Hi, We tried to screen it (Ernie's piece) without success at Los Angeles Filmforum once because the digital projector couldn't do what he needed it to do for the piece to work.
Best regards, adam On 8/8/25, 9:31 PM, "Frameworks on behalf of mrktosc" <[email protected] <mailto:[email protected]> on behalf of [email protected] <mailto:[email protected]>> wrote: I have a recollection that Ernie made a video piece called Crystal Palace that specifically depended upon interlace and field stuff and as a result he had difficulty translating it later to progressive digital video formats, although maybe that was done successfully since I last heard about it. I’m pretty sure he had two pieces that worked with this, but I can’t remember the name of the other one. Mark > On Aug 8, 2025, at 9:16 PM, jared ashburn <[email protected] > <mailto:[email protected]>> wrote: > > > Does anyone know if Ken Jacobs, Ernie Gehr, or any other artists besides > Woody and Steina Vasulka have worked at the level of the video field? I’m > particularly interested in practices that manipulate fields (1/60 second in > NTSC), whether for timing-based image alteration or for preserving > field-specific flicker phenomena. Thanks! > -- > Frameworks mailing list > [email protected] <mailto:[email protected]> > https://mail.film-gallery.org/mailman/listinfo/frameworks_film-gallery.org > <https://mail.film-gallery.org/mailman/listinfo/frameworks_film-gallery.org> -- Frameworks mailing list [email protected] <mailto:[email protected]> https://mail.film-gallery.org/mailman/listinfo/frameworks_film-gallery.org <https://mail.film-gallery.org/mailman/listinfo/frameworks_film-gallery.org> -- Frameworks mailing list [email protected] https://mail.film-gallery.org/mailman/listinfo/frameworks_film-gallery.org
