie >>>>>> Menken. >>>>>> Do you know of any source, cooperative, distributor or individual, where >>>>>> I >>>>>> can find digital "prints" to rent? >>>>>> >>>>> _______________________________________________ >>>>> FrameWorks mailing list >>>>> [email protected] >>>>> https://mailman-mail5.webfaction.com/listinfo/frameworks >>>>> >>>> >>>> >>>> >>>> -- >>>> Elena Duque Viña >>>> Telf: (+34) 605431072 <+34%20605%2043%2010%2072> >>>> http://cargocollective.com/elenaduque <[email protected]> >>>> >>>> _______________________________________________ >>>> FrameWorks mailing list >>>> [email protected] >>>> https://mailman-mail5.webfaction.com/listinfo/frameworks >>>> >>>> >>> >>> >>> -- >>> Esperanza Collado >>> >>> >>> >>> www.esperanzacollado.net >>> >>> _______________________________________________ >>> FrameWorks mailing list >>> [email protected] >>> https://mailman-mail5.webfaction.com/listinfo/frameworks >>> >>> >> >> >> -- >> Elena Duque Viña >> Telf: (+34) 605431072 <+34%20605%2043%2010%2072> >> http://cargocollective.com/elenaduque <[email protected]> >> >> _______________________________________________ >> FrameWorks mailing list >> [email protected] >> https://mailman-mail5.webfaction.com/listinfo/frameworks >> >> > > > -- > Esperanza Collado > > > > www.esperanzacollado.net > > _______________________________________________ > FrameWorks mailing list > [email protected] > https://mailman-mail5.webfaction.com/listinfo/frameworks > > -- Elena Duque Viña Telf: (+34) 605431072 http://cargocollective.com/elenaduque <[email protected]>
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