Package: sox
Version: 12.18.2-1
Severity: minor
Tags: patch
Found some typos in '/usr/share/man/man1/sox.1.gz', see attached '.diff'.
Hope this helps...
-- System Information:
Debian Release: 4.0
APT prefers unstable
APT policy: (500, 'unstable'), (1, 'experimental')
Architecture: i386 (i686)
Shell: /bin/sh linked to /bin/dash
Kernel: Linux 2.6.16-2-686
Locale: LANG=C, LC_CTYPE=C (charmap=ANSI_X3.4-1968) (ignored: LC_ALL set to C)
Versions of packages sox depends on:
ii libasound2 1.0.13-1 ALSA library
ii libc6 2.3.6.ds1-9 GNU C Library: Shared libraries
ii libgsm1 1.0.10-13 Shared libraries for GSM speech co
ii libmad0 0.15.1b-2.1 MPEG audio decoder library
ii libogg0 1.1.3-2 Ogg Bitstream Library
ii libvorbis0a 1.1.2.dfsg-1.2 The Vorbis General Audio Compressi
ii libvorbisenc2 1.1.2.dfsg-1.2 The Vorbis General Audio Compressi
ii libvorbisfile3 1.1.2.dfsg-1.2 The Vorbis General Audio Compressi
sox recommends no packages.
-- no debconf information
--- sox.1 2006-12-13 03:58:32.000000000 -0500
+++ /tmp/sox.1 2006-12-23 01:11:09.000000000 -0500
@@ -122,7 +122,7 @@
Same as \fB-h\fR
.TP 10
\fB--help-effect=name\fR
-Prints usage information on the specifed effect. The name
+Prints usage information on the specified effect. The name
\fBall\fR can be used to disable usage on all effects.
.TP 10
\fB-p\fR
@@ -188,7 +188,7 @@
.TP 10
\fB-t \fIfiletype\fR
gives the file type of the sound sample file. Useful when file extension
-is not standard or can not be determeind by looking at the header of the file.
+is not standard or can not be determined by looking at the header of the file.
See the section \fRFILE TYPES\fR for a list of supported file types.
.TP 10
\fB-v \fIvolume\fR
@@ -682,7 +682,7 @@
chorus \fIgain-in gain-out delay decay speed depth
.TP 10
-s \fR| \fI-t [ \fIdelay decay speed depth -s \fR| \fI-t ... \fR]
-Add a chorus to a sound sample. Each quadtuple
+Add a chorus to a sound sample. Each quadruple
delay/decay/speed/depth gives the delay in milliseconds
and the decay (relative to gain-in) with a modulation
speed in Hz using depth in milliseconds.
@@ -740,7 +740,7 @@
The first option is the \fIdcshift\fR value. It is a floating point number
that
indicates the amount to shift.
.br
-An option limtergain value can be specified as well. It should have a value
much less then 1.0 and is used only on peaks to prevent clipping.
+An optional limitergain value can be specified as well. It should have a
value much less then 1.0 and is used only on peaks to prevent clipping.
.TP 10
deemph
Apply a treble attenuation shelving filter to samples in
@@ -814,7 +814,7 @@
delay/decay/speed gives the delay in milliseconds
and the decay (relative to gain-in) with a modulation
speed in Hz.
-The modulation is either sinodial (-s) or triangular
+The modulation is either sinusoidal (-s) or triangular
(-t). Gain-out is the volume of the output.
.TP 10
highp \fIfrequency\fR
@@ -896,7 +896,7 @@
delay/decay/speed gives the delay in milliseconds
and the decay (relative to gain-in) with a modulation
speed in Hz.
-The modulation is either sinodial (-s) or triangular
+The modulation is either sinusoidal (-s) or triangular
(-t). The decay should be less than 0.5 to avoid
feedback. Gain-out is the volume of the output.
.TP 10
@@ -929,7 +929,7 @@
.B rate.
.br
--w < nut / ham > : select either a Nuttal (~90 dB stopband) or Hamming
+-w < nut / ham > : select either a Nuttall (~90 dB stopband) or Hamming
(~43 dB stopband) window. Default is
.I nut.
@@ -1102,7 +1102,7 @@
The \fIabove_periods\fR value is used to indicate if sound should be trimmed
at
the beginning of the audio file. A value of zero indicates no silence
-should be trimmed from the beginning. When specifing an non-zero
+should be trimmed from the beginning. When specifying a non-zero
\fIabove_periods\fR, it trims audio up until it finds non-silence.
Normally, when trimming silence from
beginning of audio the \fIabove_periods\fR will be 1 but it can be increased
to
@@ -1136,7 +1136,7 @@
in the middle and 2 seconds of silence at the end, a duration of 2
seconds could be used to skip over the middle silence.
-Unfortunetly, you must know the length of the silence at the
+Unfortunately you must know the length of the silence at the
end of your audio file to trim off silence reliably. A work around is
to use the \fIsilence\fR effect in combination with the \fIreverse\fR effect.
By first reversing the audio, you can use the \fIabove_periods\fR
