Kelly i think you have he right approach.
> On Sep 23, 2019, at 10:48 PM, Kelly Pierce <[email protected]> wrote:
> 
> I use a dynamic microphone because I figure it is easier to choose one
> rather than have many different kinds.  My gear is going to be slung
> around my neck and shoulders and travel on a city bus or train so I
> can’t carry a lot of stuff, like people who drive. It is best to avoid
> recording from a distance if you want a quality recording.  If the
> speaker will be on a public address system, work to get connected to
> the sound board and record directly from there.  When that is not
> possible, I put my microphone right in front of the audio output box
> and record the speaker output.
> 
> If the person is not using audio amplification, I have a tripod
> microphone stand with an extendable boom.  I have both 25 foot and 50
> foot microphone cords.  I can sit far away from the speaker and record
> everything.  I have been known to wear big over the ear headphones and
> follow the speaker with my microphone stand when he walks away
> slightly.  I am told it looks a little weird in the room, but I am
> after a good recording.
> 
> Kelly
> 
> 
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> 
>> On 9/23/19, tim cumings <[email protected]> wrote:
>> I would not recommend a figure 8 pattern if you are sitting in the
>> audience and want to record the people on stage. A firugre eight
>> microphone picks up equally from the front and the back of the mic, so
>> it would pick up the audience as well as the people on stage. You
>> probably want a pair  of cardioid or shotgun microphones.
>> 
>> 
>>> On 9/23/2019 10:13 PM, Hamit Campos wrote:
>>> A pair of Matched SE-7s should do. I was going to ask if it had to be
>>> dynamic or condencer but he says he'll be in the audiance so that
>>> means he's pretty far. No not realy but I'm not sure how far dynamics
>>> hear. So SE-7s would do. They're only $199 for a stereo matched pair.
>>> 
>>>> On 9/23/2019 6:54 PM, Georgina Joyce wrote:
>>>> Hello,
>>>> 
>>>> A portable cardioid or shot-gun microphone taken by each speaker will
>>>> give the best results but there is going to be some handling noise.
>>>> Unless the mics are very expensive.
>>>> 
>>>> The common terms are omni-directional and figure 8 polar patterns
>>>> that may meet the criteria as expressed.
>>>> 
>>>> The choice of microphone depends upon the quality desired and the
>>>> money available. In addition to the event’s structure and location.
>>>> If all participants are co-operative.
>>>> 
>>>> Gena
>>>>> On 23 Sep 2019, at 22:09, tim cumings <[email protected]> wrote:
>>>>> 
>>>>> Hi, Steve.
>>>>> It depends what type of microphone you are talking about. If you
>>>>> mean a standard cardioid microphone, that might work fairly well. If
>>>>> you meansomething that is even more directional, like a shotgun
>>>>> microphone, it might be difficult if there are multiple speakers on
>>>>> the stage, since you would have to move the microphone back and
>>>>> forth to capture the audio from all the speakers.
>>>>> Also in this particular situation I would advise that you use
>>>>> headphones to insure you are getting the best possible recording.
>>>>>> On Sep 23, 2019, at 10:32 AM, Steve Jacobson
>>>>>> <[email protected]> wrote:
>>>>>> 
>>>>>> Does anybody have experience with using a uni-directional
>>>>>> microphone to record a presenter at a meeting from the audience?  I
>>>>>> know there are directional microphones that work well to allow a
>>>>>> speaker to be picked up at a close range while suppressing
>>>>>> feedback, for example, but I am interested in being able to better
>>>>>> pick up a speaker from, say, the first row in the audience.  Any
>>>>>> thoughts on what degree this is practical would also be of interest.
>>>>>> 
>>>>>> Best regards,
>>>>>> 
>>>>>> Steve Jacobson
>>>>>> 
>>>>>> 
>>>>>> 
>>>>>> 
>>>>> 
>>>>> 
>>>>> 
>>>> Gena
>>>> 
>>>> Call: M0EBP
>>>> DMR ID: 2346259
>>>> Loc: IO83PS
>>>> 73
>>>> 
>>>> 
>>>> 
>>>> 
>>> 
>>> 
>>> 
>>> 
>> 
>> 
>> 
>> 
> 
> 
> 


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